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Eighteenth-century consumers of the Qing and Ottoman empires had access to an increasingly diverse array of goods, from home furnishings to fashionable clothes and new foodstuffs. While this tendency was of shorter duration and intensity in the Ottoman world, some urbanites of the sultans’ realm did enjoy silks, coffee, and Chinese porcelain. By contrast, a vibrant consumer culture flourished in Qing China, where many consumers flaunted their fur coats and indulged in gourmet dining. Living the Good Life explores how goods furthered the expansion of social networks, alliance-building between rulers and regional elites, and the expression of elite, urban, and gender identities. The scholarship in the present volume highlights the recently emerging “material turn” in Qing and Ottoman historiographies and provides a framework for future research. Contributors: Arif Bilgin, Michael G. Chang, Edhem Eldem, Colette Establet, Antonia Finnane, Selim Karahasanoglu, Lai Hui-min, Amanda Phillips, Hedda Reindl-Kiel, Martina Siebert, Su Te-Cheng, Joanna Waley-Cohen, Wang Dagang, Wu Jen-shu, Yıldız Yılmaz, and Yun Yan.

Consumers --- Consumption (Economics) --- Consumer demand --- Consumer spending --- Consumerism --- Spending, Consumer --- Demand (Economic theory) --- Customers (Consumers) --- Shoppers --- Persons --- History --- China --- Turkey --- Ottoman Empire --- E-books --- Ottoman Empire, 1288-1918

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History of France --- anno 1600-1699 --- anno 1700-1799 --- Manufacturing industries --- Luxuries --- Skilled labor --- Consumption (Economics) --- Affluent consumers --- Industrie manufacturière --- Produits de luxe --- Ouvriers qualifiés --- Consommation (Economie politique) --- Consommateurs riches --- History --- Congresses --- Histoire --- Congrès --- Industrie manufacturière --- Ouvriers qualifiés --- Congrès --- Labor --- Industries --- Manufactures --- Luxury goods --- Luxury services --- Commercial products --- Consumer demand --- Consumer spending --- Consumerism --- Spending, Consumer --- Demand (Economic theory) --- Affluent market --- Rich as consumers --- Rich consumers --- Wealthy consumers --- Consumers --- History&delete&

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Prices --- History --- Egypt --- Egypte --- Economic conditions --- Conditions économiques --- Thebes (Egypt : Extinct city) --- -Commercial products --- Commodity prices --- Justum pretium --- Price theory --- Consumption (Economics) --- Cost --- Costs, Industrial --- Money --- Cost and standard of living --- Supply and demand --- Value --- Wages --- Willingness to pay --- -Prices --- History. --- -History --- Conditions économiques --- Commercial products --- Thebes (Egypt : Ancient city) --- Economic conditions. --- Antiquities --- Prices - Egypt - History --- Egypt - Economic conditions - To 332 BC --- Thebes (Egypt : Extinct city) - Economic conditions

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Exchange --- Material culture --- Salvage archaeology --- History --- Egypt --- Nubia --- Commerce --- History. --- Antiquities. --- Archaeological resources management --- Conservation archaeology --- Crisis archaeology --- CRM archaeology --- Cultural resource management archaeology --- Developer-funded archaeology --- Development-led archaeology --- Preventive archaeology --- Public archaeology --- Rescue archaeology --- Archaeology --- Archaeology and state --- Antiquities --- Culture --- Folklore --- Technology --- Economic anthropology --- Economics --- Supply and demand --- Collection and preservation --- Nūbah --- نوبة --- بلاد النوبة --- Égypte --- Ägypten --- Egitto --- Egipet --- Egiptos --- Miṣr --- Southern Region (United Arab Republic) --- Egyptian Region (United Arab Republic) --- Iqlīm al-Janūbī (United Arab Republic) --- Egyptian Territory (United Arab Republic) --- Egipat --- Arab Republic of Egypt --- A.R.E. --- ARE (Arab Republic of Egypt) --- Jumhūrīyat Miṣr al-ʻArabīyah --- Mitsrayim --- Egipt --- Ijiptʻŭ --- Misri --- Ancient Egypt --- Gouvernement royal égyptien --- جمهورية مصر العربية --- مِصر‎ --- مَصر‎ --- Maṣr --- Khēmi --- エジプト --- Ejiputo --- Egypti --- Egypten --- מצרים --- United Arab Republic

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Art --- musical instruments --- installations [visual works] --- music [performing arts] --- sculpting --- Horn, Rebecca --- Baschet, Bernard --- Tinguely, Jean --- Allen, Terry --- Oppenheim, Dennis --- Creed, Martin --- Paik, Nam June --- Kienholz, Edward --- Oldenburg, Claes --- Cardiff, Janet --- Gupta, Subodh --- Nicolai, Carsten --- Duchamp, Marcel --- Takis --- Adkins, Terry --- Anastasi, William --- Ay-O --- Bagnoli, Marco --- Boursier-Mougenot, Céleste --- Doesburg, van, Theo --- Marinis, De, Paul --- Ewan, Ruth --- Pistoletto, Michelangelo --- Morris, Robert --- Gréaud, Loris --- Kersels, Martin --- Marchetti, Walter --- Mattiacci, Eliseo --- Mirza, Haroon --- Beuys, Joseph --- Wesselmann, Tom --- Reyes, Pedro --- Rocha Iturbide, Manuel --- Sachs, Tom --- Suzuki, Akio --- Tadiello, Alberto --- Werve, van der, Guido --- Wada, Yoshimasa --- Butler, Ken --- Vandervorst, Max --- Cage, John --- Dalí, Salvador --- Rauschenberg, Robert --- Uecker, Günther --- Aitken, Doug --- Cattelan, Maurizio --- Artschwager, Richard --- Huene, von, Stephan --- Demand, Thomas --- Kounellis, Jannis --- Nauman, Bruce --- Sala, Anri --- Slominski, Andreas --- Wiley, William --- Leitner, Bernhard --- Bruggen, van, Coosje --- Balla, Giacomo --- Jones, Joe --- Knizak, Milan --- Maciunas, Georg --- Marclay, Christian --- Nouveau, Henri --- Opałka, Roman --- Russolo, Luigi --- Saito, Takako --- Vostell, Wolf --- Man Ray --- Arman --- Anderson, Laurie --- Calder, Alexander --- 78.04.3 Venezia 2014 --- music [performing arts genre] --- Knížák, Milan