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Raphael --- Criticism and interpretation --- Raphael --- Influence --- Raphael --- Catalogs --- Raphael --- Adaptations --- Catalogs --- Prints [European ] --- Catalogs

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Dürer, Albrecht --- Exhibitions --- Riecker, Ernst --- Art collections --- Ernst-Riecker-Stiftung --- Prints [European ] --- 16th century --- 17th century --- Prints --- Private collections --- Germany --- Backnang (Germany)

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Prints, European --- Cockaigne in art --- Cockaigne in literature --- Bertarelli, Achille, --- Art collections --- Graphic arts --- private collections --- prints [visual works] --- imaginary places --- Bertarelli, Achille --- private collections [object groupings]

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Blanc, coloré ou huilé, découpé, déchiré, malmené ou récupéré, tramé ou filigrané, le papier est un acteur à part entière du dessin. Cette exposition et son catalogue traitent du papier comme matériau utilisé par les artistes. Les exemples retenus, du XVe siècle au début du XIXe siècle, issus majoritairement du département des arts graphiques du Louvre et des collections publiques, démontrent la richesse et la pérennité des ressources techniques et esthétiques tirées du papier. Les comparaisons avec des créations modernes et contemporaines sont privilégiées. On citera, entre autres, les papiers de couleurs (les bleus du Lorrain, les roses de Botticelli et de Degas, etc.) ; les métamorphoses du papier (feuilles composites de Rubens, papiers collés de Braque, gouaches découpées de Matisse) ; les papiers transparents ou de report ; arrachages de Miro, les superpositions de Viallat, les tressages de Rouan : autant de procédés ou de conditionnements qui révèlent la saveur et l’originalité de ce matériau. --Éditions Hazan

Paper --- Paper art --- Drawing --- Papier --- Art du papier --- Dessin --- History --- Exhibitions --- Histoire --- Expositions --- Matériau --- Artists' materials --- Drawing, European --- Prints, European --- Paper - History - Exhibitions --- Artists' materials - Exhibitions --- Drawing, European - Exhibitions --- Prints, European - Exhibitions --- 09:676 <064> --- 09:676 <064> Handschriften en oude drukken: papier, watermerken--Tentoonstellingscatalogi. Museumcatalogi --- Handschriften en oude drukken: papier, watermerken--Tentoonstellingscatalogi. Museumcatalogi

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A landmark publication that catalogues the history and development of the printed image Gutenberg's invention of moveable type made it possible to print letters. But images could only be printed using two other technologies that were developed alongside letterpress. One depended on wooden blocks which were cut and printed in relief, the other on copper plates into which lines were cut by engraving or etching and were printed on a rolling press. Copper-plate printmaking developed into a huge business employing thousands of people, and dominated image production for nearly four centuries across the whole of Europe.Its processes remained very stable, and a man of 1500 could have walked into a printing shop of 1800 and understood what was going on. During the nineteenth century this world was displaced by new technologies, of which photography was by far the most important

copper engravings [visual works] --- printing [process] --- Book history --- Graphic arts --- wood engravings [prints] --- illustrations [layout features] --- anno 1500-1799 --- anno 1800-1899 --- Europe --- 76 <4> --- 76 "15/18" --- Grafische kunsten. Grafiek. Prentkunst--Europa --- Grafische kunsten. Grafiek. Prentkunst--Moderne Tijd --- 76 <4> Grafische kunsten. Grafiek. Prentkunst--Europa --- Prints --- Prints, European --- 21.32 history of the graphic arts. --- Prints, European. --- Druckgrafik. --- Handel. --- Sammeln. --- Technik. --- Technique --- History. --- Technique. --- 1500-1799. --- Europa. --- 2132 history of the graphic arts. --- Estampe européenne --- Estampe --- Histoire.