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Book
ISBN: 9782915794519 2915794510 Year: 2010 Publisher: Paris: MF,
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Qu'est-ce que la recherche pour un artiste aujourd'hui ? Qu'est-ce qui singularise la « recherche en art(s) » ? En quoi n'est-elle ni simplement recherche sur l'art, ni recherche de l'art, participant pourtant de l'une et de l'autre ? En quoi cette recherche croise-t-elle d'autres communautés de chercheurs, en particulier les scientifiques ? Ce livre se propose de montrer comment ces questions, qui s'inscrivent dans le cadre des réformes en cours de l'enseignement supérieur relevant du ministère de la culture, ont une pertinence plus large : non seulement elles opèrent au sein des différents champs de la création (musique, danse, théâtre, architecture, arts plastiques, design), nourrissant des expériences multiples, mais elles renouvellent aussi la représentation que l'on se fait des partages entre pensée théorique (en esthétique, en science...) et activité artistique.
Arts --- Research --- Recherche --- art education --- kunstonderwijs --- onderzoek in de kunsten --- Organization theory --- research [function] --- Higher education --- Enseignement artistique --- Rapport du créateur à l'objet créé --- Création artistique --- France --- Arts - Recherche --- Arts - Recherche - France
Book
ISBN: 9789080818507 908081850X Year: 2017 Publisher: Amsterdam Valiz
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What happens between a spectator and an art work ? How do we experience 'meaning' in an art work? How can the process of interpretation be understood and articulated ? To address these questions, the author explores the field of reception aesthetics, with its central premise that the contemplation of art is a matter of interaction between the art work and the observer. The research is focused on unravelling and problematising the theoretical terminology of the interaction between art work and spectator, deriving from reception aesthetics as well as from hermeneutics and phenomenology, with the aim of building a new theoretical foundation for this terminology. Additionally, different concepts of spectatorship are extensively discussed. 'I believe it is more productive to research how the art work works or signifies than what it shows or might signify. This 'how' reveals itself mainly in the performative act of experiencing the work.' This book addresses scholars and students in the fields of art history, aesthetics and visual and cultural studies, as well as artists and art students, and all those art spectators who wish to develop a deeper understanding of the experience of art.
viewers [observers] --- Art --- art [fine art] --- art appreciation --- interpretation --- psychology --- aesthetics --- Tuerlinckx, Joëlle --- kunst --- kunsttheorie --- Tuerlinckx Joëlle --- 7.01 --- esthetica --- receptie-esthetica --- Art appreciation. --- Arts --- Reader-response criticism --- Spectators. --- Hermeneutics --- Reader-response criticism. --- Hermeneutics. --- Psychology. --- In art. --- Psychologie. --- Art appreciation --- Visual Perception --- Aesthetics --- Spectators --- Esthétique --- Rapport du spectateur à l'objet créé --- Perception de l'art --- Psychology --- In art --- Psychologie --- Tentoonstellingen ; 20ste en 21ste eeuw ; participatie van de toeschouwer --- Kunst; waardering; toeschouwers/publiek --- Kunst ; theorie, filosofie, --- Kunsttheorie ; over interactie ; participatie ; dialoog met het publiek --- Kunsttheorie ; visuele waarneming ; betekenis --- Kunsttheorie ; over interpretatie --- Arts - Psychology --- Reader-response criticism - In art --- Hermeneutics - In art --- Arts - Psychologie --- art [discipline]
ISBN: 9780854881475 9780262524643 0262524643 0854881476 Year: 2006 Volume: *2 Publisher: London : Cambridge, Mass. : Whitechapel ; MIT Press,
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- Theoretical frameworks. The poetics of the Open work / Umberto Eco ##- The death of the author / Roland Barthes ##- The negation of the autonomy of art by the Avant-garde / Peter Bürger ##- The inoperative community / Jean-Luc Nancy ##- Poetics of relation / Édouard Glissant ##- Chaosmosis: an ethico-aesthetic paradigm / Félix Guattari ##- Problems and transformations in critical art / Jacques Rancière. Artists writings. Towards a situationist international / Guy Debord ##- Notes on the elimination of the audience / Allan Kaprow ##- Dance in my experience / Hélio Oiticica ##- Letters 1968-69 / Lygia Clark and Hélio Oiticica ##- Project for the experimental art series, Rosario / Graciela Carnevale ##- Report of a day's proceedings at the Bureau for Direct Democracy / Joseph Beuys and Dirk Schwarze ##- I am searching for field character / Joseph Beuys ##- Ten appearances ##- Notes on funk, I-II / Adrian Piper ##- On democracy ##- Transnacionala/A journey from the East to the West / Eda Cufer ##- The Baudouin/Boudewijn experiment: a deliberate, non-fatalistic, large-scale group experiment in deviation / Carsten Höller ##- The battle of Orgreave / Jeremy Deller ##- No ghosts in the wall / Rirkrit Tiravanija ##- 24h Foucault / Thomas Hirschhorn. Critical and curatorial positions. Relational aesthetics / Nicolas Bourriaud ##- Social aesthetics / Lars Bang Larsen ##- What is a station? / Molly Nesbit, Hans Ulrich Obrist, Rirkrit Tiravanija ##- Chat rooms / Hal Foster.
art criticism --- kunstenaarsgeschriften --- philosophy of art --- hedendaagse kunst --- art [fine art] --- kunstbeschouwing --- Contemporary [style of art] --- Art --- interactive art --- Tiravanija, Rirkrit --- Höller, Carsten --- Hirschhorn, Thomas --- Beuys, Joseph --- Clark, Lygia --- Deller, Jeremy --- Kaprow, Allan --- Oiticica, Hélio --- Interactive art --- Arts audiences --- Authorship --- Sociological aspects --- kunst --- nineties --- eenentwintigste eeuw --- participatie --- 82:7 --- interactieve kunst --- interactiviteit --- kunsttheorie --- Barthes Roland --- Beuys Joseph --- Bourriaud Nicolas --- Bürger Peter --- Carnevale Graciela --- Clark Lygia --- Collective Actions --- Cufer Eda --- Debord Guy --- Deller Jeremy --- Eco Umberto --- Foster Hal --- Glissant Edouard --- Group Material --- Guattari Félix --- Hirschhorn Thomas --- Höller Carsten --- Kaprow Allan --- Larsen Lars Bang --- Nancy Jean-Luc --- Nesbit Molly --- Obrist Hans Ulrich --- Oiticica Hélio --- Piper Adrian --- Rancière Jacques --- Schwarze Dirk --- Tiravanija Rirkrit --- 7.038/039 --- Literatuur en kunst --- Arts audiences. --- Interactive art. --- Sociological aspects. --- 7.01 --- 82:7 Literatuur en kunst --- Kunst ; theorie, filosofie, esthetica --- Kunsttheorie ; over interactie ; participatie ; dialoog met het publiek --- public art --- community art --- Kunst --- gemeenschapskunst --- openbare kunst --- kunstkritiek --- kunstfilosofie --- Rapport du spectateur à l'objet créé --- Participation --- Performance --- Eco, Umberto --- Barthes, Roland, --- Bourriaud, Nicolas --- Bürger, Peter --- Carnevale, Graciela --- Cufer, Eda --- Debord, Guy --- Foster, Hal --- Glissant, Édouard, --- Guattari, Félix --- Hirschhorn, Thomas, --- Larsen, Lars Bang --- Nancy, Jean-Luc --- Nesbit, Molly --- Obrist, Hans Ulrich --- Piper, Adrian, --- Rancière, Jacques, --- Schwarze, Dirk --- artists' statements --- Authorship - Sociological aspects --- Barthes, Roland, 1915-1980 --- Glissant, Édouard, 1928-2011 --- Guattari, Félix 1930-1992 --- Hirschhorn, Thomas, 1957 --- -Höller, Carsten --- Piper, Adrian, 1948 --- -Rancière, Jacques, 1940 --- -Schwarze, Dirk
Book
ISBN: 9789492095251 9492095254 Year: 2017 Publisher: Amsterdam: Valiz,
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"The lure of the biographical zooms in on the supposed relationship between the art and the personal image of artists. The book explores how visual artists use their personal history and image to make a name for themselves, and how they try to control how their artistic output is interpreted. At the same time, it investigates how other parties such as art critics, biographers, photographers, filmmakers, art historians and art dealers link artists' lives to their work. The framework for studying the (self-)representation of artists focuses on the textual and visual means used by artists as well as others. Through three detailed case studies of the image and work of French sculptor Auguste Rodin, American painter Georgia O'Keeffe, and British painter Francis Bacon, the book demonstrates what mechanisms and strategies are at play in creating the artist's image, from the nineteenth to the late-twentieth century, and, in addition, proposes a model for future research into questions of (self-)representation"--Back cover.
7.01 --- kunstenaarsbiografie --- Kunst ; theorie, filosofie, esthetica --- zelfportret --- portret --- Bacon Francis --- Rodin Auguste --- O'Keeffe Georgia --- kunstkritiek --- biografie --- biografieën --- kunsttheorie --- kunst --- 7.041 --- Biografieën ; (zelf)portretten ; imago beeldvorming van kunstenaars --- Kunstenaarsbiografieën --- Iconografie ; de mens, portretten --- artists [visual artists] --- Art --- Bacon, Francis --- Rodin, Auguste --- O'Keeffe, Georgia --- anno 1800-1999 --- Rodin, Auguste, --- O'Keeffe, Georgia, --- Bacon, Francis, --- Autobiography in art --- Artists --- Art, Modern --- Case studies --- Biography --- Attitudes --- Public opinion --- Social networks --- Kunst --- kunstenaars --- Self-presentation in art. --- Biography in art. --- Artistes --- Présentation de soi dans l'art. --- Biographie dans l'art. --- Biografie. --- Kunst. --- Selbstbildnis. --- Psychology. --- Psychologie. --- Criticism and interpretation. --- Critique et interprétation. --- Biography. --- Self-presentation in art --- Biography in art --- Présentation de soi dans l'art --- Biographie dans l'art --- Rapport du créateur à l'objet créé --- Image --- Esthétique --- Autoportrait --- Biographie --- Psychology --- Psychologie --- Criticism and interpretation --- Artists - Psychology --- Artistes - Psychologie --- Rodin, Auguste, - 1840-1917 - Criticism and interpretation --- O'Keeffe, Georgia, - 1887-1986 - Criticism and interpretation --- Bacon, Francis, - 1909-1992 - Criticism and interpretation --- imago --- Rodin, Auguste, - 1840-1917 --- O'Keeffe, Georgia, - 1887-1986 --- Bacon, Francis, - 1909-1992 --- Attitudes. --- Public opinion. --- Social networks.
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