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Communication of technical information --- Communication in science --- Kennis. --- Maatschappij. --- Technologie. --- Communication in science. --- Communication of technical information. --- Communication in technology --- Technical communication --- Technical information, Communication of --- Communication in research --- Science communication --- Science information --- Scientific communications --- Science --- Knowledge. --- Society.

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Communication of technical information --- Communication of technical information. --- Communication in technology --- Technical communication --- Technical information, Communication of --- Communication in science --- Periodicals. --- Society for Technical Communication --- Society for Technical Communication. --- STC --- Society of Technical Writers --- Association of Technical Writers and Editors --- Society of Technical Writers and Editors --- Technical Publishing Society --- Society of Technical Writers and Publishers --- Computer. Automation --- Telecommunications Technology --- General and Others

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The artist's magazine as a place where new ideas and forms can be imagined and created, from the eighteenth century to the twenty-first. The multiple platforms of the digital era have not diminished the role of the magazine for artists as an alternative medium and experimental space. Whether printed on paper or electronically generated, the artist's magazine continues to be a place where new ideas and forms can be imagined as well as a significant site of artistic production. Intrinsically collaborative, including readers' active engagement, the magazine is an inherently open form that generates constantly evolving relationships. It was integral to the emergence of art criticism in the Enlightenment period and to the development of artistic dialogues around notions of culture, politics, and the public from the modern era avant-gardes to the present. This collection contextualizes the current condition and potential of the artist's magazine, surveying the art worlds it has created and then superseded; the commercial media forms it has critically appropriated, intervened in, or subverted; the alternative DIY cultures it has brought into being; and the expanded fields of cultural production, exchange, and distribution it continues to engender. In addition to surveying case studies of transformational magazines from the early 1960s onwards, The Magazine includes a wide-ranging archive of key editorial statements, from eighteenth-century Weimar to twenty-first century Bangkok, Cape Town, and Delhi.

art theory --- periodicals --- Art --- anno 2000-2009 --- anno 1900-1999 --- anno 2010-2019 --- 7.05 --- Kunst ; het boek als kunstobject ; Kunstenaarsboeken, geïllustreerde boeken, boekbanden --- art criticism --- magazines [periodicals] --- Conceptual --- Contemporary [style of art] --- kunst --- visual culture --- 7.01 --- Kunsttheorie ; over kunsttijdschriften ; productie en impact --- Kunst ; theorie, filosofie, esthetica --- Art criticism --- Art publishing --- Conceptual art. --- History --- Periodicals --- Conceptual art --- Iconographie --- Art contemporain --- Art conceptuel --- Ecrit d'artiste --- Revue --- Presse spécialisée --- Kunst --- kunstkritiek --- kunsttheorie --- magazines --- hedendaagse kunst --- conceptueel --- visuele cultuur --- 130.2 --- 7.039 --- 766.045 --- tijdschriften --- kunsttijdschriften --- 7.038/039 --- 7.038 --- cultuurfilosofie --- twintigste eeuw --- eenentwintigste eeuw --- artists' periodicals --- Art - Periodicals --- Histoire de l'art --- Information - communication --- Art numérique

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Contemporary artists' radical investigations of nature, juxtaposed with the eclectic scientific and philosophical sources that inform their art. Nature, as both subject and object, has been repeatedly rejected and reclaimed by artists over the last half century. With the dislocation of disciplinary boundaries in visual culture, art that is engaged with nature has also forged connections with a new range of scientific, historical, and philosophical ideas. Developing technologies make our interventions into natural systems both increasingly refined and profound. Advances in biological and telecommunication technology continually modify the way we present ourselves. So too are artistic representations of nature (human and otherwise) being transformed. This anthology addresses these issues by considering how the rise of transdisciplinary practices in the postwar era allowed for new kinds of artistic engagement with nature. These include the postminimalist inscriptions associated with Land art; environmentally engaged practices designed to propose novel forms of stewardship; and more recent projects concerned with relationships between the most subtle and minute components of life and the large-scale appearance of the world. These projects unsettle the most basic operations of “natural” personhood and identity. Including a wide range of writings by and about artists, juxtaposed with influential texts from diverse theoretical bases, this collection provides an overview of the eclectic scientific and philosophical sources that inform contemporary art's investigations of nature.

hedendaagse kunst --- ecology --- theme --- thema's in de kunst --- Art --- art [fine art] --- art theory --- Nature --- science --- Contemporary [style of art] --- Tiravanija, Rirkrit --- Ballengée, Brandon --- Fulton, Hamish --- Jeremijenko, Natalie --- Maria, de, Walter --- Aziz + Cucher --- Sonfist, Alan --- Harrison, Helen Mayer --- Ukeles, Mierle Laderman --- Rockman, Alexis --- Vesna, Victoria --- Kac, Eduardo --- Smithson, Robert --- Denes, Agnes --- Beuys, Joseph --- Huyghe, Pierre --- Zurr, Ionat --- Morris, Robert --- Harrison, Newton --- Berwick, Rachel --- Sherk, Bonnie --- Chin, Mel --- Cooper, Justine --- Mendieta, Ana --- Coates, Marcus --- Håkansson, Henrik --- Stelarc --- Haacke, Hans --- Catts, Oron --- Prophet, Jane --- Zittel, Andrea --- Dion, Mark --- Mignonneau, Laurent --- Sommerer, Christa --- Critical Art Ensemble --- anno 2000-2009 --- anno 1900-1999 --- Nature in art --- Arts, Modern --- Themes, motives --- 7.047 --- Iconografie ; landschappen, zeegezichten, panorama's, land-art --- 7.01 --- Kunst en natuur ; 20ste en 21ste eeuw --- Kunst ; theorie, filosofie, esthetica --- Nature (Aesthetics) --- Art and nature --- Nature and art --- Aesthetics --- Modern arts --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Nature, thème --- Kunst --- kunst --- technologische wetenschappen --- ecologie --- kunsttheorie --- natuur --- thema --- land art --- 7.038/039 --- biologie --- landschap --- kunst en natuur --- 130.2 --- platteland --- 7.039 --- ruimtelijke ordening --- stedenbouw --- economie --- cultuurfilosofie --- kunst en ecologie --- twintigste eeuw --- eenentwintigste eeuw --- science [modern discipline] --- Arts, Modern - Themes, motives --- art [discipline] --- Land art --- Minimalisme --- Histoire de l'art --- Art minimal --- Information - communication --- Art conceptuel --- Théorie de l'art