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"Abbott Miller: Design and Content is the first monograph of the works of Abbott Miller--graphic designer, writer, editor, and the youngest partner to join Pentagram. This comprehensive survey of Miller's career acts as a catalogue of design strategies emerging from the unique circumstances of form and content, which he develops in symbiosis. To this end, his theoretical writings and design projects are presented in Abbott Miller: Design and Content as parallel arguments for his ideologies, representing various platforms of production, primarily through publications, and exhibitions. Working with performers, curators, artists, photographers, writers, publishers, corporations, and institutions, Miller has created a unique practice that traverses between the printed page and the physical space of exhibitions. He has focused on the relationship of culture and public forums in design and writing, and has subsequently pioneered the notion of designer as author"-- "Open Book is the first monograph on the preeminent graphic designer Abbott Miller. Recipient of numerous design honors including the Chrysler Award for Innovation in Design, Miller is known for his pioneering graphic work as a partner at Pentagram, where he leads a team designing books, magazines, catalogs, identities, exhibitions, and creating editorial projects. His work is often concerned with the cultural role of design and the public life of the written word. Collaborating with performers, curators, artists, photographers, writers, publishers, corporations, and institutions, he has created a unique practice that crosses back and forth between the printed page and the physical space of exhibitions. In his work as a designer, editor, and writer he has pioneered the concept of the designer as author, and he has collaborated with artists such as Matthew Barney, Yoko Ono, Geoffrey Beene, Philip Glass, Twyla Tharp, and Nam June Paik, among many others. His clients include Vitra, Knoll, Harley-Davidson, and Steuben, as well as many museums and publishers. Miller presents his work as a catalog of design strategies, emerging from the unique circumstances of form and content. In four chapters "Books," "Exhibitions," "Magazines," and "Identity" Open Book provides insight into Miller's working process and showcases all of his best designs. Miller talks freely about influences on his practice, his ideas, his experiences working with curators, artists, and clients, as well as the lessons he's learned. A foreword by Ellen Lupton situates his work in the context of contemporary design. Open Book, beautifully produced and illustrated with more than four hundred images, is a must-have for anyone interested in design and the visual arts"--
Miller, J. Abbott --- Abbott, Miller --- Miller, Abbott --- ontwerpers --- designers --- 753 --- 772.81 --- ontwerpmethodiek --- Pentagram --- grafische vormgeving , geschiedenis, grafische vormgevers afzonderlijk --- productdesign, historisch, 1945-, ontwerpers afzonderlijk --- Themes, motives.
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photography [process] --- fotografie --- Photography --- introd. par Hank O'Neal --- 77.071 ABBOTT --- Abbott Berenice --- Verenigde Staten --- New York --- portretfotografie --- Abbott (berenice), 1898-1991
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Pendant plus de 30 ans, Eugène Atget photographia avec obsession la ville de Paris et ses environs. Il découvrit un marché de photographies documentaires du vieux Paris qui furent rachetées par des artistes en tant que motif pour leurs toiles. Mais pour Atget, la production de photographies sur l'ancienne culture française était également l'occasion de faire de l'art. Ses photographies sont sans égal dans leur réalisme et leur réponse lyrique aux vibrations vivantes de la ville ainsi qu'aux artéfacts qui décrivent la vie humaine dans quasiment toutes les classes sociales. Il créa quelques-unes des images de lumière et d'espace les plus harmonieusement articulées.
Photographe --- Atget, Eugène --- 20e siècle --- Photographers --- Photographers. --- Photography, Artistic. --- Abbott, Berenice, --- United States. --- fotografie --- photography [process] --- Photography --- Abbott, Berenice --- Women photographers --- Fotografen --- Ben Lifson --- Frankrijk --- architectuurfotografie --- reportagefotografie --- Atget Eugène --- 77.071 ATGET --- Fotograaf --- Abbott, Berenice, 1898-1991 --- Abbott (berenice), 1898-1991
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etsen --- Graphic arts --- etchings [prints] --- Whistler, James Abbott McNeill --- Etchers --- Biography. --- Biography --- Whistler, James McNeill
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He was the most notorious and misunderstood American artist of his time, and also the most influential. To this day James Abbott McNeill Whistler (1834--1903) is one of the most recognized names in painting because of his celebrated (and endlessly satirized) Whistler's Mother, one of the treasures of the Louvre. He was, to say the least, a character. Born in Massachusetts, he claimed to be a Southerner and wound up living most of his life abroad--in Russia, France, and England (though he could not tolerate more than brief periods in France and thoroughly disliked the English). Whistler's sense of belligerent alienation erupted in ways that were endlessly fascinating to both Europeans and Americans: his insatiable urge to take his grievances to court (including literary and artistic grievances); his feuds and vendettas with such worthies as Ruskin, Wilde, and Beardsley; his acid wit and libelous invective; his ability to set fashions in art, dress, even lifestyle; his love affairs and relentless social climbing--his was a flamboyant life, told here with clarity, judgment, and liveliness (Leon Edel).
painting [image-making] --- biography [general genre] --- schilderkunst --- Painters --- Whistler, James Abbott McNeill --- Whistler, James McNeill
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Graphic arts --- etchings [prints] --- etsen --- Graphic artists --- Whistler, James Abbott McNeill --- Gravure --- Graveur --- Whistler, James Abbott Mcneill --- Whistler, James McNeill, --- 19e siècle --- Whistler, James McNeill, - 1834-1903 --- Whistler, James McNeill
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Painting --- painting [image-making] --- Impressionist [style] --- japonisme --- impressionisme --- schilderkunst --- Whistler, James Abbott McNeill --- Degas, Edgar --- anno 1800-1899 --- Whistler, James McNeill
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Abbott, Berenice ; Adams, Ansel ; Adamson, Robert ; Altobelli, Gioaccino ; Annan, Thomas ; Atget, Eugène ; Barnett, Walter ; Barraud, William ; Berggren, Guillaume ; Bonfils, Félix ; Brandt, Bill ; Braun, Adolphe ; Callahan, Harry ; Cameron, Julia Margaret ; Cartier-Bresson, Henri ; Cunningham, Imogen ; Curtis, Edward Sheriff ; Disdéri, André Adolphe Eugène ; Evans, Walker ; Fenton, Roger ; Fergus, John ; Frank, Robert ; Frith, Francis ; Fritz, Adolf ; Gibson, Ralph ; H.E.W. ; Hill, David Octavius ; Käsebier, Gertrude ; Knudstrup, Anna ; Kühn, Heinrich ; Langdon Coburn, Alvin ; Levitt, Helen ; Man Ray ; Mantz, Werner ; Micheler ; Morgan, Barbara ; Mulnier, Ferdinand ; Newman, Arnold ; Percheid, Nicola ; Renger-Patzsch, Albert ; Rude, Ernest ; Salomon, Adam ; Samuel, Antonio ; Sébah, J. Pascal ; Shaw, George Bernard ; Steichen, Edward ; Stieglitz, Alfred ; Strand, Paul ; Summons, Herbert Yowall ; Tournachon), Nadar (Gaspard Félix ; Watkins, Carleton Eugene ; Weston, Edward ; White, Clarence Hudson ; Zwart, Piet
Photography --- straatfotografie --- Man Ray --- Mantz, Werner --- Fenton, Roger --- Abbott, Berenice --- Frith, Francis --- Cunningham, Imogen --- Cameron, Julia Margaret --- Cartier-Bresson, Henri --- Nadar --- Curtis, Edward Sheriff --- Weston, Edward --- Shaw, George Bernard --- Zwart, Piet --- artistieke fotografie
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Commercial art --- Graphic design (Typography) --- Illustration of books --- Magazine illustration --- 766.01 --- designtheorie --- Ellen Lupton and J. Abbott Miller --- geschiedenis --- grafisch design --- grafisch ontwerp --- media --- theorie --- typografie --- Illustration, Magazine --- Periodical illustration --- Illustrated periodicals --- Periodicals --- Typographic design --- Design --- Printing --- Layout (Printing) --- History --- Graphic arts --- graphic design --- typography --- grafische vormgeving
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