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Music --- Auditory perception --- Musique --- Perception auditive --- Physiological aspects --- Aspect physiologique --- Dupront, Alphonse --- Muzikale waarneming --- Psychologische aspecten
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Auditory perception --- Hearing --- Music theory --- Music appreciation --- Perception auditive --- Ouïe --- Théorie musicale --- Musique --- History --- Histoire --- Appréciation --- History. --- Ouïe --- Théorie musicale --- Appréciation
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Auditory pathways --- Auditory perception --- Voies auditives --- Perception auditive --- Computer simulation --- Congresses --- Congresses. --- Programmation fonctionnelle --- Congrès --- Hearing --- Mathematical models --- Congrès --- HEARING TESTS --- COMPUTERS --- METHODS
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Acoustics --- Acoustique --- Akoestiek --- Audition (Physiology) --- Audition (perception) --- Auditory perception --- Gehoor --- Geluid--Waarneming --- Hearing --- Ouïe --- Perception auditive --- Perception des sons --- Perception sonore --- Physiological acoustics --- Sound perception --- Auditory Perception --- Cochlea --- Ear --- Labyrinth (Ear) --- Ouie --- physiology --- congresses --- Physiology --- Congresses --- Congrès --- Cochlée --- Oreille --- Audition (Physiologie) --- Labyrinthe (Oreille) --- Physiologie --- Cochlée --- Congrès --- Auditory system --- Head --- Sense organs --- Physiology&delete&
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Colloques --- Colloquia --- Neurologie --- Psychologie --- Perception --- Visual Perception --- Space Perception --- Auditory Perception --- Visual perception --- Auditory perception --- Attention --- Brain --- Visual agnosia --- Perception visuelle --- Perception auditive --- Cerveau --- Agnosie visuelle --- Imaging --- Imagerie --- Agnosticism --- waarneming --- agnosie --- neuropsychologie --- cognitieve psychologie --- neurobiologie --- Supraliminal perception --- Cognition --- Apperception --- Senses and sensation --- Thought and thinking --- Atheism --- Belief and doubt --- Faith --- Free thought --- Skepticism --- Perception. --- Visual Perception. --- Space Perception. --- Auditory Perception. --- Perception - Congresses --- Agnosticism - Congresses
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Aesthetics --- Affective and dynamic functions --- Mass communications --- Audition (perception) --- Auditory perception --- Geluid--Waarneming --- Optics [Psychological ] --- Perceptie [Visuele ] --- Perception [Visual ] --- Perception auditive --- Perception des sons --- Perception sonore --- Perception visuelle --- Sound perception --- Televisie en schone kunsten --- Television and the arts --- Télévision et les arts --- Vision--Psychological aspects --- Visual perception --- Visuele perceptie --- Visuele waarneming --- Waarneming [Visuele ] --- Auditory perception. --- Television and the arts. --- Television --- Visual perception. --- Aesthetics. --- Production and direction. --- Production and direction --- Television - Aesthetics.
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Au Moyen Âge, la musique est l’un des sept arts libéraux et, à ce titre, elle joue un rôle prépondérant dans la vie intellectuelle et sociale. Avec un héritage théorique et mythologique gréco-romain qu’elle saura reprendre à son compte, la période médiévale est, pour cet art, tout sauf une période obscure. La musique est le chant de l’âme et du corps, le chant de la terre et du ciel quotidiennement pratiqué et éprouvé. Elle est l’un des grands principes de l’organisation du monde et l’un des plus puissants moyens d’accès à la compréhension de sa création et à la contemplation de sa beauté. La musique s’incarne aussi dans la réalité sociale et politique dont elle scande l’ordre comme le désordre.L’ouvrage conjugue la diversité et la richesse des approches de cette journée d’études en mêlant des regards croisés sur le sujet: la musique et la philosophie, la liturgie ou la mythologie; la musique et la rhétorique, les enseignements médiévaux, les arts de la mémoire; la musique et son expression sociale…Le volume défend autant qu’il explique la place singulière exercée par l’art de la musique durant ces siècles médiévaux, riche creuset dans lequel s’est écrite une page fondamentale et originale de l’histoire culturelle occidentale.
Music --- Musique --- History and criticism --- Histoire et critique --- Middle Ages --- 930.85.42 --- 78 "04/14" --- Tijdschriften. Periodieken. Serials--Europa --- 05 <4> Tijdschriften. Periodieken. Serials--Europa --- Cultuurgeschiedenis: Middeleeuwen --- Muziek--Middeleeuwen --- Conferences - Meetings --- 930.85.42 Cultuurgeschiedenis: Middeleeuwen --- 78 "04/14" Muziek--Middeleeuwen --- 78.16 Paris --- 78.23 --- Music - History and criticism - Congresses --- Middle Ages - Congresses --- Augustin (saint ; 0354-0430) --- Vincent de Beauvais (1190?-1264?) --- Perception auditive --- Et la musique --- Moyen âge
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Auding --- Audition (perception) --- Auditory perception --- Geluid--Waarneming --- Listening --- Music and literature --- Musique et littérature --- Muziek en literatuur --- Perception auditive --- Perception des sons --- Perception sonore --- Sound perception --- Auditory perception. --- Listening. --- Music and literature. --- Music --- Philosophy and aesthetics. --- History and criticism. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Literature and music --- Literature --- Attention --- Comprehension --- Educational psychology --- Hearing --- Perception --- Word deafness --- Philosophy and aesthetics --- History and criticism --- Philosophy --- France --- 500-1400
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French language --- English language --- Grammar --- Anglais (langue) --- Engels --- Frans --- Français (langue) --- Grammaire --- Grammatica --- Linguistique --- Taalkunde --- Grammar, Comparative and general --- Semantics --- Speech perception --- Functionalism (Linguistics) --- Verb --- Grammar, Comparative --- French --- English --- -French language --- -Functionalism (Linguistics) --- -Semantics --- Formal semantics --- Semasiology --- Semiology (Semantics) --- Comparative linguistics --- Information theory --- Language and languages --- Lexicology --- Meaning (Psychology) --- Comparative grammar --- Grammar, Philosophical --- Grammar, Universal --- Philosophical grammar --- Linguistics --- Philology --- Functional analysis (Linguistics) --- Functional grammar --- Functional linguistics --- Functional-structural analysis (Linguistics) --- Grammar, Functional --- Grammatical functions --- Structural linguistics --- Langue d'oïl --- Romance languages --- Germanic languages --- Speech recognition --- Auditory perception --- Psycholinguistics --- Speech --- -French --- -English --- Semantics. --- Speech perception. --- French. --- English. --- Verb. --- Functionalism (Linguistics). --- Grammar, Comparative&delete& --- Verb phrase --- Verbals --- Reflexives --- Grammar, Comparative and general - Verb --- English language - Grammar, Comparative - French --- French language - Grammar, Comparative - English --- PERCEPTION VISUELLE --- PERCEPTION AUDITIVE --- LINGUISTIQUE CONTRASTIVE --- ANGLAIS (LANGUE) --- FRANCAIS (LANGUE) --- ANGLAIS-FRANCAIS --- VERBE (GRAMMAIRE) --- VERBES
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Auditory Scene Analysis addresses the problem of hearing complex auditory environments, using a series of creative analogies to describe the process required of the human auditory system as it analyzes mixtures of sounds to recover descriptions of individual sounds. In a unified and comprehensive way, Bregman establishes a theoretical framework that integrates his findings with an unusually wide range of previous research in psychoacoustics, speech perception, music theory and composition, and computer modeling.
Auditory perception --- #TELE:SISTA --- 681.3*I210 --- Sound perception --- Hearing --- Perception --- Word deafness --- Vision and scene understanding: architecture and control structures motion perceptual reasoning (Artificial intelligence)-- See also {681.3*I48} {681.3*I5} --- 681.3*I210 Vision and scene understanding: architecture and control structures motion perceptual reasoning (Artificial intelligence)-- See also {681.3*I48} {681.3*I5} --- Auditory scene analysis. --- 681.3*I210 Vision and scene understanding: architecture and control structures; motion; perceptual reasoning (Artificial intelligence)-- See also {681.3*I48}; {681.3*I5} --- Vision and scene understanding: architecture and control structures; motion; perceptual reasoning (Artificial intelligence)-- See also {681.3*I48}; {681.3*I5} --- Auditory perception. --- Auditory Perception. --- Perception auditive --- Psychology. --- Behavioral sciences --- Mental philosophy --- Mind --- Science, Mental --- Human biology --- Philosophy --- Soul --- Mental health --- Humans --- Hearing.
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