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he title of this little book is inspired by Erwin Panofsky’s remarks on the “inner affinity” between Ovid and Titian. But this inner affinity between the Latin poet and the Venetian painter also extends to Philip of Spain, for whom Titian painted the famous cycle of canvases that he referred to in his letters as the “Poesie”. To explore this kinship of spirit among the poet, the painter, and the king, this study examines the dynastic fecundity that results from the effects of works of art on the imagination, the soul and the body.

Painting --- Philip II [King of Spain] --- Titian --- Ovid

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Philip -- IV, -- King of Spain, -- 1605-1665 -- Marriage --- Elizabeth, -- of France, Queen, consort of Philip IV, King of Spain, -- 1602-1644 -- Marriage

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Philip IV [King of Spain] --- Philip IV --- Congresses --- Spain --- History --- Philip IV, 1621-1665

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"In Habsburg England, Gonzalo Velasco Berenguer offers a reassessment of the much-maligned joint rulership of Philip II of Spain and Mary I of England. Traditionally portrayed as an anomaly in English history, previous assessments of the regime saw in it nothing but a record of backwardness and oppression. Using fresh archival material, and paying full attention to the levels of integration and collaboration of Spain and England in the political and religious domains, Velasco Berenguer explores Philip's role as king of England, looks at the complexities of the reign in their own terms and concludes that during this brief but highly significant period, England became an integral part of the Spanish Monarchy"--

Philip II [King of Spain] --- Mary I Tudor [Queen of England] --- Philip - II, - King of Spain, - 1527-1598 --- Mary - I, - Queen of England, - 1516-1558 --- Spain --- Great Britain --- Philip --- Mary --- Marriage. --- History --- Relations

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Philip II [King of Spain] --- anno 1500-1599 --- Philip II --- Spain --- History --- Philip II, 1556-1598 --- Kings and rulers --- Biography