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Painting, Flemish --- Painting --- Jacquemart-André Museum [Paris] --- Musée Marmottan Monet [Paris] --- Musée Condé [Chantilly] --- Musée Jacquemart-André --- Musée Marmottan. --- Musée Condé. --- -Painting --- -Painting, Flemish --- 708.4 --- Arts Museums France --- Musee Jacquemart-Andre --- Musee Conde --- Musee Marmottan --- Musée Marmottan Claude Monet --- Musée Marmottan Monet --- Chantilly. --- Chantilly (France). --- Museo Jacquemart-André --- Condé Museum [Chantilly] --- Musée Jacquemart-André --- Musée Marmottan. --- Musée Condé. --- Peinture flamande --- Catalogs --- Catalogues --- Musée Jacquemart-André. --- 75 <493-17> --- 759.9493 --- Flemish painting --- Oil painting --- Painting, Primitive --- Paintings --- 75 <493-17> Schilderkunst--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België --- Schilderkunst--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België --- Arts Painting Belgium --- Institut de France. --- Paris. --- Graphic arts --- Institut de France --- anno 1400-1499 --- Flanders --- Painting [Flemish ] --- History --- 15th century --- Institut de France. Museums --- Académie des beaux-arts (France). --- Académie des beaux-arts (France) --- Early Netherlandish --- Painting, Flemish - 15th century. --- Painting - France - Paris. --- Painting - France - Chantilly. --- Institut de france --- Musées
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*S.M.A.K. Highlights for a Future* is the first catalogue of the collection of the S.M.A.K. Municipal Museum of Contemporary Art in Ghent since its founding in 1999. The generous selection of works in this book offers a representative cross-section from a collection comprising more than two thousand works, from familiar classics, to new masterpieces, to recent acquisitions. In this way, the S.M.A.K. not only looks at the past, but first and foremost to the present and the future. *S.M.A.K. Highlight for a Future* includes works by Francis Alÿs, Kader Attia, Francis Bacon, Nairy Baghramian, Artur Barrio, Joseph Beuys, Dara Birnbaum, Michaël Borremans, Marcel Broodthaers, Nina Canell, N. Dash, Berlinde De Bruyckere, Marlene Dumas, Mekhitar Garabedian, Zvi Goldstein, David Hammons, Georg Herold, Ann Veronica Janssens, Jac Leirner, Mark Manders, Mario Merz, Bruce Nauman, Panamarenko, Gerhard Richter, Wilhelm Sasnal, Nedko Solakov, Pascale Marthine Tayou, Luc Tuymans, Lois Weinberger, James Welling, Zhang Peili and more. *S.M.A.K. Highlights for a Future* includes illuminating essays by Iris Paschalidis, Philippe Van Cauteren and Thibaut Verhoeven, along with a statement by Richard Armstrong.
Painting --- Impressionists [artists] --- plein-air --- anno 1800-1899 --- Normandy --- Painting, French --- Impressionism (Art) --- 75.036 --- Schilderkunst ; Frankrijk ; Normandië ; 19de eeuw --- Impressionisme --- Pleinairisme --- Landschapsschilderkunst --- Tentoonstellingscatalogi ; Parijs ; Musée Jacquemart-André --- Aesthetics --- Art, Modern --- Modernism (Art) --- Post-impressionism (Art) --- French painting --- Paintings, French --- Groupe Finistère (Group of artists) --- Schilderkunst ; 19e eeuw --- Normandy (France) --- Exhibitions --- Normandy (France) in art --- Art --- Collection --- Panorama --- Mouvement artistique --- Belgique --- S.M.A.K. [Ghent] --- Normandie (France) --- Basse-Normandie (France) --- Haute-Normandie (France)
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Lindenau-Museum (Altenburg) --- Italiaanse schilderkunst --- Italiaanse Primitieven --- Lindenau, Bernhard August von --- 15de eeuw --- 19de eeuw --- Italië --- Siena --- Firenze --- Lindenau-Museum [Altenburg] --- Panel painting, Italian --- Peinture sur panneau italienne --- Musée Jacquemart-André --- Musée Jacquemart-André --- Painting --- anno 1200-1499 --- Italy --- Exhibitions --- Expositions --- Exhibitions. --- Panel painting --- Italian panel painting --- Institut de France. --- Museo Jacquemart-André --- Paris. --- Institut de France --- Italiaanse primitieven --- Lindenau-Museum (Altenburg). --- Italiaanse schilderkunst. --- Italiaanse primitieven. --- Lindenau, Bernhard August von. --- 15de eeuw. --- 19de eeuw. --- Italië. --- Siena. --- Firenze.
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