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Histoire de la peinture moderne : Matisse, Munch, Rouault : fauvisme et expressionnisme : Van Gogh - Gauguin - Matisse - Marquet - Vlaminck - Derain - Dufy - Friesz - Braque - Modersohn - Kirchner - Schmidt-Rottluff - Kandinsky - Jawlensky - Munch - Hodler - Ensor - Rouault - Nolde - Weber - Kokoschka - Chagall - Soutine

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Histoire de la peinture moderne : de Picasso au surréalisme : le cubisme - le futurisme - le cavalier bleu - la peinture métaphysique - Dada - l'art abstrait - le purisme - la réaction réaliste - le Bauhaus - la peinture poétique - le surréalisme

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Baselitz : Vaerker fra 1990-93
Year: 1993 Publisher: Humlebaek Louisiana Museum for Moderne Art

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Francis Bacon
Year: 1998 Publisher: Humlebaek Louisiana Museum for Moderne Art

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Joan Miró
Year: 1998 Publisher: Humlebaek Louisiana Museum for Moderne Art

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Picasso og Middelhavet
Year: 1996 Publisher: Humlebaek Louisiana Museum for Moderne Art

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Histoire de la peinture moderne : de Baudelaire à Bonnard : naissance d'une vision nouvelle : l'école de Honfleur - L'impressionisme - le néo-impressionnisme - le symbolisme - le post-impressionnisme
Authors: --- --- --- --- --- et al.
Year: 1949 Publisher: Genève Albert Skira

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Carzou
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Year: 1969 Publisher: Paris Flammarion

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The rebirth of painting in the late twentieth century
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ISBN: 0521665531 Year: 2000 Publisher: Cambridge New York Melbourne Cambridge University Press

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The conspiracy of modern art
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ISBN: 9789004280045 9004280049 9789004346086 9004346082 Year: 2017 Publisher: Leiden, Netherlands ; Boston, [Massachusetts] : Brill,

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In The Conspiracy of Modern Art the Brazilian critic and art-historian Luiz Renato Martins presents a new account of modern art from David to Abstract Expressionism. The once vibrant debate on these touchstones of modernism has gone stale. Viewed from the Sao Paulo megalopolis the art of Paris and New York - embodying Revolution, Thermidor, Bonapartistm and Bourgeois ‘Triumph' - once more pulsates in tragic key. Equally attentive to form and politics, Martins invites us to look again at familiar pictures. In the process, modern art appears in a new light. These essays, largely unknown to an English-speaking audience, may be the most important contribution to the account of modern painting since the important debates of the 1980s.

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