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Performance practice (Music) --- Musical performance practice --- Performing practice (Music) --- Music --- Performance
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Academic collection --- Counterpoint --- Music theory --- Partimenti --- Performance practice (Music) --- Continuo --- Polyphony --- Musical performance practice --- Performing practice (Music) --- Music --- History --- Performance
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Agricola published Introduction to the Art of Singing in Germany, in 1757, consisting of the 1723 treatise of the Italian singing teacher and castrato, Tosi, to which Agricola added his own running commentary. The Introduction was recognized as invaluable not only for teachers and their pupils but also for advanced singers and professionals. This present edition, translated with introduction and annotations by the celebrated singer Julianne Baird, makes Agricola's work available in English. Tosi's work was the first basic treatise on singing; Agricola, a pupil of J. S. Bach at the court of Frederick the Great, brought Tosi's work 'up to date'. His commentaries are so extensive that the Introduction stands on its own as an important document in the history of performance practice.
Singing. --- Performance practice (Music) --- 78.41.2 --- Music --- Musical performance practice --- Performing practice (Music) --- Beatboxing --- Throat singing --- Singing and voice culture --- Vocal culture --- Performance
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Monteverdi, Claudio --- Performance practice (Music) --- Musical performance practice --- Performing practice (Music) --- Music --- History --- Performance --- Monteverdi, Claudio, --- Performances --- Criticism and interpretation --- Congresses --- 16th century --- 17th century --- 78.21.1 Monteverdi --- 78.16 London
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In this VSI, Thomas Forrest Kelly frames chapters on the forms techniques, and repertories of the medieval, Renaissance, and baroque periods with discussion of why old music has been and should be revived, along with a short history of early music revivals.
Performance practice (Music) --- Music --- Articulation (Music) --- Dynamics (Music) --- Interpretation, Musical --- Musical interpretation --- Phrasing (Music) --- Musical performance practice --- Performing practice (Music) --- Interpretation (Phrasing, dynamics, etc.) --- History and criticism. --- Dynamics, phrasing --- Phrasing, dynamics --- Performance --- 78 --- muziekgeschiedenis --- muziek
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Praktijk van de uitvoering (Muziek) --- Singing --- Choral singing --- Chant choral --- Musique vocale --- Performance practice (Music). --- Performance practice (Music) --- Vocal music --- Musical performance practice --- Performing practice (Music) --- Music --- History --- History and criticism --- Performance --- zangkunst --- geschiedenis --- techniek --- History. --- History and criticism. --- Chant --- Pratique de l'exécution (Musique) --- Histoire --- Histoire et critique --- 78.41.2
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Early Keyboard Instruments covers a wide range of performance issues on keyboard instruments relevant to the music from c.1700-c.1900. It includes descriptions of the harpsichords, clavichords, pianos and other stringed-keyboard instruments used by performers of the period as well as aspects of technique such as harpsichord registration, piano pedalling and keyboard fingering. Aspects of the notation of keyboard music are discussed, as is articulation, embellishment, tempo flexibility and rubato. A substantial chapter is devoted to case studies, illustrating how the aspects of performance discussed in the rest of the book are worked out in practice, whether playing on period instruments or on the modern piano.
Keyboard instrument music --- Keyboard instruments --- Performance practice (Music) --- Musical performance practice --- Performing practice (Music) --- Music --- Instruments, Keyboard --- Keyboard stringed instruments --- String keyboard instruments --- Stringed keyboard instruments --- Musical instruments --- Keyboard music --- Recorded accompaniments (Keyboard instrument) --- History and criticism --- Performance --- Keyboard instruments. --- History and criticism. --- 78.43.0 --- Klavierinstrumenten --- Groot-Brittannië --- 20e eeuw --- Uitvoeringspraktijk
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In considering the role of practical music in education, this book attempts to define the art of performance in Germany during the Baroque period. The author examines the large number of surviving treatises and instruction manuals used in the Lutheran 'Latin' schools during the period 1530-1800 and builds up a picture of the function and status of music in both school and church. The understanding, gained through these educational texts, of music as a functional art - musica practica - in turn gives us insight into the thoughts of the contemporary performer and how he might have performed the sacred work of Praetorius, Schütz, Buxtehude or Bach. For all those interested in historical performance this book provides valuable information on the growing science of performance practice and the development of a conscious awareness of style and idiom in this period.
-Performance practice (Music) --- Musical performance practice --- -Performance --- Performance practice (Music) --- -Music --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Performing practice (Music) --- Instruction and study --- -History --- Music --- Art music --- History --- Performance --- Germany --- 17th century --- 18th century --- 78.52 --- Muziekgeschiedenis --- Pedagogie --- Versieringen --- Interpretatie --- Protestantisme --- Lutheranisme --- Renaissance --- Barok --- Duitsland --- 16e eeuw --- Uitvoeringspraktijk --- 18e eeuw --- 17e eeuw
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Music --- Jazz --- Opera --- Musique --- Opéra --- History and criticism --- Histoire et critique --- Music and society --- Musique et société --- Muziek en maatschappij --- Opéra --- -Music --- -Performance practice (Music) --- -Musical performance practice --- Performing practice (Music) --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Social aspects --- Performance practice (Music) --- Musical performance practice --- History --- Performance --- Germany --- 20th century --- Praktijk van de uitvoering (Muziek) -- Duitsland -- 20e eeuw --- Performance practice (Music) -- Germany -- 20th century --- Pratique de l'exécution (Musique) -- Allemagne -- 20e siècle --- Muziek -- Duitsland -- 20e eeuw -- Geschiedenis en kritiek --- Music -- Germany -- 20th century -- History and criticism --- Musique -- Allemagne -- 20e siècle -- Histoire et critique --- 78.54
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Music --- anno 1200-1499 --- Germany --- 78 <43> --- 78 "04/14" --- Instrumental music --- -Instrumental music --- -Performance practice (Music) --- -Music patronage --- -#BIBC:02.43 ALAMIRE --- Business patronage of music --- Corporations --- Maecenatism --- Patronage of music --- Performing arts sponsorship --- Musical performance practice --- Performing practice (Music) --- Music, Instrumental --- Tijdschriften. Periodieken. Serials--Europa --- 05 <4> Tijdschriften. Periodieken. Serials--Europa --- Muziek--Duitsland voor 1945 en na 1989 --- Muziek--Middeleeuwen --- History and criticism --- History --- Performance --- Music patronage --- Performance practice (Music) --- History and criticism. --- -78 <43> --- 78 <43> Muziek--Duitsland voor 1945 en na 1989 --- 78 "04/14" Muziek--Middeleeuwen --- #BIBC:02.43 ALAMIRE --- Instrumental music - Germany - 500-1400 - History and criticism. --- Instrumental music - Germany - 15th century - History and criticism. --- Music patronage - Germany. --- Performance practice (Music) - Germany - 500-1400. --- Performance practice (Music) - Germany - 15th century. --- 78.23 --- Muziekgeschiedenis --- Instrumenten --- Instrumentaal --- Mecenaat --- Duitsland --- Middeleeuwen --- Renaissance --- 14e eeuw --- 15e eeuw --- 16e eeuw --- Uitvoeringspraktijk
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