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Minimal art --- United States --- Minimal architecture --- Artists --- Biography --- Art [American ] --- 20th century --- Morris, Robert --- Judd, Donald --- LeWitt, Sol --- Flavin, Dan --- Smithson, Robert --- Andre, Carl --- Smith, Tony --- Bladen, Ronald --- Grosvenor, Robert --- Art minimal --- Art, American --- Art, American. --- Minimal art. --- 1900-1999.
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art criticism --- Personnel management --- ateliers --- kunstkritiek --- beroepsuitoefening --- studios [work spaces] --- Artists --- anno 2000-2009 --- anno 1900-1999 --- Art --- De Cock, Jan --- Nauman, Bruce --- Hesse, Eva --- Buren, Daniel --- Rothko, Mark --- Rothko, Mark, --- Morris, Robert, --- Buren, Daniel, --- Nauman, Bruce, --- Hesse, Eva, --- Barney, Matthew, --- Kippenberger, Martin, --- Rhoades, Jason, --- McCarthy, Paul, --- Eliasson, Olafur, --- De Cock, Jan. --- kunst --- kunstenaarsateliers --- ontwerpmethodologie --- twintigste eeuw --- eenentwintigste eeuw --- kunsttheorie --- Buren Daniel --- De Cock Jan --- Hesse Eva --- Eliasson Olafur --- Kippenberger Martin --- McCarthy Paul --- Nauman Bruce --- Morris Robert --- Rhoades Jason --- Rothko Mark --- 7.01 --- Artists' studios in art. --- Artists' studios. --- Artists' studios --- Artists' studios in art --- Art studios --- Artists' workshops --- Ateliers --- Studios, Artists' --- Workshops, Artists' --- Workshops --- painting [image-making] --- sculpting --- Kippenberger, Martin --- Morris, Robert --- McCarthy, Paul --- Eliasson, Olafur --- Barney, Matthew --- Rhoades, Jason --- Cock, de, Jan
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Drawing --- art [fine art] --- scripts [writing] --- Iconography --- Art --- Lawler, Louise --- Klein, Martina --- Baudevin, Francis --- Tremblay, John --- Gonzalez-Torres, Felix --- Morris, Robert --- Walsh, Daniel --- Rule, Nicolas --- Wool, Christopher --- anno 1900-1999 --- prints [visual works] --- Exhibitions --- Art [Modern ] --- 20th century --- Gonzales-Torres, Felix --- Walsh, Dan --- art [discipline]
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L'art du XXIe siècle est né sous le signe de l'émotion : le pathos et le rire, les stimulations sensorielles et l'empathie sont aujourd'hui les modes d'adresse privilégiés par les artistes. Au travers d'une analyse très documentée de la scène artistique contemporaine, Catherine Grenier met en lumière le passage "du concept à l'affect" dont témoignent des œuvres qui réaniment les forces vives de la tragédie, du drame ou de la comédie. Enfants terribles de la modernité, héritiers de Goya et de Shakespeare, les artistes convoqués par l'auteur répondent aux pulsions dépressives de notre temps par une interpellation directe du spectateur. Le trauma, la Vanité, le grotesque, l'animalité, l'immaturité sont les zones d'exploration dans lesquelles l'art nous invite à renouer avec une forme de connaissance sensible : la connaissance pathétique. Source : quatrième de couverture
Emotions in art --- Empathy in art --- Art, Modern --- Art --- Critique d'art --- Boltanski, Christian --- Cattelan, Maurizio --- Doig, Peter --- Goya, Francisco De --- Huyghe, Pierre --- Messager, Annette --- Morris, Robert --- 21e siècle --- 1945-.... --- Critique et interprétation --- 1990-.... --- Messager, Annette, --- Boltanski, Christian, --- Doig, Peter, --- Huyghe, Pierre, --- Cattelan, Maurizio, --- Critique et interprétation. --- Art, Modern - 21st century
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L'hypothèse sur laquelle repose l'exposition "Comme le rêve le dessin" est que l'esquisse n'est pas le moment inaugural du dessin, mais son terme ; et son principe, une confrontation de dessins contemporains issus de la collection du Musée national d'art moderne et d'études et d'esquisses italiennes des XVIe et XVIIe siècles de la collection du Musée du Louvre. Parce que le moment préparatoire - du moins au sens académique - a disparu du dessin contemporain, celui-ci permet de regarder les dessins anciens sous un jour "définalisé". Lorsque l'on renonce à l'interpréter rétroactivement en termes de préparation, l'esquisse apparaît comme un champ de transformation généralisée et l'inachèvement non pas comme un manque, mais comme le signe d'une ouverture, d'un retour vers un état instable, non fixé de sa représentation. A la lumière des dessins sismographiques de Beuys, des efffacements de Gerhardt Richter, des dessins les yeux fermés de Robert Morris ou des perforations et des griffonnages de Fontana, affleurent dans les esquisses anciennes des phénomènes insolites - déplacements d'accent (Fra Bartolommeo), pertes des relations (Casolani), décentrations (Cigoli, Cecco Bravo), figurations résiduelles (Frederico Zuccaro, Barocci) identiques à ceux qui s'observent dans le travail du rêve. Les deux volets de l'exposition comprennent des dessins anciens et des dessins contemporains. (extrait du dos de la couverture)
Drawing --- Musée du Louvre [Paris] --- Centre Pompidou [Paris] --- anno 1600-1699 --- anno 1900-1999 --- anno 1500-1599 --- Italy --- Drawing, Italian --- Dessin italien --- Dessin --- Exhibitions. --- Exhibitions --- Expositions --- Musée du Louvre --- Centre Georges Pompidou --- tekeningen --- Musée du Louvre (Parijs) --- Musée National d'Art Moderne (Parijs) --- Morris, Robert --- 16de eeuw --- 17de eeuw --- 20ste eeuw --- Italië --- Collection --- Centre national d'art et de culture Georges Pompidou --- Musée du louvre --- 20e siècle --- 16e siècle --- 17e siècle --- Italie --- Musée du Louvre --- Drawing [Italian ] --- 16th century --- 17th century --- Drawing, Italian - 16th century - Exhibitions. --- Drawing, Italian - 17th century - Exhibitions. --- Drawing - France - Paris - Exhibitions. --- Drawing - 20th century - Exhibitions. --- tekeningen. --- Musée du Louvre (Parijs). --- Musée National d'Art Moderne (Parijs). --- Morris, Robert. --- 16de eeuw. --- 17de eeuw. --- 20ste eeuw. --- Italië. --- Louvre Museum [Paris]
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Kandinsky, Wassily --- Margarita Tupitsyn --- kunst --- abstracte kunst --- twintigste eeuw --- abstractie --- geometrische abstractie --- Andre Carl --- Bubnova Varvara --- Infante Francisco --- Ioganson Karl --- Judd Donald --- Kandinsky Vasily --- Ladovskii Nikolai --- LeWitt Sol --- Masterkova Lidiia --- Medunetskii Konstantin --- Meyer Hannes --- Morris Robert --- Nemuhkin Vladimir --- Nussberg Lev --- Pollock Jackson --- Popova Liubov --- Rodchenko Alexander --- Stella Frank --- Stenberg Vladimir --- Stenberg Georgii --- Stepanova Varvara --- 7.036 --- Abstract [fine arts style] --- Kandinsky, Vasili Vassileevich --- Kandinsky, Wassily. --- Abstract [modern European style]
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The book begins in the late eighteenth century, when a systematic formal distinction began to be made between painting and sculpture. Following changing attitudes toward sculpture through the nineteenth and twentieth centuries, Potts analyses for the first time the radical transformation that has occurred not only in the nature of sculptural works but also in their display and reception. He focuses on a broad range of texts by major writers who have in some way been obsessed by sculpture, including Johann Gottfried Herder, Charles Baudelaire, Walter Pater, Rainer Maria Rilke, Carl Einstein, Adrian Stokes and Clement Greenberg, and such artist-theorists as Adolf Hildebrand and Donald Judd.Potts also offers a detailed view of selected iconic works by sculptors ranging from Antonio Canova and Auguste Rodin to Constantin Brancusi, David Smith, Carl Andre, Eva Hesse and Louise Bourgeois - key players in modern thinking about the sculptural. The impact of minimalism features prominently in this discussion, for it disrupted accepted understanding of how a viewer interacts with a work of art, thereby placing the phenomenology of viewing three-dimensional objects for the first time at the center of debate about modern visual art.
Modernist --- art theory --- sculpture [visual work] --- figurative art --- Sculpture --- Minimal --- Nauman, Bruce --- Caro, Anthony --- Maillol, Aristide --- Canova, Antonio --- Andre, Carl --- Serra, Richard --- Chamberlain, John --- Judd, Donald --- González, Julio --- Giacometti, Alberto --- Carpeaux, Jean-Baptiste --- Smithson, Robert --- Newman, Barnett --- Bourgeois, Louise --- Hesse, Eva --- Whiteread, Rachel --- Rodin, Auguste --- Morris, Robert --- Smith, David --- Baselitz, Georg --- Duchamp, Marcel --- Moore, Henry --- LeWitt, Sol --- Hepworth, Barbara --- Tatlin, Vladimir --- Brancusi, Constantin --- Beeldhouwkunst ; theorie --- Kunsttheorie ; kunstbeschouwing ; beeldhouwkunst --- Beeldhouwkunst ; Antonio Canova --- Essays ; Rainer Maria Rilke ; over Rodin --- Beeldhouwkunst ; 20ste eeuw ; Constantin Brancusi --- Kunstfilosofie ; Maurice Merleau-Ponty --- Beeldhouwkunst ; installaties ; Louise Bourgeois --- 73.01 --- Beeldhouwkunst ; theorie, filosofie, esthetica --- Appreciation. --- sculpture [visual works] --- Appreciation
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