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muziekgeschiedenis --- Music --- etnomusicologie --- Azerbaijan --- Folk music --- -Ethnic music --- Traditional music --- Folklore --- History and criticism --- -History and criticism --- Ethnic music --- 78.33.2
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Music --- Africa --- History and criticism --- 78.32.0 --- Folk music --- Ethnic music --- Traditional music --- Folklore
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The music and dance of the Tokelau Islands was affected by the wave of modernization which swept the Pacific following the establishment of the Western powers in the 19th Century. Although remote and isolated these tiny islands were fully involved in the recreation of their traditional music and dance style to reflect the new ideologies and technology. Yet the new form also maintains a strong sense of local identity and the ebullience and vigor of Polynesian dance, music, drumming, singing and text composition. In this study the work of local composers and the social context of performance are acknowledged, the separate elements of music, dance and poetic text are considered as they are interrelated within this form, and the history and geographical spread of the fatele to other islands. Working in the islands and in New Zealand (where the majority of Tokelauans now live) Allan Thomas also charts his growing understanding of the dance and music through more than ten years of fieldwork showing the special features that this modern form presents within studies of traditional musics.
78.37 --- Fātele (Dance) --- Folk music, Tokelauan. --- Folk dancing, Tokelauan --- Folk music --- Ethnic music --- Traditional music --- Folklore --- Music
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Folk music
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Increasingly popular in the United States and Europe, Andean panpipe and flute music draws its vitality from the traditions of rural highland villages and of rural migrants who have settled in Andean cities. In Moving Away from Silence, Thomas Turino describes panpipe and flute traditions in the context of this rural-urban migration and the turbulent politics that have influenced Peruvian society and local identities throughout this century. Turino's ethnography is the first large-scale study to concentrate on the pervasive effects of migration on Andean people and their music. Turino uses the musical traditions of Conima, Peru as a unifying thread, tracing them through the varying lives of Conimeos in different locales. He reveals how music both sustains and creates meaning for a people struggling amid the dramatic social upheavals of contemporary Peru. Moving Away from Silence contains detailed interpretations based on comparative field research of Conimeo musical performance, rehearsals, composition, and festivals in the highlands and Lima. The volume will be of great importance to students of Latin American music and culture as well as ethnomusicological and ethnographic theory and method.
Folk music --- Rural-urban migration --- Ethnic music --- Traditional music --- Folklore --- Music --- History and criticism. --- 78.36 --- Musique folklorique --- Exode rural --- Histoire et critique
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popmuziek --- Music --- Folklore --- muziekgeschiedenis --- volksmuziek --- Europe --- Folk music --- -Popular music --- -Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Cover versions --- Ethnic music --- Traditional music --- History and criticism --- -History and criticism --- -Music --- Music, Popular --- 78.21 --- 78.34.0 --- -Ethnic music
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Music --- Mexico --- Folk music --- Folk songs, Spanish --- Folk dance music --- History and criticism --- Mexico. --- History and criticism. --- Ethnic music --- Traditional music --- Folklore --- Folk music - Mexico - History and criticism --- Folk songs, Spanish - Mexico --- Folk dance music - Mexico
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Folk music --- Folk songs, Turkish --- Turkish ballads and songs --- Turkish folk songs --- Ethnic music --- Traditional music --- Folklore --- Music --- History and criticism --- 78.33.2 --- 78.41.2 --- 78.44.2.2 --- Turkije
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Amerika --- Nederland --- Amerika. --- Nederland. --- Field recordings --- Folk music --- Ethnic music --- Traditional music --- Folklore --- Music --- Sound recordings --- Video recordings --- History --- History and criticism --- Doornbosch, Ate, --- Lomax, Alan, --- 78.35 --- 78.34.7 --- 78.31
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This book is a substantial and thorough musicological analysis of Turkish folk music. It reproduces in facsimile Bartók's autograph record of eighty seven vocal and instrumental peasant melodies of the Yürük Tribes, a nomadic people in southern Anatolia. Bartók's introduction includes his annotations of the melodies, texts, and translations and establishes a connection between Old Hungarian and Old Turkish folk music.Begun in 1936 and completed in 1943, the work was Bartók's last major essay. The editor, Dr. Benjamin Suchoff, has provided an historical introduction and a chronology of the various manuscript versions. An afterword by Kurt Reinhard describes recent research in Turkish ethnomusicology and gives a contemporary assessment of Bartók's field work in Turkey. Appendices prepared by the editor include an index of themes compiled by computer.Originally published in 1976.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Yürük folk music --- Chansons populaires turques --- Folk songs [Turkish ] --- Volksliederen [Turkse ] --- Ethnic music --- Traditional music --- Folk music --- Folklore --- Music --- History and criticism. --- Bartók, Béla --- Bartok, Béla --- Ethnomusicology --- Turkey --- 78.33.2 --- Etnomusicologie --- Volksmuziek --- Azië --- Turkije
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