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Art --- Sculpture --- Sculpture. --- Plastische kunst. --- Stonework, Decorative --- Bas-relief --- Statues --- Sculpture, Primitive

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African [general, continental cultures] --- Art --- Ethnology. Cultural anthropology --- Africa --- Sculpture --- Sculpture, African --- Appreciation --- Exhibitions. --- Stonework, Decorative --- Exhibitions --- Appreciation&delete& --- Bas-relief --- Statues --- Sculpture, Primitive

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Decoding Dictatorial Statues is a collection of images and texts revolving around the different statues behave in public space. How can we decode statues the agency of their sculptured body language and their sociopolitical role as relational objects and media icons?Coupling a designer's perspective with an analytical approach, Ted Hyunhak Yoon explores the cliched poses of dictatorial statues. In his image analysis, he lays out a choreography of these sculptures and uncovers the non-verbal rhetorics that shaped them. In the visual framing opened up by Hyunhak Yoon's image research, readers can zoom in and out of the various narratives on offer.In addition to these visual narratives, the authors - acting as a group of decoders - contribute a wide range of perspectives on the subject. It's statues from different eras, located in different parts of the world, that form, the starting point for these precise dissections. For instance, what links an outbreak of cultural vandalism against a 200 year old Vietnamese devotional subject with the toppling of Saddam Hussein's statue in 2011? Why would a recently liberated African country opt for a North Korean compagny to tell its history? How can we define historical value in regards to the removal of colonial monuments in South-Africa, The Netherlands and the United States?Responding to current debates on the representation of the historical canon, these expert's perspectives and Ted Hyunhak Yoon's vbisual framework address urgent concerns about the depiction and representation of heritage and our future leaders. By asking us to consider the visual language of the statues itself, this project offers a living understanding of a supposedley long-gone symbolic order and a pathway to a more cross-cultural and historic comprehension.

Sculpture --- sculpture [visual works] --- statues --- politics --- dictators --- hands [animal components] --- human figures [visual works] --- Public sculpture --- Dictators in art. --- Philosophy. --- Political aspects. --- Sculpture publique --- Dictateurs dans l'art --- Philosophie --- Aspect politique --- Ted, Hyunhak Yoon

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philosophy --- sculpting --- sculptors --- Sculpture --- art history --- Epstein, Jacob --- Giacometti, Alberto --- Gormley, Antony --- Serra, Richard --- Beuys, Joseph --- Brancusi, Constantin --- 73.07 --- 73.01 --- Beeldhouwkunst ; 1980-2015 ; A. Gormley --- Gormley, Antony °1950 (°Londen, Groot-Brittannië) --- Beeldhouwkunst ; theorie ; kunstbeschouwing --- 73 --- beeldhouwkunst --- kunsttheorie --- kunstfilosofie --- Stonework, Decorative --- Art --- Bas-relief --- Statues --- Philosophy. --- Beeldhouwkunst ; beeldhouwers A - Z --- Beeldhouwkunst ; theorie, filosofie, esthetica --- beeldhouwkunst, numismatiek, kunstsmeedwerk en kunstdrijfwerk --- Gormley, Antony. --- Gormli, Entoni --- Гормли, Ентони --- MAD-faculty 16 --- hedendaagse beeldhouwkunst --- Philosophy --- Sculpture, Primitive

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The work's of New York based artist Kara Walker (b. 1969) have been featured prominently in exhibitions around the world since the mid-1990s. Walker is renowned for her candid explorations of race, gender, sexuality and violence, from drawings, prints, murals, shadow puppets, cut-paper silhouettes, and projections to large-scale sculptural installations, often referencing the history of slavery and the antebellum American South. Now, Walker is creating the latest Hyundai Commission in Tate Modern's Turbine Hall. Documenting the work's creation, this book includes images of the work in process as well as the final installation. Walker introduces a personal selection of archival images and artworks that have influenced her during the genesis of this work. Essays by curator Clara Kim and a specially commissioned piece by the celebrated writer Zadie Smith offer fresh and intriguing insights into Walker's life and career.https://www.copyrightbookshop.be/shop/kara-walker-fons-americanus-hyundai-commission/

Western ArtUnited States;Installation Art;SculptureAfrican-American;Women ArtistsWalker, Kara --- Art --- sculpture [visual works] --- statues --- racial discrimination --- slavery --- fountains --- site-specific works --- African diaspora --- Walker, Kara --- Sculpture, American --- Women sculptors --- Social aspects. --- Attitudes. --- Walker, Kara Elizabeth. --- #breakthecanon --- Beeldhouwkunst --- Silhouet --- Schilderkunst --- African American sculpture --- 7.07 --- Walker, Kara °1969 (°Stockton, California, Verenigde Staten) --- Vrouwelijke kunstenaars --- Black Art --- Black Feminism --- Afro-American sculpture --- Sculpture, African American --- African American art --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Walker, Kara Elizabeth --- Slavernij --- Interbellum