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Mass media --- Political culture --- Political aspects --- History
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Mummies in mass media --- Mass media --- Mummy films --- Mummies --- History and criticism.
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Mass media and music --- Music and mass media --- Music --- 78.28 --- Filmmuziek --- Videoclips --- Televisie --- Media --- 20e eeuw
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Art --- Art and society --- Art and state --- Art patronage --- Art et société --- Mécénat --- Congresses. --- Congresses --- Congrès --- Politique gouvernementale --- --Mécénat --- --Société --- --Mass media and art --- Political aspects --- 7.071 <493> --- 321.01 <493> --- 316.46 <493> --- Music --- Art et société --- Mécénat --- Congrès --- 20th century --- Mass media and art --- Finance --- Kunst --- Société --- Mass media and art - Congresses --- Art and state - Congresses --- Art patronage - Congresses --- Art - Political aspects - Congresses --- Belgique --- Pouvoir politique --- Pouvoir economique --- Medias --- Politique culturelle --- Arts / artiste
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PR (public relations) --- Advertising. Public relations --- Public relations --- Business --- Industries --- PR (Public relations) --- Advertising --- Industrial publicity --- Mass media and business --- Propaganda --- Publicity --- Public relations. --- 091
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Mass media and music --- Music and technology --- Music trade --- Music --- Sound recording industry --- Audio recording industry --- Popular music record industry --- Record companies --- Record industry --- Record music industry --- Recorded music industry --- Recording industry --- Music business --- Music industry --- Cultural industries --- Technology and music --- Technology --- Music and mass media --- History and criticism --- Muziek --- Techniek --- Media --- Radio --- 21e eeuw
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What does it mean for a cinematic work to be 'Chinese'? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like 'Chinese cinema' difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations.
Motion pictures --- Cinéma --- S17/2000 --- S17/0100 --- China: Art and archaeology--Film --- China: Art and archaeology--Bibliographies, dictionaries, yearbooks and collections --- Cinéma --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
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Motion pictures --- Cinéma --- Social aspects --- Aspect social --- S17/2000 --- China: Art and archaeology--Film --- Film --- Sociology of culture --- China --- Cinéma --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
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Press --- Journalists --- Mass media --- Information services --- Associations, institutions, etc. --- Presse --- Journalistes --- Médias --- Services d'information --- Associations --- Directories --- Répertoires --- Mediaplanning --- Mediaplanning. --- Médias --- Répertoires --- Directories. --- 092.1 Media 2008
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The Audible Past explores the cultural origins of sound reproduction. It describes a distinctive sound culture that gave birth to the sound recording and transmission devices so ubiquitous in modern life. With an ear for the unexpected, scholar and musician Jonathan Sterne uses the technological and cultural precursors of telephony, phonography, and radio as an entry point into a history of sound in its own right. Sterne studies the constantly shifting boundary between phenomena organized as "sound" and "not sound." In The Audible Past, this history crisscrosses the liminal regions between bodies and machines, originals and copies, nature and culture, and life and death. Blending cultural studies and the history of communication technology, Sterne follows modern sound technologies back through a historical labyrinth. Along the way, he encounters capitalists and inventors, musicians and philosophers, embalmers and grave-robbers, doctors and patients, deaf children and their teachers, professionals and hobbyists, folklorists and tribal singers. The Audible Past tracks the connections between the history of sound and the defining features of modernity: from developments in medicine, physics, and philosophy to the tumultuous shifts of industrial capitalism, colonialism, urbanization, modern technology, and the rise of a new middle class.
Sound --- Sound recording industry --- Sound in mass media --- Sound recordings --- Popular culture --- Recording and reproducing --- History --- Social aspects --- Culture populaire. --- Enregistrements sonores --- Geluidsweergave. --- Klangerzeugung. --- Kultur. --- Populaire cultuur. --- Popular culture. --- Schallaufzeichnung. --- Sociale aspecten. --- Son dans les médias. --- Son --- Sound in mass media. --- Technische vernieuwing. --- Aspect social. --- Industrie --- Enregistrement et reproduction --- Histoire. --- Social aspects. --- History. --- Recording and reproducing. --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Mass media --- Audio recording industry --- Popular music record industry --- Record companies --- Record industry --- Record music industry --- Recorded music industry --- Recording industry --- Music trade --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Recording and reproducing&delete& --- Sound - Recording and reproducing - History --- Sound recording industry - Social aspects --- Sound recordings - Social aspects
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