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Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a post-cinematic age and helped to develop a novel space between the "black box" of the movie theater and the "white cube" of the art gallery. Packed with over one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art.
Art and motion pictures. --- Art, Modern. --- Art, Modern --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Modern art --- Nieuwe Ploeg (Group of artists) --- Art and moving-pictures --- Motion pictures and art --- Motion pictures --- cinema, cinematic, film, postwar, wartime, art, artistic, global, international, contemporary, 1950s, 1960s, movies, studies, college, university, textbook, academic, scholarly, research, theatres, modern, analysis, critical, critique, technology, technological, innovation, theater, video, nam june paik, robert whitman, stan vanderbeek, breer, director, filmmaker.
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"Among early Hollywood's most brilliant filmmakers, Lois Weber was considered one of the era's 'three great minds' alongside D. W. Griffith and Cecil B. DeMille. Despite her accomplishments, Weber has been marginalized in relation to her contemporaries, who have long been recognized as fathers of American cinema. Drawing on a range of materials untapped by previous historians, Shelley Stamp offers the first comprehensive study of Weber's remarkable career as director, screenwriter, and actress. Lois Weber in Early Hollywood provides compelling evidence of the extraordinary role that women played in shaping American movie culture. Weber made films on capital punishment, contraception, poverty, and addiction, establishing early cinema's power to engage topical issues for popular audiences. Her work also grappled with the profound changes in women's lives that unsettled Americans at the beginning of the twentieth century, and her later films include sharp critiques of heterosexual marriage and consumer capitalism. Mentor to many women in the industry, Weber demanded a place at the table in early professional guilds, decrying the limited roles available for women on screen and in the 1920s protesting the growing climate of hostility toward female directors. Through her examination of Weber's career, Stamp demonstrates how female filmmakers who had played a part in early Hollywood's bid for respectability were in the end written out of that industry's history. Lois Weber in Early Hollywood is an essential addition to histories of silent cinema, early filmmaking in Los Angeles, and women's contributions to American culture."--Provided by publisher.
Film --- Weber, Lois --- Los Angeles --- Motion picture producers and directors --- Women motion picture producers and directors --- Women in the motion picture industry --- Silent films --- Producteurs et réalisateurs de cinéma --- Productrices et réalisatrices de cinéma --- Femmes dans l'industrie cinématographique --- Films muets --- Biography. --- History. --- Biographies --- Histoire --- Weber, Lois, --- Criticism and interpretation --- Biography --- Dictionaries --- United States --- History --- Los Angeles [California] --- Moving pictures, Silent --- Silent motion pictures --- Motion pictures --- Motion picture industry --- Criticism and interpretation. --- Weber, Florence Lois, --- abortion. --- addiction. --- american film industry. --- american movie culture. --- auteur theory. --- biographical. --- birth control. --- capital punishment. --- career. --- censorship. --- consumer capitalism. --- contraception. --- cultural studies. --- director. --- early cinema. --- early hollywood. --- era of silent film. --- female director. --- film studies. --- filmmaker. --- historical. --- hollywood censors. --- hollywood. --- humanity. --- lois weber. --- marriage critique. --- motion picture. --- performing arts. --- producer. --- realistic. --- screenwriter. --- silent film actress. --- silent film. --- social justice. --- split screen.
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