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Catalogue de l'exposition de La Centrale électrique, à Bruxelles, du 19 juin au 29 septembre 2009. Cette exposition retrace le parcours d'un passionné d'art contemporain et des artistes, Albert Baronian, qui, avec audace, en 1973, ouvre sa première galerie dans son appartement bruxellois, à l'époque où seuls deux lieux majeurs existaient dans ce secteur : la galerie MTL à Bruxelles et le Wide White Space à Anvers. Sentant l'effervescence de la scène artistique bruxelloise en dialogue tendu avec la scène artistique parisienne, il décide de présenter des artistes d'avant-garde, comme ceux de « Supports/Surfaces », fait découvrir au public belge l'arte povera, avec des artistes tels que Zorio, Merz, Penone, inconnus en Belgique et qui, depuis sont devenus incontournables sur la scène internationale. Alain Séchas, Georges Baselitz, sont aussi passés par ce lieu précurseur. Il lance aussi de nombreux jeunes artistes, comme Didier Vermeiren, Michel Frère, Benoit Platéus, Marc Trivier, Marie José Burki, Wang Du, Lionel Estève, etc. L'exposition rassemble des oeuvres historiques majeures et aussi de nouvelles créations de ces artistes.

kunst --- twintigste eeuw --- eenentwintigste eeuw --- galeries --- Albert Baronian --- Baronian Albert --- Brussel --- Burki Marie José --- Devriendt Robert --- Dezeuze Daniel --- Du Wang --- Estève Lionel --- Frère Michel --- Hwang Changha --- Johanson Chris --- Maier-Aichen Florian --- Mary Xavier --- Merz Mario --- Noiret-Thomé Xavier --- Paolini Giulio --- Platéus Benoît --- Poitevin Eric --- Rocklen Ry --- Salomone Yvan --- Sandison Charles --- Séchas Alain --- Serralongue Bruno --- Trivier Marc --- Viallat Claude --- Zipp Thomas --- Zorio Gilberto --- 7.038/039 --- Exhibitions --- Baronian, Albert --- Art galleries, Commercial --- Galeries d'art --- Marchands d'oeuvres d'art --- Art dealers --- Expositions --- Interviews

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Art --- kunst --- eenentwintigste eeuw --- collecties --- verzamelingen --- Vanhaerents Walter --- Vanhaerents art collection --- België --- Abbas Hamra --- Adamo David --- Boltanski Christian --- Byars James Lee --- Delvoye Wim --- Ervinck Nick --- Fischer Urs --- Gaskell Anna --- Geers Kendell --- Gormley Antony --- Handforth Mark --- He Sen --- Hen Wenjue --- Holzer Jenny --- Jackson Matthew Day --- Kruger Barbara --- Kuri Gabriel --- Koh Terence --- Lévêque Claude --- Mabry Nathan --- McQueen Steve --- Merz Mario --- Moerman Jean-Luc --- Morimura Yasumasa --- Moshiri Farhad --- Nauman Bruce --- Rondinone Ugo --- Schmidberger Christoph --- Shetty Sudarshan --- Shonibare Yinka --- Tahon Johan --- Wang Du --- 7.039 --- 7.074 --- Exhibitions --- Contemporary art --- 21st century --- Evil in art

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In 1967 the critic Germano Celant defined as Arte Povera ("poor art") the work of 13 world renowned young Italian artists. This work documents and explains the sculpture and installation work of these artists in the context of the critics who shaped it and the broader cultural framework of contemporaneous philosophers, film-makers and curators. The innovative works of the artists were lyrical, open-ended combinations of unlikely fragments - live horses wandering through a gallery, a slab of marble with a lettuce - giving the most banal materials a metaphysical dimension. The artists include Anselmo, Boetti, Calzolari, Fabro, Kounellis, Mario and Marisa Merz, Paolini, Pascali, Penone, Pistolleto, Prini and Zorio, many of whom have emerged as world class artists who continue to exhibit internationally. Their work and statements are published alongside contemporaneous texts by critics and other thinkers of their day.

Iconography --- Art --- performance art --- installations [visual works] --- art [fine art] --- Arte Povera --- Art styles --- assemblages [sculpture] --- scripts [writing] --- Paolini, Giulio --- Mauri, Fabio --- Kounellis, Jannis --- Penone, Giuseppe --- Boetti, Alighiero --- Patella, Luca --- Fabro, Luciano --- Long, Richard --- Ceroli, Mario --- Mattiacci, Eliseo --- Anselmo, Giovanni --- Pistoletto, Michelangelo --- Merz, Mario --- Merz, Marisa --- Prini, Emilio --- Mondino, Aldo --- Pascali, Pino --- Zorio, Gilberto --- Cintoli, Claudio --- Icaro, Paolo --- Gilardi, Piero --- Calzolari, Pier Paolo --- Piacentino, Gianni --- anno 1900-1999 --- anno 1970-1979 --- anno 1960-1969 --- Art [Conceptual] --- Art conceptuel --- Art povera --- Arte povera --- Concept art --- Conceptual art --- Conceptuele kunst --- Language art (Fine arts) --- Possible art --- Post-object art --- ruimtelijke kunst --- arte povera --- History of civilization --- Arte povera. --- Installations (Art) --- Sculpture, Modern --- Art pauvre --- Sculpture moderne --- Sculpture --- 7.036 --- beeldende kunst --- Italië --- kunstgeschiedenis --- 735.8 --- Calzolari, Pierre Paolo --- Paolini, Giulo --- 7.038 --- Kunst ; naslagwerken ; vanaf 1960 ; Arte Povera --- Art, Italian --- kunstgeschiedenis - expressionistische en impressionistische richtingen, functionalisme, naturalisme, realisme en moderne stromingen 2e helft 19e eeuw-vroege 20e eeuw --- geschiedenis der schilder- en tekenkunst, 20e eeuw, algemene stromingen --- Kunstgeschiedenis ; 1950 - 2000 --- Art [Modern ] --- 20th century --- Alighiero e Boetti --- Anselmo Giovanni --- Boetti Alighiero --- Calzolari Pier Paolo --- ed. by Carolyn Christov-Bakargiev --- Fabro Luciano --- Kounellis Jannis --- kunst --- Merz Mario --- Merz Marisa --- Paolini Giulio --- Pascali Pino --- Penone Giuseppe --- Pistoletto Michelangelo --- Prini Emilio --- twintigste eeuw --- Zorio Gilberto --- art [discipline]

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The Boghossian Foundation is pleased to present the exhibition Ekphrasis, curated by Bruno Cora, director of the Burri Foundation in Italy. It brings together pieces from more than forty artists from around the world, whose styles are as varied as the media they use, but in whose works the use of language plays a key role. The definition of ekphrasis is a laudatory and constructed description of a work of art, real or imaginary, often designed on a model so as to achieve great evocative force. The first famous ekphrasis goes back to Greek Antiquity: this is the description Homer gives of Achilles? shield in the Iliad. The weapon was forged by Hephaestus so that?everyone should be amazed? If the rhetorical exercise of ekphrasis presents itself as an ancient practice, the genre has been used throughout the ages with remarkable continuity, with many famous writers exploring it. Conversely, many artists have also been inspired by reading ekphrases, like Botticelli, who produced a canvas based on a description from Antiquity. In fact, there is a great tradition of artists who have concerned themselves with both the visual arts and literature, poetry or politics, and for whom language is a constituent element of their work. The exhibition explores through the contemporary artists gathered here the issues raised and various preferred modes of the use of language in visual art.

Art --- letters [signs] --- teksten schrijven --- creatief schrijven --- Writing in art --- Art, Modern --- kunst --- iconografie --- kunst en literatuur --- woord en beeld --- kunst en poëzie --- 7.038/039 --- Agnetti Vicenzo --- Al Salem Nasser --- Art & Language --- Baquié Richard --- Barry Robert --- Batniji Taysir --- Ben --- Boetti Alighiero --- Boghossian Jean --- Broodthaers Marcel --- Byars James Lee --- Calzolari Pier Paolo --- De Boeck Lieven --- De Cordier Thierry --- Dotremont Christian --- Downsbrough Peter --- Du Bois Arpaïs --- Eerdekens Fred --- Emin Tracey --- Essaydi Lalla --- Fatmi Mounir --- Fowler Tom --- Garabedian Mekhitar --- Geys Jef --- Holzer Jenny --- Isgro Emilio --- Kosuth Joseph --- Kounellis Jannis --- Kruger Barbara --- La Rocca Ketty --- Merz Mario --- Messager Annette --- Neshat Shirin --- Ohanian Melik --- Paolini Giulio --- Plensa Jaume --- Ranaldi Renato --- Reyes Pedro --- Rizzoli Giovanni --- Twombly Cy --- Vercruysse Jan --- Weiner Lawrence --- taal --- schrift --- kalligrafie --- arte povera --- concept art --- conceptuele kunst

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Fautrier, Jean --- Walther, Franz Erhard --- Graubner, Gotthard --- Kounellis, Jannis --- Stella, Frank --- Knoebel, Imi --- Dubuffet, Jean --- Serra, Richard --- Morellet, François --- Albers, Josef --- Hoetger, Bernhard --- Arp, Hans --- Tinguely, Jean --- Böcklin, Arnold --- Penck, A.R. --- Picasso, Pablo --- Léger, Fernand --- Fontana, Lucio --- Fruhtrunk, Günter --- Spagnulo, Giuseppe --- Rainer, Arnulf --- Appelt, Dieter --- Kelly, Ellsworth --- Magritte, René --- Kiefer, Anselm --- Newman, Barnett --- Modersohn-Becker, Paula --- Klapheck, Konrad --- Gnoli, Domenico --- Merz, Mario --- Klein, Yves --- Polke, Sigmar --- Lehmbruck, Wilhelm --- Dix, Otto --- Beuys, Joseph --- Schumacher, Emil --- Baselitz, Georg --- Graevenitz, von, Gerhard --- Delaunay, Robert --- Rückriem, Ulrich --- Opałka, Roman --- Gertsch, Franz --- Chillida, Eduardo --- Schwitters, Kurt --- Richter, Gerhard --- Tatlin, Vladimir --- Louis, Morris --- Kirchner, Ernst Ludwig --- Taeuber-Arp, Sophie Henriette Gertrud --- Uecker, Günther --- Staatliche Museen zu Berlin --- anno 1900-1999 --- ivoor --- toegepaste kunsten --- beeldhouwkunst --- christelijke iconografie --- Art [Byzantine ] --- Catalogs --- Exhibitions --- Hildesheim. Dom-Museum --- Ivories --- Sculpture --- ivories [sculptures] --- Art, Byzantine --- Christian art and symbolism --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- sculptuur