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Onomastics in literature --- Montale, Eugenio, --- Pasolini, Pier Paolo, --- Montale, Eugenio, - 1896-1981. - Occasioni --- Pasolini, Pier Paolo, - 1922-1975. - Trasumanar e organizzar --- Montale (eugenio), poete italien, 1896-1981 --- Pasolini, pier paolo (1922-1975) --- Litterature italienne --- Onomastique --- 20e siecle
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Pasolini, Pier Paolo --- Films --- Films cinématographiques --- Geschiedenis van de nieuwste tijden --- Histoire contemporaine --- Italiaanse letterkunde --- Littérature italienne --- Pasolini, P. --- Motion picture producers and directors --- Producteurs et réalisateurs de cinéma --- Pasolini, Pier Paolo, --- Criticism and interpretation. --- 791.43 <45> "18" --- 929 PASOLINI, PIER PAOLO --- KVH-AND --- Fabien S. Gérard --- film --- Pasolini Pier Paolo --- Italië --- 791.471 PASOLINI --- 791.43 --- Filmkunst. Films. Cinema--Italië--19e eeuw. Periode 1800-1899 --- 791.43 <45> "18" Filmkunst. Films. Cinema--Italië--19e eeuw. Periode 1800-1899 --- Producteurs et réalisateurs de cinéma --- Pasolini, Pier Paolo, - 1922-1975 - Criticism and interpretation. --- CINEMA ITALIEN --- PASOLINI (PIER PAOLO), CINEASTE ITALIEN, 1922-1975 --- PASOLINI (PIER PAOLO) --- Pasolini, Pier Paolo, - 1922-1975
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Roland Barthes and Pier Paolo Pasolini were two of the most eclectic cultural personalities of the past century, as elusive as they were influential. Despite the glaring differences between them, they also shared a number of preoccupations, obsessions and creative approaches. Certain themes recur insistently in the works of both men: the pervasiveness of power and the violence inherent in the modernising process; the possibility of freedom and subjective autonomy; and the role of creative practices in a society configured as a desert of alienation. Despite this common ground, no systematic attempt at reading the two authors together has been made before now. This book explores this uncharted territory by comparing these two intellectual figures, focusing in particular on the similarities and productive tensions that emerge in their late works. Psychoanalysis plays a key role in the articulation of this comparison.
Barthes, Roland - Criticism and interpretation. --- Barthes, Roland - Philosophy. --- Pasolini, Pier Paolo - Criticism and interpretation. --- Pasolini, Pier Paolo - Philosophy. --- Pasolini, Pier Paolo, 1922-1975 -- Criticism and interpretation. --- Pasolini, Pier Paolo, 1922-1975 -- Philosophy. --- Languages & Literatures --- Philology & Linguistics --- Literature - General --- Barthes, Roland --- Pasolini, Pier Paolo, --- Philosophy. --- Criticism and interpretation. --- Barthes, R. --- Барт, Ролан --- Bart, Rolan --- Baruto, Roran --- בארת, רולאן --- بارت، رولان --- ロラン・バルト --- Luolan Bate --- 羅蘭・巴特 --- Pasolini, Pier Paolo --- Barthes --- Brisolin --- Collier --- fantasy --- Late --- Paolo --- Pasolini --- Peter --- Pier --- Pier Paolo Pasolini --- Power --- Roland --- Roland Barthes --- Subjectivity --- The novel --- the role of creative practices --- Two versions of Sade --- Viola --- violence --- Work
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Prenez et mangez, ceci est votre corps. Si, dans Salo ou les 120 Jours de Sodome, Pasolini transpose le roman de Sade dans l'Italie de Mussolini, les quatre fascistes dépeints dans le film ne sont pas des doctrinaires mais des hédonistes cyniques dotés d'esprit et aux idées libertines. Ils vivent entourés d'œuvres d'art avant-gardistes et citent volontiers Baudelaire, Nietzsche et Huysmans. Pasolini suggère ainsi un lien entre le fascisme et le joyeux amoralisme d'une certaine avant-garde artistique. Il fait également sentir que le fascisme ne doit pas être entendu au niveau de la doctrine, mais compris comme une manipulation libidinale des corps dégradés et fétichisés. Le fascisme devient alors une allégorie de la société de consommation qui exhorte continûment les sujets à épuiser tout le potentiel de plaisir que recèle leur corps. Le sadisme d'une telle société est qu'elle soumet ses sujets à un Autre anonyme qui les terrorise dans l'ordre obscène du plaisir et jouit de l'impasse à laquelle conduit cet ordre.
Pasolini, pier paolo (1922-1975). salò o le 120 giornate di sodoma --- Sade, donatien alphonse françois de (1740-1814). les 120 journées de sodome --- Motion pictures --- Fascism in motion pictures --- Sadism in motion pictures --- Sade, --- Pasolini, Pier Paolo, --- Sade, Donatien Alphonse François de (1740-1814). --- Salò o le centoventi giornate di Sodoma (Motion picture) --- Salò o le centoventi giornate di Sodoma
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The major Italian filmmaker Pier Paolo Pasolini was also a poet, novelist, essayist, and iconoclastic political commentator. Naomi Greene reveals to English-speaking readers the diverse talents that made him one of the most controversial European intellectuals of the postwar era, at the center of political and cultural debates still vital to our time. Greene presents Pasolini's films to the English-speaking world in full detail and in a rich critical context, using them to trace the evolution of his ideas and the details of his troubled personal life from 1950, when he settled in Rome, to 1975, the year of his brutal murder, apparently at the hands of a young male prostitute. "In her concise and sympathetic book, Greene intelligently explicates the political and social context within which Pasolini became both a leading figure and a significant heretic. He was an atheist who directed one of the few genuinely profound biblical films in the cinema, a communist who severely criticized many of the radical movements of modern Italy. Though he publicly acknowledged his homosexuality, he privately referred to it as his "sickness." As the book well documents, Pasolini was not a rebel but rather an authentic heretic who worked in contradiction to both his medium and milieu."--Choice.
Pasolini, Pier Paolo --- film --- filmgeschiedenis --- filmregisseurs --- twintigste eeuw --- Italië --- Pasolini Pier Paolo --- 791.471 PASOLINI --- CPP --- Pasolini, Pier Paolo, --- Criticism and interpretation. --- Cinema films --- Directing (Arts) --- Italy --- Cinema --- Films (Motion pictures) --- Criticism and interpretation --- Pasolini, Pier Paolo, 1922-1975 - Criticism and interpretation. --- 791.44.071.1 --- 791.43 --- #SBIB:309H1323 --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- 791.44.071.1 Filmregisseurs. Cineasten. Filmproducers --- Filmregisseurs. Cineasten. Filmproducers --- Films met een amusementsfunctie en/of esthetische functie: auteurs
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