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Op het netvlies van een monument : een beheersgerichte blik op muurschilderingen in Vlaanderen
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ISBN: 9789075230499 Year: 2015 Publisher: Brussel Vlaamse Overheid. Agentschap Onroerend Erfgoed

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Ice Age Art : the arrival of the modern mind
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ISBN: 9780714123332 Year: 2013 Publisher: London The British Museum Press

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Keith Haring
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ISBN: 9780847831395 Year: 2010 Publisher: Londen Phaidon Press

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Boek is beschadigd. Prenten uitgeknipt p. 105-106 /p. 131-132 / p. 149-150


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De slag van Bavinchove
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ISBN: 9051301057 9789051301052 Year: 1992 Publisher: Brussel : Koning Boudewijnstichting,

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La pittura etrusca : guida breve
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ISBN: 8882653234 9788882653231 8882652637 9788882652630 Year: 2005 Publisher: Roma : <> Erma di Bretschneider,

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De oudheid in Fresco : De interpretatie van klassieke onderwerpen in de Italiaanse wandschilderkunst, inzonderheid te Rome, circa 1370-1555
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ISBN: 9090015256 Year: 1987 Publisher: Den Haag


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Middeleeuwse muurschilderingen in Vlaanderen
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ISBN: 9040300321 9789040300325 Year: 1994 Volume: 2 Publisher: Brussel : Ministerie van de Vlaamse gemeenschap, Bestuur monumenten en Landschappen,


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De muurschilderkunst te gent (12de tot 16de eeuw)
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ISBN: 9065694161 9789065694164 Year: 1989 Volume: 46 Publisher: Brussel : Koninklijke academie voor wetenschappen, letteren en schone kunsten van België,


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Muralnomad : the paradox of wall painting, Europe 1927-1957
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ISBN: 9780300141535 030014153X Year: 2009 Publisher: New Haven, CT ; London Yale University Press

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In this fascinating and generously illustrated book, Romy Golan explores mural and mural-like works in Europe from the 1920s to the 1950s, beginning with Monet’s installation of the Nymphéas at the Musée de l’Orangerie in Paris, and ending dramatically with Le Corbusier’s huge tapestries in Chandigarh, India. Many artists and critics looked to the mural as a corrective to the ills of painterly Modernism: the disruption of the pictorial field at the hands of Cubism and other avant-garde practices; the commodification of painting through the market for easel paintings; and more generally the alienation of man and the anomie of art in the modern condition. At the same time it was clear that a return to the mural format would never be more than an anachronistic and futile gesture. This book is therefore about mural paintings that are not convinced they belong on walls: such strange objects as mosaics designed to be disassembled; paintings that resemble large-scale photographs, or photomurals; and tapestries that functioned as portable woolen walls. The author argues that the uncertain relation of these objects to the wall is symptomatic of the dilemmas that troubled European art, artists, and architects during the middle decades of the twentieth century.

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