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African American women --- Noires américaines --- African American women. --- African Americans. --- Women. --- Afro-American women --- Women, African American --- Women --- Girls --- Woman --- Women's Groups --- Girl --- Women Groups --- Women's Group --- African-Americans --- African-American --- Women, Negro --- Sociology of minorities --- Sociology of the family. Sociology of sexuality --- United States --- minderheden --- Social Sciences --- General and Others --- Sociology --- United States of America

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"Focusing on the work of black women artists, We Wanted a Revolution: Black Radical Women, 1965-85 examines the political, social, cultural, and aesthetic priorities of women of color during the emergence of second-wave feminism. It is the first exhibition to highlight the voices and experiences of women of color--distinct from the primarily white, middle-class mainstream feminist movement--in order to reorient conversations around race, feminism, political action, art production, and art history in this significant historical period. Presenting a diverse group of artists and activists who lived and worked at the intersections of avant-garde art worlds, radical political movements, and profound social change, the exhibition features a wide array of work, including conceptual, performance, film, and video art, as well as photography, painting, sculpture, and printmaking."--Brooklyn Museum website, viewed April 11, 2017.

Art --- mezzotint [process] --- racial discrimination --- feminism --- #breakthecanon --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- United States --- United States of America --- Femmes artistes noires américaines --- Noires américaines --- Femmes écrivains noires américaines --- Womanisme --- African American feminists --- African American women authors --- African American radicals --- African American women --- Feminist literature --- Feminism --- Expositions. --- Activité politique --- History --- Exhibitions. --- Political activity --- Sources --- Femmes artistes noires américaines --- Noires américaines --- Femmes écrivains noires américaines --- Feminist art --- Racism --- Social movements --- Women --- Blackness --- Black feminism

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"Published for MoMA's retrospective exhibition and in collaboration with the artist, this volume presents new critical essays that expand on Piper's practice in ways that have been previously under- or unaddressed. Focused texts by established and emerging scholars assess themes in Piper's work such as the Kantian framework that draws on her extensive philosophical studies; her unique contribution to first-generation conceptual art; the turning point in her work, in the early 1970s, from conceptual works to performance; the connection of her work with her yoga practice; her ongoing exposure of and challenge to xenophobia and sexism; and the relation between prevailing interpretations of her work and the viewers who engender them". Artbook& website (viewed on May 4, 2018)

conceptual artists --- Piper, Adrian --- philosophy --- performance art --- mixed media works --- identity --- typescripts --- art criticism --- gelatin silver prints --- photography [process] --- Conceptual --- stats [copies] --- video art --- painting [image-making] --- Art --- ethnicity --- Piper, Adrian, --- African American women artists --- Conceptual art --- Performance art --- Interactive art --- kunst --- 7.071 PIPER --- racisme --- gender studies --- performance --- performances --- yoga --- concept art --- conceptuele kunst --- kunsttheorie --- filosofie --- Verenigde Staten --- Arts, Modern --- Happenings (Art) --- Performing arts --- Afro-American women artists --- Women artists, African American --- Women artists --- Participatory art --- Social practice (Art) --- Piper, Adrian M. S., --- Criticism and interpretation. --- 700.6 --- performancekunst --- ostracisme --- sociale uitsluitingsmechanismen --- gender --- 705.9 --- genderexpressie --- Kant, Immanuel --- Kantiaans --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- kunstgeschiedenis, 21e eeuw --- #breakthecanon --- 7.07 --- Vrouwelijke kunstenaars --- Filosofie ; Immanuel Kant --- Kunst en racisme --- Conceptuele kunst --- Thema's in de kunst ; ras ; gender ; geslacht --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Piper, Adrian, - 1948 --- -African American women artists --- -Piper, Adrian, - 1948 --- -Art

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"Adrian Piper has consistently produced groundbreaking work that has profoundly shaped the form and content of conceptual art since the 1960s. Strongly inflected by her longstanding involvement with philosophy and yoga, her pioneering investigations into the political, social, psychological and spiritual potential of conceptual art have had an incalculable influence on artists working today. Published in conjunction with the most comprehensive exhibition of her work to date, this catalog presents more than 280 artworks that encompass the full range of Piper's mediums: works on paper, video, multimedia installation, performance, painting, sound and photo-texts. Essays by curators and scholars examine her extensive research into altered states of consciousness; the introduction of the Mythic Being - her subversive masculine alter-ego; her media and installation works from after 1980, which reveal and challenge stereotypes of race and gender; and the global conditions that illuminate the significance of her art. Previously unpublished texts by the artist lay out significant events in her personal history and her deeply felt ideas about the relationship between viewer and art object. This publication expands our understanding of the conceptual and post-conceptual art movements and Piper's pivotal position among her peers and for later generations."--

Piper, Adrian --- conceptual artists --- video art --- identity --- Post-Conceptual --- dolls --- philosophy --- mixed media --- photography [process] --- Art --- drugs --- performance art --- race [group of people] --- ethnic groups --- newspapers --- gelatin silver prints --- typescripts --- Conceptual --- drawings [visual works] --- easel paintings [paintings by form] --- ART / General. --- African American women artists --- African American women artists. --- Art and Design. --- Art and philosophy --- Art and philosophy. --- Art, Modern --- Art, Modern. --- Conceptual art --- Conceptual art. --- Ethnicity in art --- Ethnicity in art. --- Identity (Psychology) in art --- Identity (Psychology) in art. --- Other (Philosophy) in art --- Other (Philosophy) in art. --- Race in art --- Race in art. --- Self (Philosophy) in art --- Self (Philosophy) in art. --- Themes, motives. --- Words in art --- Words in art. --- Piper, Adrian, --- Criticism and interpretation. --- 1900-2099. --- New York (State). --- United States. --- Kunst --- kranten --- typoscripten --- tekeningen --- fotografie --- filosofie --- videokunst [kunstwerken] --- Post-Conceptueel --- performances [live] --- gelatinezilverdrukken --- gemengde media --- schilderijen --- etnische groepen --- poppen --- ras [begrip] --- identiteit --- conceptueel --- dolls [figurines] --- #breakthecanon --- Femmes artistes --- Art conceptuel --- Art vidéo --- Installations (art) --- Art de performance --- Art multimédia. --- Exhibitions. --- kunst --- 7.071 PIPER --- racisme --- gender studies --- performance --- performances --- yoga --- concept art --- conceptuele kunst --- kunsttheorie --- Verenigde Staten --- Afro-American women artists --- Women artists, African American --- Women artists --- Philosophy and art --- Philosophy --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Performance art --- Earthworks (Art) --- Sky art --- Piper, Adrian M. S., --- Exhibitions --- 705.9 --- gender --- genderexpressie --- performancekunst --- ostracisme --- sociale uitsluitingsmechanismen --- tentoonstellingscatalogus --- MoMA (Museum of Modern Art) --- kunstgeschiedenis, 21e eeuw --- paintings [visual works]