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Musical intervals and scales --- Music theory --- Gregorian chants --- Musique --- Théorie musicale --- Chant grégorien --- History --- Intervalles et gammes --- Histoire --- Cantus planus (Gregoriaans, enz.) --- Chant (Plain, Gregorian, etc.) --- Chants (Plain, Gregorian, etc.) --- Chants grégoriens --- Franco-Roman chants --- Gregoriaans --- Gregoriaanse gezangen --- Gregorian chant --- Old Roman chants --- Plain-chant (Grégorien, etc.) --- Plainchant --- Plainchants --- Plainsong --- Roman songs --- Théorie musicale --- Chant grégorien --- Muziektheorie --- Religieuze muziek --- Modaliteit --- Muzieksystemen --- Theorie --- Analyses

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Music --- gregoriaanse muziek --- Chant grégorien --- Kerkliederen: theorie van het gregoriaans --- -Chant (Plain, Gregorian, etc.) --- -Kerkmuziek. Religieuze muziek --- -783 Kerkmuziek. Religieuze muziek --- 783 --- Gregorian chants --- Chants (Plain, Gregorian, etc.) --- Franco-Roman chants --- Gregorian chant --- Old Roman chants --- Plainchant --- Plainchants --- Plainsong --- Roman chants --- 783 Kerkmuziek. Religieuze muziek --- Kerkmuziek. Religieuze muziek --- History and criticism --- 470 --- History and criticism. --- Chant grégorien --- Histoire et critique --- 78.90 --- 521 --- Muziekgeschiedenis (Oudheid - Renaissance) --- Gregorian chants - History and criticism.

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How did medieval musicians learn to perform? How did they compose? What was their sense of the history and purpose of music? The Summa musice, a treatise on practical music from c.1200, sheds light on all these questions. It is a manual for young singers who are learning Gregorian chant for the first time, and provides a compact but comprehensive introduction to notation, performance and composition, written in a mixture of Latin prose and verse. More than that, however, it is also an introduction to medieval culture: what educated people believed to be worth knowing about music, how they reasoned when they discussed musical questions, the nature of musical thought and how it was expressed. Christopher Page's 1991 book provides an edition of the Latin text taken from the only surviving original copy, together with an English translation. Both texts are copiously annotated and introduced by an authoritative and illuminating editorial commentary.

091:78 --- 091 <436 SANKT PAUL> --- Music theory --- Singing --- -Gregorian chants --- -Chant (Plain, Gregorian, etc.) --- Chants (Plain, Gregorian, etc.) --- Franco-Roman chants --- Gregorian chant --- Old Roman chants --- Plainchant --- Plainchants --- Plainsong --- Roman chants --- Chants --- Singing and voice culture --- Vocal culture --- Music --- Beatboxing --- Throat singing --- Musical theory --- Theory of music --- Handschriften i.v.m. muziek --- Handschriftenkunde. Handschriftencatalogi--Oostenrijk--SANKT PAUL --- Instruction and study --- Performance --- Theory --- Gregorian chants --- -Handschriften i.v.m. muziek --- 091 <436 SANKT PAUL> Handschriftenkunde. Handschriftencatalogi--Oostenrijk--SANKT PAUL --- 091:78 Handschriften i.v.m. muziek --- -Music --- Chant (Plain, Gregorian, etc.) --- 78.23 --- Zang --- Gregoriaans --- Traktaten --- Muzieknotatie --- Middeleeuwen --- 13e eeuw --- Uitvoeringspraktijk --- Methodes