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Applied arts. Arts and crafts --- furniture making --- Mechels meubel --- meubelkunst --- Mechelen --- furniture design
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furniture making --- video art --- Film --- Iconography --- Art --- West, Franz --- anno 1900-1999 --- Austria --- ruimtelijke kunst --- West, Franz,
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Applied arts. Arts and crafts --- furniture making --- crafts [art genres] --- meubelkunst --- anno 1600-1699 --- anno 1700-1799 --- Flanders --- furniture design
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Art --- prints [visual works] --- sculpture [visual works] --- furniture making --- easel paintings [paintings by form] --- textile materials --- Wurm, Erwin --- paintings [visual works]
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Painting --- installations [visual works] --- art [fine art] --- memory --- Iconography --- painting [image-making] --- furniture making --- Art --- assemblages [sculpture] --- Ryman, Robert --- Langlands & Bell --- Holzer, Jenny --- Boltanski, Christian --- Kiefer, Anselm --- Pollock, Jackson --- anno 1900-1999 --- Aesthetics, Modern --- Art, Modern --- Object (Aesthetics) --- Philosophy. --- Object (Aesthetics). --- art criticism --- kunstfilosofie --- philosophy of art --- installatiekunst --- kunstbeschouwing --- art [discipline] --- memory [psychological concept] --- kunst over kunst
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Book history --- Art --- Architecture --- Sculpture --- Applied arts. Arts and crafts --- Painting --- sculpture [visual works] --- furniture making --- engraving [action] --- architecture [discipline] --- drawing [image-making] --- painting [image-making] --- bindings [gathered matter components] --- tin [metal] --- ceramics [object genre] --- mural painting [image-making] --- typography --- embroidery [visual works] --- illuminated manuscripts --- bronze [metal] --- copper [metal] --- edelsmeedkunst --- Gentse school --- ironwork [visual works] --- Ghent
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Design --- Industrial design --- 749.07 --- 7.07 --- Mari, Enzo 1932-2020 (°Novara, Italië) --- Anti-design --- Ontwerppraktijk ; Do It Yourself (DIY) design ; meubels --- Industrieel design ; Italië ; Enzo Mari --- 770.6 --- 772.81 --- 705.9 --- kunst --- ontwerpers --- industrieel design --- designers --- product design --- Meubels --- meubelontwerp --- Mari, Enzo --- meubelkunst --- Design, Industrial --- Mechanical drawing --- New products --- Creation (Literary, artistic, etc.) --- History --- Meubelontwerpers ; designers ; interieurarchitecten A - Z --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- productdesign, filosofie, esthetiek en kritiek --- productdesign, historisch, 1945-, ontwerpers afzonderlijk --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- Mari, Enzo, --- furniture making --- design [discipline] --- Modernist --- 745.071 --- Enzo Mari --- productdesign --- meubelontwerpers
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architectural elements --- sculpting --- Sculpture --- assemblages [sculpture] --- furniture making --- outdoor sculpture --- brick [clay product] --- Iconography --- Art --- Kasimir, Marin --- anno 1900-1999 --- Belgium --- Germany --- Catalogues d'expositions --- Kasimir, M. --- Kunst --- Tentoonstellingscatalogi --- Photography, Panoramic --- Public art --- Installations (Art) --- Photographie panoramique --- Art public --- Exhibitions --- Expositions --- Kasimir, Marin, --- Interviews --- Architecture --- Mobilier urbain --- Paysage urbain --- Scénographie --- Marin Kasimir °1957 (°München). --- Kunst ; vanaf 1980 ; Marin Kasimir --- Installaties --- Scenografie --- Schütte, Thomas --- 7.07 --- 73.07 --- (069) --- Marin Kasimir °1957 (München) --- 7.038 --- kunst --- twintigste eeuw --- Kasimir Marin --- installaties --- anamorfose --- Duitsland --- 7.071 KASIMIR --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldhouwkunst ; beeldhouwers A - Z --- (Musea. Collecties) --- Kunstgeschiedenis ; 1950 - 2000 --- ruimtelijke kunst --- Marin Kasimir °1957 (°München) --- Kunstmilieu --- brick [clay material] --- kunst over kunst
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Joep van Lieshout travels between the worlds of easy-clean designs and the non-functional area of art. His work offers pratical solutions to everyday problems : his self-developed "skull rooms" and campers, furniture and practical objects, sextoys and weapons are poised on the interface between high and low art. At the same time they are the objects of personal obsession, buildings and implements, which are the materialization of secret wishes. This book offers a survey of the creative powers of Joep van Lieshout (born 1963, Ravenstein), one of the foremost Dutch artists of the day. Piet de Jonge and Bart Lootsma provide a comprehensive introduction to Van Lieshout's thought-world. In addition the book contains numerous references for further study. For those who cannot afford to acquire a genuine Van Lieshout this book contains several clear, simple manuals providing the skilled handyman with a step-by-step guide to the (re)construction of the objects illustrated. Discover the secret wealth of modern living - together with Atelier van Lieshout.
Art and architecture --- Art et architecture --- Exhibitions --- Expositions --- Atelier van Lieshout --- van Lieshout, Joep --- travel trailers --- motor homes --- Atelier Van Lieshout [Rotterdam] --- Lieshout, van, Joep --- Van Lieshout, Joep --- Joep van Lieshout °1963 (°Ravenstein, Nederl.) --- Interieurarchitectuur ; wooncellen ; woonunits --- Meubelen ; vanaf 1980 ; atelier (Joep) Van Lieshout --- Systeembouw ; montagebouw ; van bouwcomponenten --- Meubelen ; fantastische ; imaginaire ; surrealistische --- Twombly, Cy --- texts Piet de Jonge, Joep van Lieshout, Bart Lootsma, Arno van Roosmalen --- van Lieshout Joep --- atelier van lieshout --- kunst en design --- AVL --- 7.071 VAN LIESHOUT --- 745.071 VAN LIESHOUT --- Meubelontwerpers ; designers ; interieurarchitecten --- Lieshout, Joep van --- Avant-garde (Aesthetics) --- architectuur --- design --- installaties --- interieurvormgeving --- kunst --- kunst en architectuur --- Nederland --- twintigste eeuw --- (069) --- 749.07 --- Aesthetics --- Modernism (Art) --- History&delete& --- Catalogs --- (Musea. Collecties) --- Catalogs. --- Criticism and interpretation. --- sculpting --- furniture making --- art [fine art] --- Sculpture --- Architecture --- Iconography --- architecture [discipline] --- Art --- Netherlands --- ruimtelijke kunst --- History --- Avant-Garde (Aesthetics) --- 20th century --- Criticism and interpretation --- Exhibitions. --- art [discipline]
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Mona Hatoum creates events, videos, sculptures and installations that relate to the body, to language and to the condition of exile. Her most famous work Corps Etranger, first shown at the Tate Gallery when she was nominated for the Turner Prize in 1995, takes the viewer on a journey through the inner passages of the artist's body. Her audience is thrown into a dimension in which anything is possible, as in The Light at the End, which lures viewers down a long tunnel towards a light that will literally burn them. While her video work is often visceral and emotive, her sculptures and environments are ultra cool and minimal in their aesthetic. They often mimic domestic or institutional furniture, yet their designs and materials have a threatening edge. Exquisitely beautiful, Hatoum's works are at the same time powerful evocations of statelessness, anxiety, denial and otherness. Since Hatoum was exiled to London, where she has lived and worked since the 1970s, she has exhibited her work around the world, including the Centre Pompidou in Paris and the Venice Biennale. This book surveys all her work, ranging from early performances, through to her videos, objects and full-scale environments. The distinguished art critic Guy Brett, author of Through Our Own Eyes: Popular Art and Modern History (1986), explores key themes around a sense of place, the body and communication that emerge from Hatoum's range of work. The artist describes a chronology of practice in conversation with Michael Archer, writer, curator and co-founder of London's Audio Arts sound archive. Director of the Kanaal Art Foundation Catherine de Zegher makes a complex and provocative analysis of Recollection, a work she commissioned for a sixteenth-century beguinage. Hatoum has chosen a text by the influential Palestinian author Edward Said as well as a statement from the noted Italian post-war sculptor and performance artist Piero Manzoni. The book also includes Hatoum's own notes, statements and interviews.
Hatoum, Mona --- Art --- Lebanon --- Great Britain --- video art --- Hatoum, Mona, --- Michael Archer, Guy Brett, Catherine de Zegher --- Mona Hatoum °1952 (°Beirut, Libanon). Leeft en werkt in London. --- Installaties ; performances ; beeldhouwkunst ; Mona Hatoum --- performances --- Palestinië --- Said Edward --- lichamelijkheid --- ballingschap --- 7.071 HATOUM --- Beeldhouwkunst ; beeldhouwers A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- performance art --- assemblages [sculpture] --- furniture making --- installations [visual works] --- Iconography --- Film --- photography [process] --- Photography --- art [fine art] --- anno 1900-1999 --- Performance art --- Installations (Art) --- Art de performance --- beeldhouwkunst --- Groot-Brittannië --- Hatoum Mona --- installaties --- kunst --- Manzoni Piero --- twintigste eeuw --- video --- videokunst --- 7.038 --- 7.07 --- 73.07 --- Intermedia --- Mona Hatoum °1952 (°Beirut, Libanon). Leeft en werkt in London --- Videokunst --- Installation art --- Art, Modern --- Environment (Art) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Ḥāṭūm, Muná, --- Criticism and interpretation. --- #breakthecanon --- Hatoum, Mona, - 1952 --- -Performance art --- Beeldhouwkunst --- Perfomances --- Kunst; 20ste eeuw --- Palestina --- -Hatoum, Mona --- -Installations (Art) --- art [discipline] --- Artists --- Book
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