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The Yale Law Journal publishes original scholarly work in all fields of law and legal study. The journal contains articles, essays, and book reviews written by professors and legal practitioners throughout the world, and slightly shorter notes and comments written by individual journal staff members. The journal is published monthly from October through June with the exception of February.

Law --- Law reviews --- Revues de droit --- Periodicals --- Périodiques --- Droit --- Jurisprudence --- Law reviews. --- Recht. --- Recueils, répertoires, etc. --- Connecticut. --- #RBIB:TSCAT --- #BA00193 --- #ANTILTPNE9602 --- Constitution and Judicial System --- Crime, Criminology and Law Enforcement --- General and Others --- Policies --- Périodiques --- EBSCOASP-E EJDROIT EJETUDE EPUB-ALPHA-Y EPUB-PER-FT JSTOR-E --- Law. --- Reviews, Law --- Connecticutt --- State of Connecticut --- Connecticut --- Law reviews - Connecticut.

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Business enterprises --- Business --- Periodicals. --- Stamford (Conn.) --- Fairfield County (Conn.) --- Connecticut --- Commerce --- Business economics --- Business, Economy and Management --- Business Management --- Economics --- Strategic Management & Business Policy --- Trade and Commerce --- Connecticut [state]

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Information technology --- Nursing. --- Information technology. --- Nursings --- Connecticut. --- Nursing --- verpleegkunde --- Health Sciences --- General and Others --- Medical Education, Training & Research

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This beautiful volume focuses on a five-year period in Elizabeth Peyton's evolving career to suggest not only a visual chronicle of an age, its heroes, heroines, and interests, but also of an individual s life that of Peyton herself. Elizabeth Peyton's work has been acclaimed since the early 1990s, when she began exhibiting her intimate portraits of artists, musicians, historical figures, and friends. This new volume, prepared by the artist in collaboration with designer Brendan Dugan, founder of Karma bookstore and gallery, presents a concentrated view of a period bookended by two exhibitions in Brussels, one in 2009 and the second in 2014, a time of introspection, and the development of a more personal painterly language. This phase of Peyton's work is about a new realism and a considered situating of her interests and passions in relation to her own working practice. We see her range expand to take in lush still lifes composed of books, flowers, and fragmentary interiors; expressive, blooddrenched scenes drawn from Richard Wagner's operas; and many magnificent and subtle portraits of peers and mentors, historical or present-day. From David Bowie to celebrated tenor Jonas Kaufmann; from Delacroix and Giorgione to Peyton's artist peers such as Matthew Barney and Klara Liden; from 'Friday Night Lights' star Taylor Kitsch to tattoo artist Scott Campbell, as well as numerous self-portraits, her work is about narrowing the distance between the self and the object of fascination. "They are people expressing what it is to be human. Most art that s any good is trying to do that trying to put a voice to feeling. And in particular, the feeling of their time," writes Peyton.

portraits --- Art --- painters [artists] --- Peyton, Elisabeth --- kunst --- eenentwintigste eeuw --- schilderkunst --- 75.071 PEYTON --- Peyton Elizabeth --- portretschilderkunst --- portret --- painting [image-making] --- MAD-faculty 18 --- hedendaagse schilderkunst --- Peyton, Elizabeth --- 75.07 --- Schilderkunst--schilders --- 75.041 --- Schilderkunst ; 1ste helft 21ste eeuw ; Elisabeth Peyton --- Vrouwelijke kunstenaars --- Peyton, Elisabeth °1965 (°Dabury, Connecticut, Verenigde Staten) --- Schilderkunst ; de mens, portretten

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Pilgrimage took Annie Leibovitz to places that she could explore with no agenda. She wasn't on assignment. She chose the subjects simply because they meant something to her. The first place was Emily Dickinson's house in Amherst, Massachusetts, which Leibovitz visited with a small digital camera. A few months later, she went with her three young children to Niagara Falls. "That's when I started making lists," she says. She added the houses of Virginia Woolf and Charles Darwin in the English countryside and Sigmund Freud's final home, in London, but most of the places on the lists were American. The work became more ambitious as Leibovitz discovered that she wanted to photograph objects as well as rooms and landscapes. She began to use more sophisticated cameras and a tripod and to travel with an assistant, but the project remained personal. Leibovitz went to Concord to photograph the site of Thoreau's cabin at Walden Pond. Once she got there, she was drawn into the wider world of the Concord writers. Ralph Waldo Emerson's home and Orchard House, where Louisa May Alcott and her family lived and worked, became subjects. The Massachusetts studio of the Beaux Arts sculptor Daniel Chester French, who made the seated statue in the Lincoln Memorial, became the touchstone for trips to Gettysburg and to the archives where the glass negatives of Lincoln's portraits have been saved. Lincoln's portraitists--principally Alexander Gardner and the photographers in Mathew Brady's studio--were also the men whose work at the Gettysburg battlefield established the foundation for war photography. At almost exactly the same time, in a remote, primitive studio on the Isle of Wight, Julia Margaret Cameron was developing her own ultimately influential style of portraiture. Leibovitz made two trips to the Isle of Wight and, in an homage to the other photographer on her list, Ansel Adams, she explored the trails above the Yosemite Valley, where Adams worked for fifty years. The final list of subjects is perhaps a bit eccentric. Georgia O'Keeffe and Eleanor Roosevelt but also Elvis Presley and Annie Oakley, among others. Figurative imagery gives way to the abstractions of Old Faithful and Robert Smithson's Spiral Jetty. Pilgrimage was a restorative project for Leibovitz, and the arc of the narrative is her own. "From the beginning, when I was watching my children stand mesmerized over Niagara Falls, it was an exercise in renewal," she says. "It taught me to see again".

Leibovitz, Annie --- Land Art ; landschapskunst ; Robert Smithson --- O'Keeffe, Georgia 1887-1986 (°Sun Prairie, Wisconsin, Verenigde Staten) --- Woningbouw ; Illinois ; 1945-1950 ; Farnsworth House --- Ansel Easton Adams 1902-1984 (°San Francisco, USA) --- Kunstenaarswoningen ; interieurs ; ateliers --- Fotografie ; Verenigde Staten --- Fotografie ; 21ste eeuw ; Annie Leibovitz --- Leibovitz, Annie °1949 (°Waterbury, Connecticut, Verenigde Staten) --- 77.092.07 --- Fotografen A - Z