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Music printing --- France --- 18th century --- 78.89
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Music printing --- Book history --- Music --- anno 1500-1799 --- Rome --- muziekdruk
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This book presents a varied and nuanced analysis of the dynamics of the printing, publication, and trade of music in the sixteenth and early seventeenth centuries across Western and Northern Europe. Chapters consider dimensions of music printing in Britain, the Holy Roman Empire, the Netherlands, France, Spain and Italy, showing how this area of inquiry can engage a wide range of cultural, historical and theoretical issues. From the economic consequences of the international book trade to the history of women music printers, the contributors explore the nuances of the interrelation between the materiality of print music and cultural, aesthetic, religious, legal, gender and economic history. Engaging with the theoretical turns in the humanities towards material culture, mobility studies and digital research, this book offers a wealth of new insights that will be relevant to researchers of early modern music and early print culture alike.
Music --- Music printing --- Material culture --- History --- Music printing. --- Baroque music --- European music --- early modern Europe --- early modern music --- early modern music printing --- early modern print culture --- early music printing --- history of print --- materiality --- material culture --- musicology --- music history --- music printing --- Protestant Reformation --- polyphonic music --- print culture --- print studies --- Renaissance music --- Western music
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Zonder onderwerpscode: muziek --- Musicians --- Musical notation --- History --- Music printing --- 16th-20th centuries
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André, Johann --- Musikverlag Johann André --- Music printing --- Germany --- 19th century --- Uitgeverijen --- Catalogi --- Duitsland --- André, Johann Anton --- 19e eeuw
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The first century of music printing in Germany had its own internal dynamics, affected by political and social events such as the Reformation. Yet it also had an international dimension: German printers set up shops all around Europe, taking materials and techniques with them, or exporting necessary materials such as type. For the first time, this collection brings together the different strands that define the German music printing landscape from the late fifteenth to the late sixteenth century. From the earliest developments in music printing and publishing, to printing techniques and solutions, the commerce of music printing, and intellectual history, the chapters outline broad trends in the production of different genres of printed books and examine the work of individual printers. The book draws upon the rich information gathered for the online database Catalogue of early German printed music / Verzeichnis deutscher Musikfruhdrucke (vdm), the first systematic descriptive catalogue of music printed in the German-speaking lands between c. 1470 and 1540, allowing precise conclusions about the material production of these printed musical sources. The result is a highly original and varied picture of the beginnings of music printing in a geographical region that, until now, has been somewhat neglected.
Music printing --- History --- Music --- Type and type-founding --- Printing --- Music publishing --- Music type --- editions --- implications --- music editions --- new catalogue --- Christian Egenolff --- Discant --- Lied --- Partbook --- Répertoire International des Sources Musicales --- Roman numerals --- Tenor --- Title page --- Woodcut
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Music --- anno 1500-1599 --- Music theory --- Music, Renaissance --- Théorie musicale --- Musique de la Renaissance --- History --- History and criticism --- Histoire --- Histoire et critique --- Music printing --- -Music printing --- -Music --- Type and type-founding --- Printing --- Music publishing --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- -Printing --- Music type --- Aaron, Pietro --- -Glareanus, Henricus --- -Heyden, Sebald --- -Zarlino, Gioseffo --- -Aaron, Petro --- Aron, Piero --- Criticism and interpretation --- -History and criticism --- -Aaron, Pietro --- -Criticism and interpretation --- Théorie musicale --- Glareanus, Henricus, --- Heyden, Sebald, --- Zarlino, Gioseffo, --- Zarlino, Joseph, --- Zarlino, Giuseppe, --- Zarlino, Gioseffe, --- Loritus, Henricus, --- Loriti, Heinrich, --- Glareanus, Henrichus Loritus, --- Glarean, Heinrich Loriti, --- Loris, Heinrich, --- Aaron, Petro --- Criticism and interpretation. --- Heyden, Sebald --- Glareanus, Henricus --- Zarlino, Gioseffo --- Music collections --- Europe --- 16th century --- 78.60.0 --- 78.24 --- Music - History and criticism - Music collections. --- Music printing - Europe - History - 16th century. --- Haiden, Sebald, --- Heyd, Sebald, --- Heyd, Sebaldus, --- Heiden, Sebald, --- Hayden, Sebaldus, --- Heiden, Sebaldus, --- Heyden, Sebaldus, --- S. H., --- Heid, Sebald,
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