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L'étude des signes lapidaires porte son regard sur les signes liés aux métiers de la pierre. Parmi elles se glissent d'autres marques, comme des graffitis-signatures, parfois réduites à de simples initiales pouvant être confondues avec les marques de tailleurs de pierre. L'étude de ces graffitis protéiformes livre de nombreuses informations, non seulement sur leurs auteurs, mais aussi sur l'histoire de l'édifice sur lequel ils ont été écrits, gravés, grattés, tracés, barbouillés, carbonisés. De cette corne d'abondance découle alors un flux de questions diverses. Qui sont les auteurs ? Quand ont-ils été retrouvés ? Quel but? Pourquoi ce bâtiment a-t-il été choisi ? Quelle identité a été révélée ? De quelle manière (partiel, complet) ? Pourquoi certaines époques semblent-elles plus significatives ? Dans cet ouvrage, nous apportons des réponses à ces questions, la connaissance des marques de tailleurs de pierre et celle des graffiti-signatures participant à une meilleure approche de l'histoire du bâtiment.

Signes lapidaires. --- Banker marks. --- Graffiti. --- Banker-marks --- Graffiti --- Petroglyphs

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This collection of specially commissioned articles aims to shed light on the Early Modern printer's mark, a very productive Early Modern word-image so far only occasionally noted outside the domain of book history. It does so from the perspectives of book history, literary history, especially emblem scholarship, and art history. The various contributions to the volume address issues such as those of the adoption of printer's devices in the place of the older heraldic printer's marks as a symptom of the changing self-image of the representatives of the Early Modern printing profession, of the mutual influence of emblems and printer's marks, of the place of Classical learning in the design of Humanist printer's marks, of the economic factors involved in the evolution of Early Modern printer's marks, the pictorial topics of the Early Modern printer's mark, and the printer's mark as a result of the 'Verbürgerlichung' of the device of Early Modern nobility. Special care was taken to account for the similarities and differences of the printer's marks produced and used in different regional and cultural contexts. The printer's mark thus becomes visible as a European phenomenon that invites studying some of the most significant shared aspects of Early Modern culture.

Marques typographiques --- printer's marks --- Book history --- Graphics industry --- Marques typographiques. --- Printers' marks --- History --- Printers. --- Printers --- History. --- Printers' marks - History

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Illustrators - Directories. --- Illustrators - Autographs - Facsimiles. --- Artists' marks.

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Swordsmiths -- Spain --- Sword industry -- Spain --- Swordsmiths' marks -- Identification

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Trademarks (International law) --- Trademarks --- -Merchant marks --- Registration of trademarks --- Trade-marks --- Trade names --- Trade regulation --- Brand name products --- Business names --- Logos (Symbols) --- Service marks --- Trade-marks (International law) --- International law --- Law and legislation --- -Trademarks (International law) --- -Law and legislation --- Merchant marks