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The Politics and Poetics of Journalistic Narrative investigates the textuality of all discourse, arguing that the ideologically charged distinction between 'journalism' and 'fiction' is socially constructed rather than natural. Phyllis Frus separates literariness from aesthetic definitions, regarding it as a way of reading a text through its style to discover how it 'makes' reality. Frus examines narratives by Stephen Crane and Ernest Hemingway, showing that conventional understanding of the categories of fiction and non-fiction frequently determines the differences we perceive in texts. When journalists writing about historical events adopt the Hemingway-esque, understated narrative style that is commonly associated with both 'objectivity' and 'literature', it leads to an audience unable to face the historical and social conditions in which it must function. She interprets New Journalistic narratives, such as that of Truman Capote, as ways to counter the reification of modern consciousness to which both objective journalism and aestheticised fiction contribute.

Narration (Rhetoric) --- Narration (Rhétorique) --- Narrative writing --- Verhaal (Retoriek) --- American prose literature --- Journalism --- Nonfiction novel --- Politics and literature --- Reportage literature, American --- History and criticism. --- History --- Narration (Rhetoric). --- 20th century --- History and criticism --- United States --- Reportage literature [American ] --- Arts and Humanities --- Literature --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Documentary story --- Journalistic novel --- New journalism --- Novel, Nonfiction --- Fiction --- Reportage literature

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Fiction --- American literature --- anno 1900-1999 --- Capote, Truman, 1924-1984. In Cold Blood --- Documentaire roman --- Hersey, John Richard, 1914 . Hiroshima --- Lewis, Oscar, 1914-1970. La Vida --- Nonfiction novel --- Roman documentaire --- Reportage literature, American --- American prose literature --- Littérature de reportage américaine --- Prose américaine --- History and criticism --- Histoire et critique --- World War, 1939-1945 --- Journalism --- Influence --- Technique --- History --- -Fiction --- -Journalism --- -Reportage literature, American --- -World War, 1939-1945 --- -Nonfiction novel --- -Documentary story --- Journalistic novel --- New journalism --- Novel, Nonfiction --- Reportage literature --- European War, 1939-1945 --- Second World War, 1939-1945 --- World War 2, 1939-1945 --- World War II, 1939-1945 --- World War Two, 1939-1945 --- WW II (World War, 1939-1945) --- WWII (World War, 1939-1945) --- History, Modern --- American reportage literature --- Writing (Authorship) --- Literature --- Publicity --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Novelists --- -History and criticism --- Philosophy --- History and criticism. --- Technique. --- Influence. --- Littérature de reportage américaine --- Prose américaine --- Documentary story --- Fiction writing --- Writing, Fiction --- Authorship --- 20th century --- Mailer, Norman --- Pynchon, Thomas --- Wolfe, Tom --- Warhol, Andy --- World War, 1939-1945 - United States - Influence --- Nonfiction novel - History and criticism --- Reportage literature, American - History and criticism --- American prose literature - 20th century - History and criticism --- Fiction - Technique --- Journalism - United States - History - 20th century