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This book collects the essential essays and poems of Audre Lorde for the first time, including the classic 'The Master's Tools Will Never Dismantle the Master's House'. A trailblazer in intersectional feminism, Lorde's luminous writings have inspired a new generation of thinkers and writers charged by the Black Lives Matter movement. Her lyrical and incisive prose takes on sexism, racism, homophobia, and class; reflecting struggle but ultimately offering messages of hope that remain ever-more trenchant today. Also a celebrated poet, Lorde was New York State Poet Laureate until her death; her poetry and prose together produced an aphoristic and incomparably quotable style, as evidenced by the constant presence on many Women's Marches against Trump across the world. This beautiful edition honours the ways in which Lorde's work resonates more than ever thirty years after they were first published.

Philosophy and psychology of culture --- American literature --- essays --- feminism --- poetry --- African American --- #breakthecanon --- feminisme --- poëzie --- Lesbianism. --- Feminism. --- American poetry --- African American women --- Poets, American --- Lorde, Audre. --- Lorde, Audre --- Essays --- Homosexuality --- Poetry --- Radical feminism --- Women --- Blackness --- Black feminism --- Anthology --- Book

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This interdisciplinary anthology sheds light on the frameworks and lived experiences of black women faculty in the academy. Contributors for this anthology submitted works from an array of academic disciplines and learning environments, inviting readers to bear witness to black women faculty’s classroom experiences, as well as their pedagogical approaches both inside and outside of the higher education classroom that have fostered transformative teaching-learning environments. Through this multidimensional lens, the editors and contributors view instruction and learning as a political endeavor aimed at changing the way we think about teaching, learning. and praxis. .

Sociology of the family. Sociology of sexuality --- Sociology of education --- Higher education --- HO (hoger onderwijs) --- onderwijs --- vrouwen --- onderwijssociologie --- gender --- Education --- Racism --- Women --- Academic sector --- Blackness --- Black feminism --- Book --- Educational sciences --- Experiences

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*Habeas Viscus* focuses attention on the centrality of race to notions of the human. Alexander G. Weheliye develops a theory of "racializing assemblages," taking race as a set of sociopolitical processes that discipline humanity into full humans, not-quite-humans, and nonhumans. This disciplining, while not biological per se, frequently depends on anchoring political hierarchies in human flesh. The work of the black feminist scholars Hortense Spillers and Sylvia Wynter is vital to Weheliye's argument. Particularly significant are their contributions to the intellectual project of black studies vis-a-vis racialization and the category of the human in western modernity. Wynter and Spillers configure black studies as an endeavor to disrupt the governing conception of humanity as synonymous with white, western man. Weheliye posits black feminist theories of modern humanity as useful correctives to the bare life and biopolitics discourse exemplified by the works of Giorgio Agamben and Michel Foucault, which, Weheliye contends, vastly underestimate the conceptual and political significance of race in constructions of the human. *Habeas Viscus* reveals the pressing need to make the insights of black studies and black feminism foundational to the study of modern humanity.

Philosophy --- Developmental psychology --- Sociology of culture --- Social problems --- Sociology of minorities --- Sociology of the family. Sociology of sexuality --- International law --- Film --- Pragmatics --- racial discrimination --- feminism --- identity --- #breakthecanon --- Race --- Movies --- Philosophy --- Discourse analysis --- Violence --- Identity --- Genocide --- Methodology --- Racism --- Slavery --- Theory --- Black feminism --- Book

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"A landmark collection spanning three centuries and four waves of feminist activism and writing, Burn It Down! is a testament to what is possible when women are driven to the edge. The manifesto--raging, demanding, quarreling and provocative--has always been central to feminism, and it's the angry, brash feminism we need now. Collecting over seventy-five manifestos from around the world, Burn It Down! is a rallying cry and a call to action. Among this confrontational sisterhood, you'll find the Dyke Manifesto by the Lesbian Avengers, The Ax Tampax Poem Feministo by the Bloodsisters Project, the Manifesto of Apocalyptic Witchcraft by Peter Grey, Simone de Beauvoir's pro-abortion Manifesto of the 343, Double Jeopardy: To Be Black and Female by Frances M. Beal, The Futurist Manifesto of Lust by Valentine de Saint-Point, the Riot Grrrl Manifesto by Bikini Kill, and many more. Feminist academic and writer Breanne Fahs argues that we need manifestos in all their urgent rawness--their insistence that we have to act now, that we must face this, and that the bleeding edge of rage and defiance is where new ideas are born"--

Social change --- Goldman, Emma --- Dworkin, Andrea --- Solanas, Valerie --- Truth, Sojourner --- Haraway, Donna Jeanne --- Holzer, Jenny --- Beauvoir, de, Simone --- Feminism --- Feminism. --- Feminismus. --- Femmes --- Frauenbewegung. --- Féminisme --- Manifest. --- Manifestes (Politique). --- Political manifestos. --- Women's Rights. --- Women's rights. --- manifestoes. --- History --- Droits. --- Histoire --- 1900-2099. --- Essays --- Philosophy --- Transgender --- Witches --- Fourth feminist wave --- Queer --- Anarchism --- Points of view --- Second feminist wave --- Black feminism --- Book --- Courses --- Cyber-feminism --- Third feminist wave --- Political philosophy --- First feminist wave --- manifestoes --- feminism

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"Focusing on the work of black women artists, We Wanted a Revolution: Black Radical Women, 1965-85 examines the political, social, cultural, and aesthetic priorities of women of color during the emergence of second-wave feminism. It is the first exhibition to highlight the voices and experiences of women of color--distinct from the primarily white, middle-class mainstream feminist movement--in order to reorient conversations around race, feminism, political action, art production, and art history in this significant historical period. Presenting a diverse group of artists and activists who lived and worked at the intersections of avant-garde art worlds, radical political movements, and profound social change, the exhibition features a wide array of work, including conceptual, performance, film, and video art, as well as photography, painting, sculpture, and printmaking."--Brooklyn Museum website, viewed April 11, 2017.

Art --- mezzotint [process] --- racial discrimination --- feminism --- #breakthecanon --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- United States --- United States of America --- Femmes artistes noires américaines --- Noires américaines --- Femmes écrivains noires américaines --- Womanisme --- African American feminists --- African American women authors --- African American radicals --- African American women --- Feminist literature --- Feminism --- Expositions. --- Activité politique --- History --- Exhibitions. --- Political activity --- Sources --- Femmes artistes noires américaines --- Noires américaines --- Femmes écrivains noires américaines --- Feminist art --- Racism --- Social movements --- Women --- Blackness --- Black feminism