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American Art is a not-for-profit, peer-reviewed, scholarly journal dedicated to exploring all aspects of the United States’ visual heritage from colonial to contemporary times. It seeks to promote sound scholarship and thought-provoking interpretation on topics in the fine arts, popular culture, public art, film, electronic multimedia, decorative arts, and craft. Through a broad interdisciplinary approach, the journal provides readers with a richer understanding not only of specific artists and objects, but also of the cultural factors that have shaped American visual culture over three centuries. American Art embraces all methods of investigation to explore the nation’s rich and diverse artistic legacy.

Art, American --- Art, American. --- American art --- Eight (Group of American artists) --- Indian Space (Group of artists) --- Mission School (Group of artists) --- NO!Art (Group of artists) --- Old Bohemians (Group of artists) --- Stieglitz Circle (Group of artists) --- Arts and Humanities --- Architecture, Fine and Decorative Arts --- Performing Arts, Travel and Leisure --- Art --- kunst --- America --- Visual Arts - General --- Art américain

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Art [American ] --- Art [European ] --- Art américain --- Art européen --- Kunst [Amerikaanse ] --- Kunst [Europese ] --- Art, American --- -Art, European --- -David Hopkins --- kunst --- twintigste eeuw --- naslagwerk --- abstract expressionisme --- pop art --- minimalisme --- minimal art --- conceptuele kunst --- concept art --- postmdernisme --- nineties --- Fluxus --- Bacon Francis --- Beuys Joseph --- Rauschenberg Robert --- Johns Jasper --- kunstmarkt --- 7.038 --- Art, Modern --- European art --- Nouveaux réalistes (Group of artists) --- Zaj (Group of artists) --- American art --- Eight (Group of American artists) --- Indian Space (Group of artists) --- Mission School (Group of artists) --- NO!Art (Group of artists) --- Old Bohemians (Group of artists) --- Stieglitz Circle (Group of artists) --- hedendaagse kunst --- Contemporary [style of art] --- Art --- Art, European --- David Hopkins --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Art [Modern ] --- 20th century --- United States --- Europe --- art history

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The paperback edition of a milestone work that has been unavailable for several years, documenting the short but influential life of Black Mountain College. Although it lasted only twenty-three years (1933–1956) and enrolled fewer than 1,200 students, Black Mountain College was one of the most fabled experimental institutions in art education and practice. Faculty members included Anni Albers, Josef Albers, Ilya Bolotowsky, John Cage, Harry Callahan, Merce Cunningham, Buckminster Fuller, Walter Gropius, Clement Greenberg, Lou Harrison, Franz Kline, Willem de Kooning, Jacob Lawrence, Robert Motherwell, Roger Sessions, Ben Shahn, Aaron Siskind, Esteban Vicente, and Stefan Wolpe. Among their students were Ruth Asawa, John Chamberlain, Ray Johnson, Kenneth Noland, Robert Rauschenberg, Dorothea Rockburne, Cy Twombly, and Susan Weil. Literature teachers included Robert Creeley, Robert Duncan, Charles Olson, and M.C. Richards, with students Fielding Dawson, Ed Dorn, Francine du Plessix Gray, Joel Oppenheimer, Arthur Penn, John Wieners, and Jonathan Williams. This book—the paperback edition of a milestone work that has been unavailable for several years—documents the short but influential life of Black Mountain College. Nearly 500 images, many in color and published for the first time in this book, show important works of art created by Black Mountain College faculty and students as well as snapshots of campus life. Four essays, all commissioned for the book, offer closer looks at the world of Black Mountain. Poet Robert Creeley recounts his first meeting with his mentor and friend Charles Olson. Composer Martin Brody offers a history of the musical world of the 1930s to 1950s, in which Black Mountain played a significant role. Critic Kevin Power looks at the experimental literary journal The Black Mountain Review, which was instrumental in launching the Black Mountain school of poetry. The book's editor, Vincent Katz, discusses the philosophy of the college's founders, the Bauhaus principles followed by art instructor Josef Albers, and the many interactions among the arts in the college's later years.

art education --- kunstonderwijs --- Art --- Higher education --- Black Mountain College [Black Mountain, N.C.] --- United States --- Art, American --- 7.038 --- 373.67 --- Kunstonderwijs ; Asheville ; 1933-1956 ; Black Mountain College --- Black Mountain College ; Asheville, North Carolina --- Onderwijs ; didactiek ; theorieën ; modellen --- Experimenteel kunstonderwijs --- Dewey, John --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Kunstgeschiedenis ; 1950 - 2000 --- Onderwijs ; kunst- architectuuronderwijs --- Exhibitions --- United States of America --- Arts --- Study and teaching (Higher) --- Black Mountain College (Black Mountain, N.C.)

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Anzinger, Siegfried ; Baechler, Donald ; Beuys, Joseph ; Bleckner, Ross ; Broodthaers, Marcel ; Clemente, Francesco ; Condo, George ; Dahn, Walter ; Dokoupil, Jiri Georg ; Fautrier, Jean ; Förg, Gunther ; Herold, Georg ; Hodgkin, Howard ; Kippenberger, Martin ; Marden, Brice ; Oehlen, Albert ; Penck, A.R. ; Richter, Gerhard ; Salle, David ; Schnabel, Julian ; Schulze, Andreas ; Sherman, Cindy ; Taaffe, Philip ; Trockel, Rosemarie ; van Vliet, Don

Art [American ] --- Art [European ] --- Art américain --- Art européen --- Avant-Garde (Aesthetics) --- Avant-Garde (Esthetica) --- Avant-Garde (Esthétique) --- Kunst [Amerikaanse ] --- Kunst [Europese ] --- kunst --- twintigste eeuw --- kunsttheorie --- esthetica --- nihilisme --- Fautrier Jean --- Beuys Joseph --- Broodthaers Marcel --- Richter Gerhard --- Marden Brice --- Hodgkin Howard --- Penck A.R. --- Van Vliet Don --- Clemente Francesco --- Baechler Donald --- Schnabel Julian --- Dahn Walter --- Dokoupil Jiri Georg --- Kippenberger Martin --- Salle David --- Bleckner Ross --- Schulze Andreas --- Förg Günther --- Taaffe Philip --- Trockel Rosemarie --- Herold Georg --- Sherman Cindy --- Anzinger Siegfried --- Condo George --- Oehlen Albert --- 7.01 --- hedendaagse kunst --- Contemporary [style of art] --- Art --- anno 1900-1999 --- Art [Modern ] --- 20th century --- Europe --- United States --- Art, American --- Art, European --- Avant-garde (Aesthetics) --- Penck A.R --- Aesthetics --- Modernism (Art) --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists)

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Bickerton, Ashley ; Bleckner, Ross ; Dunham, Carroll ; Gober, Robert ; Halley, Peter ; Hsu, Tishan ; Kessler, Jonathan ; Koons, Jeff ; Lasker, Jonathan ; McCollum, Allan ; Rollins, Tim & K.O.S. ; Schuyff, Peter ; Starn, Doug & Mike ; Steinbach, Haim ; Taaffe, Philip ; Vaisman, Meyer

hedendaagse kunst --- Contemporary [style of art] --- Art --- Artists --- United States --- 1990 --- -20e eeuw --- 700.4 --- Bickerton, Ashley --- Bleckner, Ross --- Dunham, Carroll --- Gober, Robert --- Halley, Peter --- Hsu, Tsi-Han --- Kessler, Jonathan --- Koons, Jeff --- Lasker, Jonathan --- McCollum, Allan --- Rollins, Tim --- Saatchi --- Schuyff, Peter --- Steinbach, Haim --- Taaffe, Philip --- Vaisman, Meyer --- conceptuele kunst --- fotografie --- installaties --- schilderkunst --- beeldende kunst, musea - tentoonstellingen --- Art, American --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- American art --- Eight (Group of American artists) --- Indian Space (Group of artists) --- Mission School (Group of artists) --- NO!Art (Group of artists) --- Old Bohemians (Group of artists) --- Stieglitz Circle (Group of artists) --- Private collections --- Saatchi Collection --- Art, Primitive --- United States of America