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social history --- Recreation. Games. Sports. Corp. expression --- dances [performance events] --- dancers --- dansritueel

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Dit boek biedt een exclusieve kijk in het hoofd en de ziel van Wim Vandekeybus, chereograaf, danser, cineast, fotograaf en totaalkunstenaar. In 2016 bestaat zijn compagnie Ultima Vez dertig jaar, maar nooit eerder werd zijn oeuvre beschreven. Tot nu. 00'Wim Vandekeybus' is een visuele reis langs de krachtigste beelden uit zijn repertoire, en een zoektocht naar de ideeën en thema's die hem inspireren. Ook bevat het onuitgegeven teksten, notities en scripts uit zijn voorstellingen en films. Een aantal 'compagnons de route' zoals David Byrne, Mauro Pawlowski, Peter Verhelst, ... leveren een persoonlijke bijdrage.

dansgezelschappen --- Theatrical science --- hedendaagse dans --- anno 2000-2009 --- anno 1980-1989 --- anno 2010-2019 --- anno 1990-1999 --- Flanders --- choreographers --- dances [performance events] --- Vandekeybus, Wim --- Choreography --- Chorégraphie --- Chorégraphie --- dansexpressie

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video art --- Film --- Graphic arts --- photography [process] --- typography --- Photography --- Art --- lexicons --- performance art --- Sculpture --- installations [visual works] --- Graphics industry --- dances [performance events] --- sculpting --- assemblages [sculpture] --- motion pictures [visual works] --- multi-channel video installations --- Theatrical science --- sound [acoustics] --- anno 1970-1979 --- anno 1900-1999 --- Arts, Modern --- Exhibitions. --- Art. 20e s. Exposition. Berne. 1985. --- Kunst. 20 eeuw. Tentoonstelling. Bern. 1985. --- 700.4 --- 705.8

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Fase, Four Movements to the Music of Steve Reich, choreographer Anne Teresa De Keersmaeker’s very first performance, premiered in 1982. Fase comprises three duets and one solo, choreographed to four repetitive compositions by the American minimalist Steve Reich. De Keersmaeker uses the structure of Reich’s music to develop an independent movement idiom that doesn’t merely illustrate the music but also adds a new dimension to it. Both the music and the dance start from the principle of phase shifting through tiny variations: movements that are initially perfectly synchronous gradually start slipping and sliding, resulting in an ingenious play of continuously changing forms and patterns.

Having always danced Fase herself, Anne Teresa De Keersmaeker, for the first time in the work’s history, now passes it on to two new dancers.

Reich, Steve --- Anne Teresa de Keersmaeker --- Modern dance --- Modern dance. --- Keersmaeker, Anne Teresa de --- Keersmaeker, Anne Teresa de. --- Mey, Michèle-Anne de --- Mey, Michèle-Anne de. --- Rosas (Dance company) --- Rosas (Dance company). --- Fase (Choreographic work : Keersmaeker). --- Belgium. --- Theatrical science --- dance [discipline] --- performance art --- choreography --- dances [performance events] --- dance companies --- Keersmaeker, de, Anne Teresa --- Rosas [Brussels] --- dance [performing arts genre]

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Photographer Anne Van Aerschot and Herman Sorgeloos followed the creation process of A Love Supreme in 1995 and the revival in 2017. Next to a large selection of pictures this photo book includes interviews and texts written by Stefan Hertmans, Wannes Gyselinck and Floor Keersmaekers.

dans --- België --- choreografie --- choreografen --- 792.071 --- fotografie --- dansfotografie --- eenentwintigste eeuw --- De Keersmaeker Anne Teresa --- Sorgeloos Herman --- Van Aerschot Anne --- Rosas --- 792.071. --- België. --- De Keersmaeker Anne Teresa. --- Rosas. --- Sorgeloos Herman. --- Van Aerschot Anne. --- choreografen. --- choreografie. --- dans. --- dansfotografie. --- eenentwintigste eeuw. --- fotografie. --- Theatrical science --- dance [discipline] --- performance art --- choreography --- dances [performance events] --- dance companies --- Keersmaeker, de, Anne Teresa --- Rosas [Brussels] --- dance [performing arts genre]