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"Examines the efforts of scholars and science aficionados alike to conceive, document, describe, classify, order, and analyze natural phenomena with the aid of illustrations as varied as their interests and methods. Author Harry Robin has assembled scores of intriguing images, including an ancient Chinese pulse chart; stroboscopic photographs, PET scans, and computer graphics, a detailed rendering of fossil layers in a mountain sliced by glacial erosion, astronomical drawings from the tomb of an Egyptian pharaoh, and diagrams of sixteenth-century methods for treating crossed eyes and an injured spine. Each illustration is accompanied by an insightful, accessible commentary, in which Robin explains the image and its context."
Graphics industry --- Graphic arts --- technical illustrations [images] --- scientific illustrations [images] --- CDL --- 766.022 --- Scientific illustration --- Science --- Visualization --- Imagination --- Imaginations --- Imagery, Mental --- Images, Mental --- Mental imagery --- Mental images --- Educational psychology --- Intellect --- Psychology --- Reproduction (Psychology) --- Visualisation --- Visual perception --- Imagery (Psychology) --- Natural science --- Natural sciences --- Science of science --- Sciences --- Illustration, Scientific --- Science illustration --- Scientific literature --- Art and science --- Illustration of books --- Drawing --- Technical illustration --- Graphic methods --- Illustration --- Scientific applications --- Graphic --- methods --- Scientific --- illustration --- illustratieve vormgeving
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Met Nederlandse vertaling in bijlage.
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Een vloeiende lijn, een cirkel, een paar rechte lijnen en daarna een kromme. Om dit voor ons te kunnen zien hebben wij het vermogen van verbeelding nodig. Verbeelding is heel belangrijk voor de mens en is er altijd. In dit boek ligt het accent op de relatie tussen verbeelding en kunst, op verbeelding die visuele beelden schept, geschreven door de filosoof Onno Zijlstra. Een belangrijke rol is in het boek weggelegd voor de achttiende-eeuwse filosoof Immanuel Kant en zijn denken over verbeelding. Met dit boek wil Onno Zijlstra ons verleiden tot kijken, opnieuw kijken en nog eens kijken.
Philosophy --- Art --- aesthetics --- perception --- imagination --- philosophy of art --- Kant, Immanuel --- Imagination --- Perception (Philosophy) --- Visual perception --- Aesthetics --- 7.01 --- 111.852 --- Visuele waarneming --- Van Warmerdam, Marijke --- Long, Richard --- Boekhoudt, Onno --- Content, Eli --- Rosso, Medardo --- Calder, Alexander --- Kentridge, William --- Kelley, Mike --- Koopman, Hiltje --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Criticism --- Literature --- Proportion --- Symmetry --- Art and philosophy --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Imagery, Mental --- Images, Mental --- Mental imagery --- Mental images --- Educational psychology --- Intellect --- Psychology --- Reproduction (Psychology) --- Kunst ; theorie, filosofie, esthetica --- Filosofie ; Kunstfilosofie. Esthetica --- Analysis, interpretation, appreciation --- Psychological aspects --- Kant, Immanuel, --- Kant, I. --- Kānt, ʻAmmānūʼīl, --- Kant, Immanouel, --- Kant, Immanuil, --- Kʻantʻŭ, --- Kant, --- Kant, Emmanuel, --- Ḳanṭ, ʻImanuʼel, --- Kant, E., --- Kant, Emanuel, --- Cantơ, I., --- Kant, Emanuele, --- Kant, Im. --- קאנט --- קאנט, א. --- קאנט, עמנואל --- קאנט, עמנואל, --- קאנט, ע. --- קנט --- קנט, עמנואל --- קנט, עמנואל, --- كانت ، ايمانوئل --- كنت، إمانويل، --- カントイマニユエル, --- Kangde, --- 康德, --- Kanṭ, Īmānwīl, --- كانط، إيمانويل --- Kant, Manuel, --- Aesthetics. --- Aesthetics of art --- Radio broadcasting Aesthetics --- 700.6 --- Hume, David --- Gombrich, Ernst --- kunstfilosofie --- waarneming --- Wittgenstein, Ludwig --- esthetica --- Hegel, Georg Wilhelm Friedrich --- 140 filosofie, esthetica --- Zijlstra, Onno --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst
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This volume is the first comparative history that studies the practice of impagination across different ages and civilizations. By impagination we mean the act of placing and arranging spatially textual and other information onto a material bearer that could be made of a variety of materials (papyrus, bamboo slips, palm leaf, parchment, paper, and the computer screen). This volume investigates three levels of impagination: what is the page or other unit of the material bearer, what is written or printed on it, and how is writing or print placed on it. It also examines the interrelations of two or all three of these levels. Collectively it examines the material and materiality of the page, the variety of imprints, cultural and historical conventions for impagination, interlinguistic encounters, the control of editors, scribes, publishers and readers over the page, inheritance, borrowing and innovation, economics, aesthetics and socialities of imprints and impagination, and the relationship of impagination to philology. This volume supplements studies on mise en page and layout – an important subject of codicology – first by including non-codex writings, second by taking a closer look at the page or other unit than at the codex (or book), and third by its aspiration to adopt a globally comparative approach. This volume brings together for comparison vast geographical realms of learning, including Europe, China, Tibet, Korea, Japan and the Near Eastern and European communities in which the Hebrew Bible was transmitted. This comparison is significant, for Europe, China, and India all developed great traditions of learning which came into intensive contact. The contributions to this volume are firmly rooted in local cultures and together address global, comparative themes that are significant for multiple disciplines, such as intellectual and cultural history of knowledge (both humanistic and scientific), global history, literary and media studies, aesthetics, and studies of material culture, among other fields.
E-books --- 091.14 --- 091.14:655.26 --- 655.26 --- <0.02> --- 091.141 --- 676 <09> --- 09 <08> --- 09 <08> Handschriften. Oude en merkwaardige drukken. Curiosa--Verzamelwerken. Reeksen--Boekwetenschap. Sociale aspecten van het boek. Boek en media. Toekomst van het boek --- Handschriften. Oude en merkwaardige drukken. Curiosa--Verzamelwerken. Reeksen--Boekwetenschap. Sociale aspecten van het boek. Boek en media. Toekomst van het boek --- 676 <09> Pulp, paper and board industry--Geschiedenis van ... --- Pulp, paper and board industry--Geschiedenis van ... --- 091.141 Papyri --- Papyri --- <0.02> Documenten naar hun fysieke vorm en uiterlijk --- Documenten naar hun fysieke vorm en uiterlijk --- 655.26 Soorten zetwerk. Lay-out. Typografische vormgeving --- 655.26 Typography. Graphic design. Kinds of text (material to be set) --- Soorten zetwerk. Lay-out. Typografische vormgeving --- Typography. Graphic design. Kinds of text (material to be set) --- Codicologie. Codices. Scriptoria-:-Typografie. Grafisch ontwerp en lay-out --- 091.14 Codicologie. Codices. Scriptoria --- Codicologie. Codices. Scriptoria --- codicology. --- materiality. --- mise en page. --- the page. --- Imagination. --- Manuscript design. --- Layout (Printing) --- Imagery, Mental --- Images, Mental --- Mental imagery --- Mental images --- Educational psychology --- Intellect --- Psychology --- Reproduction (Psychology) --- Printing --- Graphic design (Typography) --- Design of manuscripts --- Layout (Manuscripts) --- Manuscripts --- Writing --- Book design --- Stichometry --- Design --- Layout --- Book history --- Manuscripts. Epigraphy. Paleography --- manuscripts [documents] --- papyri [manuscripts] --- codicology --- book history --- Mise en page. --- script and type signs --- Imagination --- Manuscript design --- Layout (Printing). --- Dummies (Bookselling). --- Maquettes (Industries graphiques). --- Manuscrits --- dummies (printed matter). --- Mise en pages.
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