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Riefenstahl, Leni --- National socialism and motion pictures
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Riefenstahl, Leni --- Motion picture actors and actresses --- Germany --- Biography --- Women motion picture producers and directors
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Traduit de l'allemand par Dispot LaurentDon Nahum
biographie --- Riefenstahl, Leni --- Motion picture producers and directors --- Germany --- Biography --- RIEFENSTAHL (LENI), 1902-2003 --- CINEMA ALLEMAND --- ALLEMAGNE --- NAZISME --- MEMOIRES --- 1933-1945 --- 20E SIECLE --- SOURCES --- HISTOIRE --- PROPAGANDE NAZIE --- ASPECTS CULTURELS --- CINEMA
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799.5 --- Riefenstahl, Leni --- documentaires --- film --- filmgeschiedenis --- nazisme --- non-fictie --- propaganda --- filmgenres en -motieven, documentaire films --- fascisme
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Political philosophy. Social philosophy --- Wagner, Winifred --- Schirach, von, Henriette --- Göring, Emmy --- Riefenstahl, Leni --- Göring, Carin --- Scholtz-Klink, Gertrud --- Goebbels, Magda --- Braun, Eva --- anno 1900-1999 --- Germany --- Hitler, Adolf --- Relations with women --- Nazism --- Book
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Biographies: varia --- C3 --- vrouwen --- podiumkunsten --- film --- biografie --- Kunst en cultuur --- Bergman, Ingrid --- Callas, Maria --- Kahlo, Frida --- Riefenstahl, Leni --- Guggenheim, Peggy --- Mahler, Alma --- Fitzgerald, Zelda --- Simone, Nina --- Schneider, Romy --- Holiday, Billie --- Baker, Josephine --- Monroe, Marilyn --- Chanel, Gabrielle --- Nin, Anaïs --- Dietrich, Marlene --- 830 --- essay --- essai --- Biographical details --- Book
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""What are we to make of those cultural figures, many with significant international reputations, who tried to find accommodation with the Nazi regime?" Jonathan Petropoulos asks in this exploration of some of the most acute moral questions of the Third Reich. In his nuanced analysis of prominent German artists, architects, composers, film directors, painters, and writers who rejected exile, choosing instead to stay during Germany's darkest period, Petropoulos shows how individuals variously dealt with the regime's public opposition to modern art. His findings explode the myth that all modern artists were anti-Nazi and all Nazis anti-modernist. Artists Under Hitler closely examines cases of artists who failed in their attempts to find accommodation with the Nazi regime (Walter Gropius, Paul Hindemith, Gottfried Benn, Ernst Barlach, Emil Nolde) as well as others whose desire for official acceptance was realized (Richard Strauss, Gustaf Gründgens, Leni Riefenstahl, Arno Breker, Albert Speer). Collectively these ten figures illuminate the complex cultural history of Nazi Germany, while individually they provide haunting portraits of people facing excruciating choices and grave moral questions"-- Provided by publisher
National Socialism --- art [fine art] --- collaboratie (kunst) --- Art --- Hindemith, Paul --- Nolde, Emil --- Speer, Albert --- Riefenstahl, Leni --- Strauss, Richard --- Gropius, Walter --- Breker, Arno --- Benn, Gottfried --- Barlach, Ernst H. --- anno 1940-1949 --- Germany --- National socialism and art. --- Arts, German --- Artists --- Nazisme et art --- Arts allemands --- Artistes --- Social conditions --- Conditions sociales --- Allemagne --- HISTORY / Europe / Germany. --- HISTORY / Modern / 20th Century. --- HISTORY / Social History. --- BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers. --- BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians. --- Nazisme en kunst --- Propaganda --- Politiek --- National socialism and art --- Maatschappij --- Film --- Arts, German - 20th century --- Artists - Germany - Social conditions - 20th century --- Germany - Social conditions - 20th century --- Oorlog --- Oorlogspropaganda --- art [discipline]
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"Leni Riefenstahl's Olympia (1938) is one of the most controversial films ever made. Capitalising on the success of Triumph of the will (1935), her propaganda film for the Nazi Party, Riefenstahl secured Hitler's approval for her grandiose plans to film the 1936 Berlin Olympics. The result was a work as notorious for its politics as celebrated for its aesthetic power. This revised edition includes new material on Riefenstahl's film-making career before Olympia and her close relationship with Hitler. Taylor Downing also discusses newly-available evidence on the background to the film's production that conclusively proves that the film was directly commissioned by Hitler and funded through Goebbel's Ministry of Propaganda and not, as Riefenstahl later claimed, commissioned independently from the Nazi state by the Olympic authorities. In writing this edition, Taylor Downing has been given access to a magnificent new restoration of the original version of the film by the International Olympic Committee."--Page 4 of cover.
National socialism and art --- Women motion picture producers and directors --- Riefenstahl, Leni --- Hitler, Adolf, --- Jacob, Leni --- Riefenstahl, Helene Bertha Amalie --- Рифеншталь, Лени --- Criticism and interpretation. --- Olympic Games --- Olympic Games. --- Jeux olympiques --- Summer Olympics --- Games of the XI Olympiad --- Olympische Spiele --- Olympische Sommerspiele --- Olympia (Sporting event) --- Nazi-Olympiade --- Olympiade --- Hitlers Olympiade --- Nazi Olympics --- Hitler's Games --- Olimpiese Somerspele --- Spele van die XIde Olimpiade --- Spele van die XIe Olimpiade --- Chuegos Olimpicos --- Chuegos d'a XI Olimpiada d'a Era Muderna --- Xuegos Olímpicos --- Xuegos de la XI Olimpiada --- Yay Olimpiya Oyunları --- Летнія Алімпійскія гульні --- Letnii︠a︡ Alimpiĭskii︠a︡ hulʹni --- Гульні XI Алімпіяды --- Hulʹni XI Alimpii︠a︡dy --- Летни олимпийски игри --- Letni olimpiĭski igri --- Jocs Olímpics d'estiu --- Jocs Olímpics de la XI Olimpíada --- Jocs Olímpics --- Letní olympijské hry --- Gemau Olympaidd yr Haf --- Gemau'r XI Olympiad --- Sommer-OL --- Olympiske Lege --- XI Olympiades Lege --- Olympiades Lege --- Olympia (Motion picture) --- Olympia-Film (Motion picture) --- Women moving-picture producers and directors --- Motion picture producers and directors --- Women in the motion picture industry --- Art and national socialism --- Nazi art --- Art --- #SBIB:309H1320 --- #SBIB:309H1321 --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Films met een amusementsfunctie en/of esthetische functie: algemeen --- Hitler, Adolf --- Gitler, Adolʹf, --- Hsi-tʻe-le, --- Hitlar, ʼAdolf, --- Chitler, Adolphos, --- Hitler, Adolph, --- Khitler, Adolf, --- Hitlerus, Adolfus, --- Hiṭlar, Aṭālpu, --- היטלר --- היטלר, אדולף,
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