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Mansfield, Katherine, --- Mansfield, Katherine --- Appreciation --- Criticism and interpretation. --- Themes, motives. --- Translations into French --- History and criticism. --- Rezeption --- France --- Frankreich --- In literature. --- Mansfield, Katherine (1888-1923) --- Critique et interprétation
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This book maps the ecologies of Mansfield's influences beyond her modernist and postcolonial contexts, observing that it roams wildly over six centuries, across three continents and beyond cultural and linguistic boundaries.
Mansfield, Katherine, --- Beauchamp, Kathleen M. --- Murry, Kathleen Beauchamp, --- Murry, John Middleton, --- Berry, Matilda, --- Mansfield Beauchamp, Kathleen, --- Man-ssu-fei-erh-te, Kʻai-se-lin, --- Mensfilld, Ketrin, --- Bowden, Kathleen, --- מאנספילד, קאתרין, --- מנספילד, קתרין, --- 曼斯菲尔德凯瑟琳, --- Influence. --- LITERARY CRITICISM / Australian & Oceanian. --- Mansfield, Katherine
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Biographies --- Levensbeschrijvingen --- Mansfield, K. --- Authors, New Zealand --- Ecrivains néo-zélandais --- Biography --- Mansfield, Katherine, --- -New Zealand authors --- Mansfield, Katherine --- -Biography --- Ecrivains néo-zélandais --- Authors, New Zealand - 20th century - Biography --- Mansfield, Katherine, - 1888-1923 --- MANSFIELD (KATHLEEN BEAUCHAMP, DITE KATHERINE), 1888-1923 --- BIOGRAPHIES
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The spirit of the narrative is mankinds reflexive consciousness, or poetic genius ? our unique access to ourselves, our desperate endeavour to be REAL. It brings to light the dark unknown which is the zest of our lives; it gives shape to the tremor of our inner souls ? otherwise nearly imperceptible. Ah, what is it? ? that I heard, Katherine Mansfield wondered throughout her whole life and writings ? poems and stories, letters and notebooks. Through the metamorphic movement of her highly sensitive, perceptive mind, she highlights the deep ambivalence of light and dark, mirth and awe, fear and longing which is the keen feature of our naked existence. She sketches her epic motifs with a dedicated sense of wonder. 0A true poet, she returns, as Baudelaire, Keats, Hopkins, Proust, or Shakespeare, to the origins of language ? this poignant contrast of light and dark following the alternate rhythm of night and day, of yielding to darkness and converting it into speech: Let there be light. Poetic language is performative. It means an everlasting questioning over the abyss ? with wings of wonder upon the face of the deep.0This volume will also be of interest to scholars and dedicated readers who wish to share in the current reassessment of Katherine Mansfields poetic achievement. Her awareness of the literary tradition and modernity, the utmost finesse of her artistic thought, the boldness of her temper make her a major twentieth-century poet.
Color in literature. --- Bibliotherapy --- Gender identity. --- Wonder. --- Mansfield, Katherine, --- Criticism and interpretation. --- Mansfield, Katherine, -- 1888-1923 -- Criticism and interpretation. --- English --- Languages & Literatures --- English Literature --- Beauchamp, Kathleen M. --- Murry, Kathleen Beauchamp, --- Murry, John Middleton, --- Berry, Matilda, --- Mansfield Beauchamp, Kathleen, --- Man-ssu-fei-erh-te, Kʻai-se-lin, --- Mensfilld, Ketrin, --- Bowden, Kathleen, --- מאנספילד, קאתרין, --- מנספילד, קתרין, --- 曼斯菲尔德凯瑟琳, --- Mansfield, Katherine
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Mansfield, Katherine --- -Bibliography --- Mansfield, Katherine, --- Beauchamp, Kathleen M. --- Murry, Kathleen Beauchamp, --- Murry, John Middleton, --- Berry, Matilda, --- Mansfield Beauchamp, Kathleen, --- Man-ssu-fei-erh-te, Kʻai-se-lin, --- Mensfilld, Ketrin, --- Bowden, Kathleen, --- מאנספילד, קאתרין, --- מנספילד, קתרין, --- 曼斯菲尔德凯瑟琳, --- Bibliography. --- Bibliography --- MANSFIELD (KATHLEEN BEAUCHAMP, DITE KATHERINE), 1888-1923 --- BIBLIOGRAPHIES
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This publication is theirst scholarly edition of the Urewera Notebook, providing an original transcription, a collation of the alternative readings and textual criticism of prior editors, and new information about the politics, people and places Mansfield encountered on her journey.
Mansfield, Katherine, --- Beauchamp, Kathleen M. --- Murry, Kathleen Beauchamp, --- Murry, John Middleton, --- Berry, Matilda, --- Mansfield Beauchamp, Kathleen, --- Man-ssu-fei-erh-te, Kʻai-se-lin, --- Mensfilld, Ketrin, --- Bowden, Kathleen, --- מאנספילד, קאתרין, --- מנספילד, קתרין, --- 曼斯菲尔德凯瑟琳, --- Travel --- LITERARY COLLECTIONS / General. --- New Zealand --- Mansfield, Katherine
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This book is a re-examination of the fertile years of early modernism immediately preceding the First World War. During this period, how, where, and under whose terms the avant-garde in Britain would be constructed and consumed were very much to play for. It is the first study to look in detail at two little magazines marginalised from many accounts of this competitive process: Rhythm and the Blue Review. By thoroughly examining not only the content but the interrelated networks that defined and surrounded these publications, Faith Binckes aims to provide a fresh and challenging perspective to the on-going reappraisal of modernism. Founded in 1911, and edited by John Middleton Murry with assistance from Michael Sadleir and subsequently from Katherine Mansfield, Rhythm and The Blue Review featured a series of pivotal moments. Rhythm was the arena for a challenge to Roger Fry's vision of Post-Impressionism, for the introduction of Picasso to a British audience, for early short stories and reviews by Lawrence, and for Mansfield's discovery of a voice in which to frame her breakthrough writing on New Zealand. A further context for many of these experiments was the extended and acrimonious debate Rhythm conducted with A.R. Orage's New Age, in which issues of the proper gender, generation, and formulation of modernity were debated month by month. However, reading magazines as vehicles for avant-garde development can only provide half the story. The book also pays close attention to their dialogic, reproductive, and periodical nature, and explores the strategies at work within the terminology of the new. Crucially, it argues that they offer compelling material evidence for the consistently mobile and multiple boundaries of the modern, and puts forward a compelling case for focusing upon the specificity of magazines as a medium for literary and artistic innovation.
avant-garde --- modernisme --- tijdschriften --- literatuur --- post-impressionisme --- Rhythm (1911-1913) --- Blue review (1913-1914) --- Murry, John Middleton --- Mansfield, Katherine --- Little magazines --- Literature publishing --- Modernism (Literature) --- Literature, Experimental --- Avant-garde (Aesthetics) --- Art and literature. --- Publishing --- History --- History and criticism. --- Rhythm (London, England : 1911) --- Blue review (London, England) --- Art and literature --- Small magazines --- Periodicals --- Literary publishing --- Literature --- Publishers and publishing --- Avant-garde literature --- Experimental literature --- Literary style --- Aesthetics --- Modernism (Art) --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- History and criticism --- Rhythm --- Blue review --- avant-garde. --- modernisme. --- tijdschriften. --- literatuur. --- post-impressionisme. --- Rhythm (1911-1913). --- Blue review (1913-1914). --- Murry, John Middleton. --- Mansfield, Katherine.
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This special issue of Katherine Mansfield Studies is in remembrance of the centenary of one of the most significant events of the modernist period. Like the reclamation of women's war writings that we have already seen in relation to Virginia Woolf and others, Mansfield's literary response to the key political event of her time is fundamental to our understanding of her developing writerly style. It is in her responses to the war that we find a 'political Mansfield', and the articles in this volume provide us with a greater appreciation of Mansfield in her socio-historical context. In offering new readings of Mansfield's explicit and implicit war stories, the contributions to this volume refine and extend our knowledge of particular stories and their genealogy. They illuminate the specific and more general influences of the war on Mansfield's evolving technique and, jointly, they reveal the importance of the war on her literary language, as well as for her own particular brand of modernism. This volume helps develop our ideas of what constitute war writings and, in so doing, expands the scope of Mansfield scholarship and the field of First World War studies."
Mansfield, Katherine, --- Critique et interprétation --- Mansfield, Katherine --- Critique et interprétation. --- World War, 1914-1918 --- War stories, English --- War stories, New Zealand --- New Zealand war stories --- New Zealand fiction --- European War, 1914-1918 --- First World War, 1914-1918 --- Great War, 1914-1918 --- World War 1, 1914-1918 --- World War I, 1914-1918 --- World War One, 1914-1918 --- WW I (World War, 1914-1918) --- WWI (World War, 1914-1918) --- History, Modern --- Literature and the war. --- History and criticism. --- Beauchamp, Kathleen M. --- Murry, Kathleen Beauchamp, --- Murry, John Middleton, --- Berry, Matilda, --- Mansfield Beauchamp, Kathleen, --- Man-ssu-fei-erh-te, Kʻai-se-lin, --- Mensfilld, Ketrin, --- Bowden, Kathleen, --- מאנספילד, קאתרין, --- מנספילד, קתרין, --- 曼斯菲尔德凯瑟琳, --- Criticism and interpretation.
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