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In *South of Pico* Kellie Jones explores how the artists in Los Angeles's black communities during the 1960s en 1970s created a vibrant, productive, and engaged activist arts scene in the face of structural racism. Emphasizing the importance of African American migration, as well as L.A.'s housing and employment politics, Jones shows how the work of black Angeleno artists such as Betye Saar, Charles White, Noah Purifoy, and Senga Nengudi spoke to the dislocation of migration, L.A.'s urban renewal, and restrictions on black mobility. Jones characterizes their works as modern migration narratives that look to the past to consider real and imagined futures. She also attends to these artists' relationships with gallery and museum culture and the establishment of black-owned arts spaces. With *South of Pico*, Jones expands the understanding of the histories of black arts and creativity in Los Angeles and beyond.
Art --- African American --- #breakthecanon --- anno 1960-1969 --- anno 1970-1979 --- Los Angeles [California]
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Wangechi Mutu's remarkable body of work touches on such issues as sexuality, ecology, politics, and the rhythms and chaos that govern the world. Her paintings, sculptures, and collages, often enriched with culturally-charged materials including tea, synthetic hair, Kenyan soil, feathers, and sand, interweave fact with fiction, generating a unique form of myth-making that sets her apart from classical history or popular culture. This is the first book to document her evolution and explore her impact.
sculpture [visual works] --- installations [visual works] --- monumental [size or dimensions] --- easel paintings [paintings by form] --- human figures [visual works] --- Mutu, Wangechi --- Art --- Thema's in de kunst ; zelfportretten ; vrouwentypes --- Beeldende kunst ; collages ; 20ste en 21ste eeuw --- Performances ; installaties; 21ste eeuw --- Lichaamsornamentiek ; bij etnografische volkeren ; Afrika --- Thema's in de kunst ; ras ; gender ; geslacht --- Mutu, Wangechi °1972 (°Nairobi, Kenia). Woont en werkt in New York --- 7.07 --- 7.071 --- kunst --- beeldhouwkunst --- schilderkunst --- tekenkunst --- collages --- installaties --- Kenia --- eenentwintigste eeuw --- twintigste eeuw --- Mutu Wangechi --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A-Z --- paintings [visual works]
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This is a revelatory reassessment of one of the most influential American artists of the 20th century: Charles White (1918-1979) is best known for bold, large-scale paintings and drawings of African Americans, meticulously executed works that depict human relationships and socioeconomic struggles with a remarkable sensitivity. This comprehensive study offers a much-needed reexamination of the artist's career and legacy. With handsome reproductions of White's finest paintings, drawings, and prints, the volume introduces his work to contemporary audiences, reclaims his place in the art-historical narrative, and stresses the continuing relevance of his insistent dedication to producing positive social change through art. Tracing White's career from his emergence in Chicago to his mature practice as an artist, activist, and educator in New York and Los Angeles, leading experts provide insights into White's creative process, his work as a photographer, his political activism and interest in history, the relationship between his art and his teaching, and the importance of feminism in his work. A preface by Kerry James Marshall addresses White's significance as a mentor to an entire generation of practitioners and underlines the importance of this largely overlooked artist.
Art --- painting [image-making] --- African American --- #breakthecanon --- White, Charles
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