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Digital
Theodor Fontane als Kunstkritiker
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ISBN: 9783110516098 Year: 2017 Publisher: Berlin De Gruyter

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Book
How to disappear
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ISBN: 9781955702065 Year: 2018 Publisher: Place of publication unknown [Sternberg Press]

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If this book had been titled something like "How to listen" or "How to be all ears, " the title would have been appropriate to the content and directly explained the book's focus. Why, then, does the title prefer to obscure its subject rather than reveal it, running counter to a title's traditional function? The reason is that this book is grounded in the experience of the unseen listener. Speakers are seen when they speak, whereas listeners recede into the background of the scene dominated by speakers. Listeners spend a long time listening to that around them, and hope to maintain their wallflower position when they speak - their speech having no need to take front row or appear in the spotlight. The title of this book conceals its subject in a desire to protect the listener from returning to the spotlight once he or she has left it.

Keywords

Art --- art criticism


Book
Zonder titel : amateur en professional in de beeldende kunst

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Keywords

art criticism --- kunstbeschouwing --- Art --- Artists


Book
The four allegories of Venice in the doges' palace Venice : Jacopo Tintoretto
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Year: 1950 Publisher: London Percy Lund Humphries

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Book
Wat is kunst?
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ISBN: 9789025302146 Year: 2013 Publisher: Amsterdam Athenaeum

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Book
Rembrandt in perspectief : de veranderende visie op de meester en zijn werk
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ISBN: 9789491196607 Year: 2014 Publisher: Zwolle Waanders Uitgevers

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Book
Foute kunst
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ISBN: 9789464943504 Year: 2024 Publisher: Borgerhout Letterwerk

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Book
About looking
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ISBN: 9780747599579 Year: 2009

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Book
The photography reader : history and theory
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ISBN: 9780415749183 9780415749176 0415749182 0415749174 Year: 2019 Publisher: London Routledge

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Book
The whole picture. The colonial story of the art in our museums & why we need to talk about it.
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ISBN: 9781788402453 Year: 2021 Publisher: London,

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Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall?&#13;&#13;How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue we are only just beginning to address. Alice Procter, creator of *Uncomfortable Art Tours*, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon.&#13;&#13;Discover the propaganda painting the East India Company used to justify its rule in India, the tattooed Māori skulls collected as 'art objects' by Europeans and the contemporary artists who are taking on colonial history in their work and activism today.&#13;&#13;A valuable contribution to the urgent ongoing conversation around colonial history and cultural restitution.

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