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Music --- Musique --- Haydn, Joseph, --- Haydn, Franz Joseph --- Criticism and interpretation --- 78.21.1 Haydn

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The Orchestral Revolution explores the changing listening culture of the eighteenth and early nineteenth centuries. Delving into Enlightenment philosophy, the nature of instruments, compositional practices and reception history, this book describes the birth of a new form of attention to sonority and uncovers the intimate relationship between the development of modern musical aesthetics and the emergence of orchestration. By focusing upon Joseph Haydn's innovative strategies of orchestration and tracing their reception and influence, Emily Dolan shows that the consolidation of the modern orchestra radically altered how people listened to and thought about the expressive capacity of instruments. The orchestra transformed from a mere gathering of instruments into an ideal community full of diverse, nuanced and expressive characters. In addressing this key moment in the history of music, Dolan demonstrates the importance of the materiality of sound in the formation of the modern musical artwork.

Instrumentation and orchestration --- Orchestra --- Instrumentation et orchestration --- Orchestre --- History. --- History --- Histoire --- Haydn, Joseph, --- Criticism and interpretation. --- Haydn, Jozef --- Orchestras --- Musical groups --- Orchestration --- Composition (Music) --- Arrangement (Music) --- Gaĭdn, Ĭ., --- Gaĭdn, Ĭosif, --- Gaĭdn, Ĭozef, --- Haiden, Josip, --- Haidnas, J., --- Haidun, --- Hayden, Joseph, --- Haydn, --- Haydn, F. J. --- Haydn, Franz Josef, --- Haydn, Franz Joseph, --- Haydn, Giuseppe, --- Haydn, Ios. --- Haydn, J. --- Haydn, Jos. --- Haydn, Josef, --- Haydn, Joseph --- Heyden, Joseph, --- Khaĭdn, Ĭozef, --- היידן, י., --- 78.65 --- 78.26 --- Haydn, Franz Joseph

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This volume offers a new view of Joseph Haydn's instrumental music. It argues that many of Haydn's greatest and most characteristic instrumental works are 'through-composed' in the sense that their several movements are bound together into a cycle. This cyclic integration is articulated, among other ways, by the 'progressive' form of individual movements, structural and gestural links between the movements, and extramusical associations. Central to the study is a detailed and comprehensive analysis of the 'Farewell' Symphony, No. 45 in F sharp minor (1772). The analysis is distinguished by its systematic use of different methods (Toveyan formalism, Schenkerian voice leading, Schoenbergian developing variation) to elucidate the work's overall coherence. The work's unique musical processes, in turn, suggest an interpretation of the entire piece (not merely the famous 'farewell' finale) in terms of the familiar programmatic story of the musicians' wish to leave Castle Eszterhaza. In a book which relates systematically the results of analysis and interpretation, Professor Webster challenges the concept of 'classical style' which, he argues has distorted our understanding of Haydn's development, and he stresses the need for a greater appreciation of Haydn's early music and of his stature as Beethoven's equal.

Classicism in music --- Instrumental music --- -Symphony --- -Sinfonietta --- Symphonies --- Symphonietta --- Symphony --- Musical form --- Music, Instrumental --- Music --- Style, Musical --- History and criticism --- Haydn, Joseph. --- -History and criticism --- Haydn, Franz Joseph --- -Style, Musical --- Sinfonietta --- 78.21.1 Haydn --- -Music, Instrumental --- Haydn, Joseph --- Gaĭdn, Ĭ., --- Gaĭdn, Ĭosif, --- Gaĭdn, Ĭozef, --- Haiden, Josip, --- Haidnas, J., --- Haidun, --- Hayden, Joseph, --- Haydn, --- Haydn, F. J. --- Haydn, Franz Josef, --- Haydn, Franz Joseph, --- Haydn, Giuseppe, --- Haydn, Ios. --- Haydn, J. --- Haydn, Jos. --- Haydn, Josef, --- Heyden, Joseph, --- Khaĭdn, Ĭozef, --- היידן, י., --- -Musical form --- Classicism in music. --- Cyclic form (Music) --- History and criticism. --- Haydn, Joseph, --- Cyclical form (Music)

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Musique --- Aspect social --- Histoire --- Philosophie et esthétique. --- Music --- Social aspects --- History --- Philosophy and aesthetics --- Philosophie et esthétique --- Beethoven, Ludwig van, --- Vienna (Austria) --- Vienne (Autriche) --- Intellectual life --- Vie intellectuelle --- Beethoven, Ludwig van --- Appreciation --- Criticism and interpretation --- Art patronage --- Austria --- 1789-1815 --- Haydn, Franz Joseph --- Disciples --- 78.21.1 Beethoven --- Musique - Aspect social - Autriche - Vienne - Histoire - 18e siècle. --- Musique - Aspect social - Autriche - Vienne - Histoire - 19e siècle. --- Musique - Philosophie et esthétique. --- Beethoven, Ludwig van (1770-1827) --- Wenen --- 18e eeuw --- 19e eeuw