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This volume on avant-garde film has emerged as part of a wider reassessment of 20th century avant-garde art, literature and film carried out in the framework of a research project at the University of Edinburgh. It paves the way for a fresh assessment of avant-garde film and develops its theory as an integral part of a newly defined conception of the avant-garde as a whole, by closing the gap between theoretical approaches towards the avant-garde as defined on the basis of art and literature on the one hand and avant-garde cinema on the other. It gathers contributions by the most esteemed scholars in the field of avant-garde studies relating to the “classical” avant-garde cinema of the 1920's, to new trends emerging in the 1950's and 1960's and to the impact that innovative technologies have recently had on the further development of avant-garde and experimental film. The contributions reflect the broad range of different moving-image media that make up what we refer to today simply as “film”, at the same time as reconsidering the applicability of the label “avant-garde”, to offer a comprehensive and updated framework that will prove invaluable to scholars of both Moving Image Studies and Art History disciplines.
Experimental films --- Experimental films. --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Video art --- History and criticism --- 1900 - 1999 --- Avant-garde (Aesthetics) --- 791.43 --- Arnold Martin --- avant-gardefilm --- Brakhage Stan --- Buñuel Luis --- Chodorov Pip --- Conrad Tony --- Delvaux André --- Deren Maya --- Dulac Germaine --- Eggeling Viking --- experimentele film --- film --- filmgeschiedenis --- futurisme --- Kubelka Peter --- magisch realisme --- Man Ray --- Mayakovsky Vladimir --- McCall Anthony --- Moholy-Nagy Laszlo --- Morrison Bill --- paracinema --- Peixoto Mario --- performances --- Rey Nicolas --- Richter Hans --- Rosenbach Ulrike --- Ruttmann Walther --- Sharits Paul --- surrealisme --- twintigste eeuw --- Valie Export --- Vertov Dziga --- video --- videokunst --- Aesthetics --- Modernism (Art) --- History and criticism. --- Film --- anno 1900-1999 --- Avant-garde (Aesthetics).
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Bellmer, Hans ; Brauner, Victor ; Delvaux, Paul ; Duchamp, Marcel ; Ende, Edgar ; Ernst, Max ; Fuchs, Ernst ; Grigorieff, Boris ; Jawlensky, Alexej ; Laurens, Henri ; de Lempicka, Tamara ; Lipchitz, Jacques ; Magritte, René ; Masson, André ; Picabia, Francis ; Picasso, Pablo ; Ray, Man ; Schlemmer, Oskar ; Tanguy, Yves ; Zadkine, Ossip ; Altman, Edith ; Appelt, Dieter ; Baselitz, Georg ; Buthe, Michael ; Castelli, Luciano ; Clemente, Francesco ; Dornseif, Frank ; Hrdlicka, Alfred ; etc.
Symbolist --- ethnography --- History --- Ethnology. Cultural anthropology --- Art --- Iconography --- mythology [literary genre] --- Surrealist --- psychology --- Art styles --- art history --- eroticism --- Hrdlicka, Alfred --- Paolini, Giulio --- Moreau, Gustave --- Salomé --- Sarluis, Léonard --- Buthe, Michael --- Ende, Edgar --- Redon, Odilon --- Lipchitz, Jacques --- Lange, Thomas --- Mields, Rune --- Tübke, Werner --- Sermidi, Sergio --- Zadkine, Ossip --- Laurens, Henri --- Khnopff, Fernand --- Watts, George Frederick --- Willats, Stephen --- Walser, Karl --- Picasso, Pablo --- Rossetti, Dante Gabriel --- Man Ray --- Dornseif, Frank --- Brauner, Victor --- Altman, Edith --- Picabia, Francis --- Lüthi, Urs --- Ernst, Max --- Appelt, Dieter --- Sauer, Walter --- Magritte, René --- Schwarze, Michael --- Grigorjev, Boris Dmitrijevitsj --- Bellmer, Hans --- Beardsley, Aubrey --- Schlemmer, Oskar --- Rosenbach, Ulrike --- Mattner, Jakob --- Tanguy, Yves --- Gauguin, Paul --- Delville, Jean --- Petrick, Wolfgang --- Schoenholtz, Michael --- Burne-Jones, Edward Coley --- Baselitz, Georg --- Alastair --- Jawlensky, Alexej --- Clemente, Francesco --- Horn, Rebecca --- Castelli, Luciano --- Masson, André --- Fuchs, Ernst --- Solomon, Simeon --- Degouve de Nuncques, William --- Molinier, Pierre --- Rosz, Martin --- Ulrichs, Timm --- Lempicka, de, Tamara --- Duchamp, Marcel --- Wilms, Anno --- Klauke, Jürgen --- Klossowski, Pierre --- von Gloeden, Wilhelm --- Delvaux, Paul --- anno 1900-1909 --- anno 1900-1999 --- anno 1800-1899 --- androgynie --- iconografie --- verlangen --- melancholie --- Bisexuality --- Mythology --- Exhibitions --- Sex role in art --- verlangen: ‘Desiderio’ (Ripa) --- androgynie (kunst)
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