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Musical intervals and scales --- Music --- Tone color (Music) --- Musique --- Timbre --- Acoustics and physics --- Intervalles et gammes --- Acoustique et physique --- 78.62 --- 78.86.1
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Musical temperament --- Musical intervals and scales --- Harmonic analysis (Music) --- Tempérament (Musique) --- Musique --- Analyse harmonique (Musique) --- Intervalles et gammes --- 78.62
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Musical intervals and scales --- Harmony --- Music theory --- Musique --- Harmonie --- Théorie musicale --- Early works to 1800 --- Intervalles et gammes --- Ouvrages avant 1800 --- 78.63 --- Traktaten --- Frankrijk --- 18e eeuw
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Greek music --- Music [Greek ](Ancient) --- Music [Greek and Roman ] --- Music [Roman ] --- Musique grecque (Ancienne) --- Musique grecque et romaine --- Musique romaine --- Muziek [Griekse ](Oude) --- Muziek [Griekse en Romeinse ] --- Muziek [Romeinse ] --- Music, Greek and Roman --- Music theory --- Musical intervals and scales --- Théorie musicale --- Musique --- History --- Histoire --- Intervalles et gammes --- Théorie musicale --- To 500 --- Muziektheorie --- Griekenland --- Klassiek --- Muzieksystemen --- Theorie --- Analyses
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Musical intervals and scales --- Music theory --- Gregorian chants --- Musique --- Théorie musicale --- Chant grégorien --- History --- Intervalles et gammes --- Histoire --- Cantus planus (Gregoriaans, enz.) --- Chant (Plain, Gregorian, etc.) --- Chants (Plain, Gregorian, etc.) --- Chants grégoriens --- Franco-Roman chants --- Gregoriaans --- Gregoriaanse gezangen --- Gregorian chant --- Old Roman chants --- Plain-chant (Grégorien, etc.) --- Plainchant --- Plainchants --- Plainsong --- Roman songs --- Théorie musicale --- Chant grégorien --- Muziektheorie --- Religieuze muziek --- Modaliteit --- Muzieksystemen --- Theorie --- Analyses
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Musical intervals and scales --- Music theory --- Byzantine chants --- Musique --- Théorie musicale --- Chant byzantin --- History --- Intervalles et gammes --- Histoire --- 78 --- Muziek --- 78 Muziek --- Byzantijnse gezangen --- Chanting --- Chants (Byzantine) --- Chants byzantins --- Gezangen (Byzantijnse) --- Musique chrétienne--Empire byzantin --- Musique psaltique --- Musique religieuse byzantine --- Musique religieuse--Empire byzantin --- Musique vocale chrétienne--Empire byzantin --- Psaltike techne --- Psaltique --- Techne psaltike --- Théorie musicale --- Muziektheorie --- Psalmodie --- Byzantijnse muziek --- Wiskunde --- Muzieksystemen --- Theorie --- Analyses
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The ancient science of harmonics investigates the arrangements of pitched sounds which form the basis of musical melody, and the principles which govern them. It was the most important branch of Greek musical theory, studied by philosophers, mathematicians and astronomers as well as by musical specialists. This 2007 book examines its development during the period when its central ideas and rival schools of thought were established, laying the foundations for the speculations of later antiquity, the Middle Ages and the Renaissance. It concentrates particularly on the theorists' methods and purposes and the controversies that their various approaches to the subject provoked. It also seeks to locate the discipline within the broader cultural environment of the period; and it investigates, sometimes with surprising results, the ways in which the theorists' work draws on and in some cases influences that of philosophers and other intellectuals.
780.901 --- Arts Music Ancient times to 450 A.D. --- Music --- Musical intervals and scales --- Music theory --- Musique --- Théorie musicale --- Acoustics and physics. --- History --- Acoustique et physique --- Intervalles et gammes --- Histoire --- 78.22 --- 78.63 --- Musical theory --- Theory of music --- Intervals (Music) --- Modes, Musical --- Musical modes --- Musical scales and intervals --- Scales (Music) --- Musical temperament --- Musical acoustics --- Physics --- Sound --- Monochord --- Theory --- Modes --- Arts and Humanities
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