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Founded in 1948, The Hudson Review deals with the area where literature bears on the intellectual life of the time and on diverse aspects of American culture. The magazine serves as a major forum for new writers and for the exploration of new developments in literature and the arts. By consistently maintaining its critical standards and a commitment to excellent writing, The Hudson Review has made a significant impact on the international literary climate. It has a distinguished record of publishing little-known or undiscovered writers, many of whom have become major literary figures. Each issue contains a wide range of material including: poetry, fiction, essays on literary and cultural topics, book reviews, and chronicles covering film, theatre, dance, music and art. As well as covering the American cultural scene, the magazine seeks to explore arts internationally through its regular reports from abroad and translations of contemporary writers from other countries.
Literature --- Literature. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship
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Literature --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Study and teaching
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Chicago Review is a student-run magazine of literature and critical exchange, published quarterly in the Division of the Humanities at the University of Chicago since 1946. CR regularly features established and emerging voices in poetry, fiction and criticism from the U.S. and abroad; the magazine also frequently publishes special issues on single authors and national literatures.
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Begun in 1915 and located on the campus of Southern Methodist University, Southwest Review is the third oldest, continuously published literary quarterly in the United States. Selections from Southwest Review have been reprinted in volumes of The O. Henry Prize Stories, The Pushcart Prize, The Best American Short Stories, The Best American Essays, The Best American Poetry, New Stories from the South, and elsewhere. Southwest Review contributors have included D. H. Lawrence, Maxim Gorky, Cleanth Brooks, Robert Penn Warren, Mary Austin, Quentin Bell, Horton Foote, Larry McMurtry, Joyce Carol Oates, Amy Clampitt, James Merrill, Margaret Drabble, Iris Murdoch, Arthur Miller, Naguib Mahfouz, and many others.
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For the past thirty years, Qui Parle has published outstanding theoretical and critical work in the humanities and social sciences. Run by an independent group of graduate students since its founding at the University of California, Berkeley, the journal aims to start critical conversations and introduce new analytic modes by bringing together diverse scholarly and artistic voices. Contributors challenge disciplinary boundaries and engage with theoretical debates whose import stretches within and beyond the academy. Qui Parle also regularly curates special issues and dossiers organized around burgeoning intellectual topics and theoretical problems whose implications span the humanities and social sciences and reflect the varied interests of the editorial board.
Literature --- Literature. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- History and criticism
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Literature --- Literature. --- History and criticism --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship
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Literature --- Literature. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship
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The 18th century in Britain was a transition period for literature. For the literary scholar, these changes mean that different search strategies may be required to conduct research into primary and secondary source material across the era. This book addresses the unique challenges faced by the scholars of the period, and explores a multitude of primary and secondary resources. In addition, each chapter addresses the research methods and tools best used to extract relevant information and compares and evaluates sources, making this book an invaluable guide to any literary sch
Literature --- Criticism --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Research --- Methodology. --- Authorship.
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Comme je n'en finis pas de m'interroger sur la littérature et surtout sur les rapports exacts des choses écrites avec la vie, je me propose de consigner ici, dans une sorte de Journal non daté, les remarques et questions qui me viennent à l'esprit en relation avec ce que je lis, sans tenir compte du genre des textes ni même de leur qualité. Dans ce recueil que j'intitule "Livre de lectures", par antiphrase, cela va de soi, car on n'y trouvera pas de ces modèles fournis par les anthologies, et encore moins les certitudes sur quoi se fondent les manuels, je n'envisage nullement de citer oeuvres et auteurs pour en faire la critique, fût-ce au sens scientifique et technique que le mot prend désormais pour nous, mais bien plutôt de relever au jour le jour ce que le fait littéraire a de flou, de fuyant et d'incompréhensible au fond sous ses airs rassurants de phénomène classé. Je veux en somme demander aux livres qui me sont tombés un jour entre les mains ce qu'il en est de la littérature en général, ce qui justifie son extraordinaire pouvoir social et de quel fonds mal exploré elle tire toujours sa fascination.
Sociology of literature --- Literature --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- 820 --- letterkunde --- littérature --- Littérature.
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"Il y a dans bien des productions de l'esprit des poisons subtils et violents, contre lesquels nous n'avons pas d'autre antidote qu'une pensée incessamment en éveil. Il faut donc juger, tout en sachant que jusqu'à nouvel ordre nous le faisons sans connaissance de cause, en n'émettant jamais que des opinions qui, pour nécessaires et respectables qu'elles soient, sont encore loin de prendre force de loi. Il faut juger dans la pleine conscience de ne rendre la plupart du temps que des verdicts approximatifs, hâtifs, légers, quand ils ne sont pas dictés directement par l'idéologie du moment ; mais aussi dans l'espoir qu'à force de tourner et de retourner des questions jusque-là non posées, nous finirons peut-être par percer un peu mieux les rapports secrets de la littérature avec nos diables et nos bons dieux". De Cervantès à Flaubert, de Thomas Mann à Sade, de Sartre à Henry James, Marthe Robert a une culture universelle, une culture véritable, celle qui permet de parler de la chose écrite, d'en discerner la valeur au-delà des modes. Elle nous entraîne dans des champs divers, ceux de la psychanalyse, de la philosophie, de la littérature, pour nous amener à nous interroger sur la responsabilité de l'écrivain, le paradoxe du roman, les mots et le réel, les mots et les rêves. Elle pose la question des questions : en quoi consiste ce qu'on peut appeler la vérité littéraire ?
Literature --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Literature. --- Fiction --- Psychological study of literature --- Littérature.
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