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“This is a pioneering study of Merwin which will become essential reading for anyone in the field. It works as an introductory text to those who are fairly unfamiliar with Merwin yet also has much to say to those who are informed about his work and overall career. It is notably strong on Merwin’s affinities with other poets and the essays are well-organised, into sections on affinities/influence, the significance of Zen and eco-poetics, the craft of poetry, and apocalypticism.” —Stephen Matterson, Professor of English, Trinity College Dublin, Ireland "This new book of exciting essays is an important intervention in Merwin scholarship, contributing to a reflowering of interest in Merwin's poetry." —Steven Gould Axelrod, University of California, Riverside, USA This edited collection explores the work of highly awarded and twice American Poet Laureate W. S. Merwin. Spanning Merwin’s early career, his mid-career success, his Hawaiian epic, his eco-poetry, his lesser-known later poetry and the influence of Buddhism on his work, the volume offers new perspectives on Merwin as a major poet. Exploring his works across the twentieth and twenty-first century, this collection presents Merwin as a necessary and contemporary poet. It emphasizes contemporary readings of Merwin as an environmental advocate, showing how his poetry seeks to help each reader re-establish an intimate relationship with the natural world. It also highlights how Merwin’s work presents our place in history as a pivotal moment of transition into a new era of international cooperation. This volume both celebrates his life and writing and takes scholarship on his work forward into the new century. Cheri Colby Langdell, a member of the Emily Dickinson International Society, the Modernist Studies Association, and the Pacific Association of Ancient and Modern Languages, has published in the Emily Dickinson Journal and is the author of W.S. Merwin (1981) and Adrienne Rich: The Moment of Change (2004), as well as other books, reviews and articles. She has taught at the University of California, Riverside, and the University of Southern California, and in the UK at the University of Nottingham, the University of Leicester, Birkbeck University of London and Queen Mary University of London. She now teaches at East Los Angeles College and Los Angeles Valley College, USA.
Poetry --- American literature --- Literature --- literatuur --- poëzie --- anno 1900-1999 --- America --- Poetry. --- Ecocriticism. --- Literature, Modern --- North American Literature. --- Poetry and Poetics. --- Twentieth-Century Literature. --- Literatures. --- 20th century.
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Contemporary French Environmental Thought in the Post-COVID-19 Era is focused on the fields of biosemiotics, linguistics, ecocriticism, and environmental ethics. Closely aligning with Sustainable Development Goal 13.1, Keith Moser’s study aims to strengthen resilience to climate-related hazards by drawing on ecological theories developed by French philosophers in conversation with biosemiotic principles. Not only does the novel theoretical framework offered by biosemiotic interpretations of the universe and our place in it represent an indispensable conceptual tool for understanding the unprecedented medical challenges at the dawn of a new millennium, but it also beckons us to think harder about the environmental crisis that threatens the continued existence of all sentient beings who call the biosphere home. This book also highlights the richness, diversity, and utility of the ecological theories developed by the French philosophers Michel Serres, Edgar Morin, Jacques Derrida, Dominique Lestel, and Michel Onfray in addition to how they engage with biosemiotic principles. Taken together, the book probes the scientific, linguistic, philosophical, and ethical implications of biosemiotic theories in a post-pandemic world from an environmental and medical perspective.
Philosophy --- Literature --- filosofie --- literatuur --- anno 1900-1999 --- Europe --- Ecocriticism. --- European literature. --- Literature, Modern --- Human ecology --- Continental Philosophy. --- European Literature. --- Contemporary Literature. --- Environmental History. --- 20th century. --- 21st century. --- History.
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Shipwreck Narratives: Out of Our Depth studies both the representation of shipwreck and the ways in which shipwrecks are used in creative, philosophical, and political works. The first part of the book examines historical shipwreck narratives published over a period of two centuries and their legacies. Michael Titlestad points to a range of narrative conventions, literary tropes and questions concerning representation and its limits in narratives about these historic shipwrecks. The second part engages novels, poems, films, artwork, and musical composition that grapple with shipwreck. Collectively the chapters suggest the spectacular productivity of shipwreck narrative; the multiple ways in which its concerns and logic have inspired anxious creativity in the last century. Titlestad recognizes in weaving in his personal experience that shipwreck—the destruction of form and the advent of disorder—could be seen not only as a corollary for his own neurological disorder, but also an abiding principle in tropology. This book describes how shipwreck has figured in texts (from historical narratives to fiction, film and music) as an analogue for emotional, psychological, and physical fragmentation. Michael Titlestad is Personal Professor in the Department of English, University of the Witwatersrand, South Africa. He has published widely in the fields of South African literature, apocalypticism, whiteness and jazz. He is the author of Making the Changes: Jazz in South African Literature and Reportage and is the co-editor (with David Watson) of The Ongoing End: The Limits of Apocalyptic Narrative. He is also the editor of English Studies in Africa, the most widely read literary studies journal in South Africa. .
Philosophy --- Linguistics --- Fiction --- Literature --- World history --- geletterdheid --- filosofie --- literatuur --- fantasie (verbeelding) --- Fiction. --- Ecocriticism. --- Human ecology --- Military history. --- Underwater archaeology. --- Fiction Literature. --- Literary Theory. --- Environmental History. --- Military History. --- Maritime Archaeology. --- Philosophy. --- History.
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This book explores concepts of environmentalism and feminism in science fiction novels written by women. By extrapolating the future of climate change, the authors of these texts model how readers can apply utopian feminist and environmental theories in their own lives. Chapter One establishes an understanding of ecofeminist environmental thinking through original research conducted at the Ursula K. Le Guin archive at the University of Oregon. Chapter Two shows an example of climate change dystopia set in California in Claire Vaye Watkins’ novel Gold Fame Citrus. The final chapters explore utopian visions of queer ecologies in books by Octavia Butler and N.K. Jemisin. Because climate change is so difficult for individuals to grapple with, a new perspective is needed to survive it. The queer ecological philosophy in these novels points to a way of life that can reduce environmental harm in an era of climate change. .
Philosophy --- American literature --- Literature --- filosofie --- literatuur --- anno 1900-1999 --- America --- Literature, Modern --- Ecocriticism. --- Feminism and literature. --- Human ecology --- Contemporary Literature. --- North American Literature. --- Feminist Literary Theory. --- Environmental History. --- 20th century. --- 21st century. --- Literatures. --- Philosophy. --- History.
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Narratives of Mediterranean Space: Literature and Art across Land and Sea presents a comparative analysis of contemporary literary and visual narratives of movement and migration produced in Italian, Arabic and French. It analyzes how these works create a dialogue across the Mediterranean Sea. By paying attention to the multiple ways in which the Mediterranean is being narrated by contemporary writers and artists, Silvia Caserta aims to propose a reconceptualization of the Mediterranean as a polyphonic space of movement and resistance. The Mediterranean space that emerges from this study is a space that, by virtue of the instability and porosity of its geographical and cultural borders, is able to overcome normative dichotomies between north and south, east and west, local and global. This book proposes the Mediterranean is a fruitful area from which to investigate the wider contradictions of the contemporary global world while avoiding the traps of “Mediterraneanism”. For this reason, the book highlights the contradictions and dissonances that emerge from reading Mediterranean works, opening up multiple perspectives on the Sea and on the different lands that surround it. Silvia Caserta is Associate Lecturer in Comparative Literature at the University of St Andrews, UK. Her research focuses on contemporary Italian literature and culture, approached within the broader cultural and geographical framework of the Mediterranean. .
Philosophy and psychology of culture --- Comparative literature --- Literature --- World history --- wereldgeschiedenis --- cultuur --- literatuur --- Comparative literature. --- Space. --- Culture. --- Literature. --- Ecocriticism. --- World history. --- Emigration and immigration --- Comparative Literature. --- Space and Place in Culture. --- World Literature. --- World History, Global and Transnational History. --- Sociology of Migration. --- Social aspects. --- Art --- Mediterranean countries
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Visualizing Loss in Latin America engages with a varied corpus of textual, visual, and cultural material with specific intersections with the natural world, arguing that Latin American literary and cultural production goes beyond ecocriticism as a theoretical framework of analysis. Gisela Heffes poses the following crucial question: How do we construct a conceptual theoretical apparatus to address issues of value, meaning, tradition, perspective, and language, that contributes substantially to environmental thinking, and that is part and parcel of Latin America? The book draws attention to ecological inequality and establishes a biopolitical, ethics-based reading of Latin American art, film, and literature that operates at the intersection of the built environment and urban settings. Heffes suggests that the aesthetic praxis that emerges in/from Latin America is permeated with a rhetoric of waste—a significant trait that overwhelmingly defines it.
Philosophy and psychology of culture --- Sociology of culture --- Ethnology. Cultural anthropology --- Literature --- Regional documentation --- History --- etnologie --- cultuur --- geschiedenis --- literatuur --- steden --- anno 1900-1999 --- Caribbean area --- Latin America --- Ecocriticism. --- Latin American literature. --- Literature, Modern --- Culture --- Ethnology --- Culture. --- Cities and towns --- Latin American/Caribbean Literature. --- Contemporary Literature. --- Visual Culture. --- Latin American Culture. --- Urban History. --- 20th century. --- 21st century. --- Study and teaching. --- Latin America. --- History.
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