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Architecture --- Buildings --- Architecture and history --- Architecture. --- Architecture and history. --- History and architecture --- History --- Edifices --- Halls --- Structures --- Remodeling for other use --- History. --- Remodeling for other use. --- United States.

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Materials --- Solids --- Buildings --- Engineering design --- Matériaux --- Solides --- Constructions --- Conception technique --- Research --- Periodicals. --- Periodicals --- Recherche --- Périodiques --- Buildings. --- Engineering design. --- Research. --- Engineering --- Civil Engineering --- solids mechanics --- structures --- material behaviour --- Design, Engineering --- Edifices --- Halls --- Structures --- Engineering materials --- Industrial materials --- Industrial design --- Strains and stresses --- Architecture --- Solid state physics --- Transparent solids --- Manufacturing processes --- structures --- solids --- applied mechanics --- composite materials --- Applied physical engineering --- Built environment

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The starting point of this book is the tenet that art, architecture, and the museum are engaged in a complex yet inevitably historical relationship with one another, that is, they are triply bound to each other. The fourteen essays deal with the dialogue between the disciplines and practices of art and architecture while also discussing the changes within the institution where this dialogue has been taking place most intensely: the museum.Triple Bond contains case studies of the Stedelijk Museum, Amsterdam, Museum Boijmans Van Beuningen, Centre Pompidou, Tate Modern, Temporary Contemporary, P.S. 1, as well as the Antwerp Museum aan de Stroom (MAS). It offers in-depth analyses of the understanding and use of museum and exhibition space by artists such as Marcel Broodthaers, Daniel Buren, Robert Smithson, and Gordon Matta-Clark. Finally, it critically assesses contemporary responses to the spaces of the museum by the artist collective SUPERFLEX at the Van Abbemuseum and by the assorted artists participating in the Unilever Series at Tate Modern.

Architecture and art. --- Gebouwen voor opleiding en wetenschap ; kunstmusea, kunstgalerijen --- Museumarchitectuur ; in relatie met ontwikkeling van de kunst --- Museum aan de stroom ; MAS ; Antwerpen --- Museum Boijmans Van Beuningen ; Rotterdam --- Broodthaers, Marcel en het Paleis voor Schone Kunsten te Brussel --- Smithson, Robert en Hotel Palenque te Yucatan --- Aue paviljoenen, Kassel ; Documenta IX --- Broodthaers, Marcel ; Buren, Daniel ; Smithson, Robert ; Matta-Clark, Gordon ; Superflex --- Architecture --- Museums --- Exhibitions --- Design and construction --- Museology --- art [fine art] --- museums [institutions] --- architecture [discipline] --- Art --- Art museum architecture --- Art museums --- Art and architecture --- History. --- Design and construction. --- 727.7 --- Ingrepen in de museale ruimte --- Buren, Daniel --- Matta-Clark, Gordon --- Superflex --- Architecture and art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museum architecture --- History --- Galleries and museums --- Musée --- Muséologie --- Rapport art-architecture --- Centre Georges Pompidou --- Architecture des musées d'art --- Musées d'art (Édifices) --- Art et architecture --- Histoire --- Conception et construction --- histoire --- kunst --- 069 --- tentoonstellingen --- Bozar --- museumarchitectuur --- architectuur --- museologie --- musea --- Art museum architecture - Europe - History --- Art museums - Europe - Design and construction --- Art and architecture - Europe - History --- art [discipline]