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Laughter in art --- Music --- Musical analysis --- Social aspects --- Themes, motives --- Muziek --- Filosofie en esthetica
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In this fresh, accessible, and beautifully illustrated book, his third to examine an aspect of Roman visual culture, John R. Clarke explores the question, "What made Romans laugh?" 'Looking at Laughter 'examines a heterogeneous corpus of visual material, from the crudely obscene to the exquisitely sophisticated and from the playful to the deadly serious--everything from street theater to erudite paintings parodying the emperor. Nine chapters, organized under the rubrics of Visual Humor, Social Humor, and Sexual Humor, analyze a wide range of visual art, including wall painting, sculpture, mosaics, and ceramics. Archaeological sites, as well as a range of ancient texts, inscriptions, and graffiti, provide the background for understanding the how and why of humorous imagery. This entertaining study offers fascinating insights into the mentality of Roman patrons and viewers who enjoyed laughing at the gods, the powers-that-be, and themselves.
Wit and humor in art --- Arts, Roman --- Arts, Roman. --- Wit and humor in art. --- Laughter in art --- Humour dans l'art --- Arts romains --- Rire dans l'art
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From the contents:0Daniel Ménager, Les plaisirs du rire dans la littérature de la Renaissance, Francesca Alberti, Diane H. Bodart,Introduction, Bert W. Meijer, Dessins grotesques et ridicules sur le support des peintures (XIV e-XVI e siècles), Valérie Boudier, Rire de la mauvaise humeur avec Bartolomeo Passerotti, Diane H. Bodart, Pour une proto-histoire de la caricature politique, Sandra Cheng, Ridiculous Portraits : comic ugliness and early modern caricature, Francesco Porzio, Per il linguaggio del comico figurativo : il lessico metaforico delle "pitture ridicole", Michel Hochmann, ±Des bizarreries de chat et d?autres fantaisies?: le chat dans les tableaux comiques de la Renaissance, Thomas Fusenig, Hans von Aachen, laughter and early Italian Genre Painting, Philippe Morel, Rire avec les grotesques à la Renaissance, Malcolm Jones, Facete and befitting pictures : humour in the prints and paintings of the English Renaissance, c.1550-c.1650, Paolo Procaccioli, Santa Nafissa. Per una tipologia della scrittura d?arte en comique, Emmanuelle Hénin, Des peintures comiques malgré elles : à propos d?une distinction de Paleotti, Patricia Simons, Dicks and stones : double-sided humour in a maiolica dish of 1536, Tommaso Mozzati, Ridere a bocca piena. La Compagnia del Paiuolo e le sculture di cibo
Renaissance --- humor --- Art --- anno 1400-1499 --- anno 1500-1599 --- Rire --- Dans l'art Renaissance --- Laughter in art --- Art, Renaissance --- Congresses --- Wit and humor, Pictorial --- Themes, motives --- Dans l'art Renaissance. --- Laughter in art - Congresses --- Art, Renaissance - Themes, motives - Congresses --- Wit and humor, Pictorial - Congresses --- lachen
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English literature --- Thematology --- Esprit et humour --- Geestigheid and humor --- Lach in de kunst --- Lach in de literatuur --- Laughter in art --- Laughter in literature --- Rire dans l'art --- Rire dans la littérature --- Wit and humor --- Geestigheid en humor --- Laughter --- England --- History
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History of civilization --- Art --- kunst --- cultuurgeschiedenis --- iconografie --- iconologie --- lachen --- humor --- middeleeuwen --- beeldhouwkunst --- tekenkunst --- 7.041 --- 7.033 --- Exhibitions --- Art, Medieval --- Christian art and symbolism --- Civilization, Medieval --- Laughter in art --- Laughter --- Laughing --- Emotions --- Nonverbal communication --- Wit and humor --- Medieval civilization --- Middle Ages --- Civilization --- Chivalry --- Renaissance --- Religious aspects&delete& --- Christianity --- History --- Religious aspects --- RIRE --- Rire --- HISTOIRE --- MOYEN AGE --- Dans l'art --- Moyen Age
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