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Principes van de orkestratie : inleiding tot een adaptatie van Rimsky-Korsakovs "Principles of orchestration"
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ISBN: 9789464059250 Year: 2020 Publisher: Varsenare Zodiac Editions

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Abstract

'Principes van de Orkestratie' is de allereerste Nederlandstalige uitgave en adaptatie van Rimski-Korsakovs 'Principles of Orchestration'. Het bevat bovendien eerst een uitgebreide Inleiding tot de Orkestratie met daarin meer dan 40 nieuw uitgewerkte orkestratie-voorbeelden uitvoerig beschreven aan de hand van steeds hetzelfde fragment uit een pianosonate van W.A. Mozart.


Book
The Cambridge guide to orchestration
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ISBN: 9781107025165 9781107055674 1107055679 1107059151 9781107059153 9781107057906 1107057906 1107025168 1316090027 1107065208 1107056772 110705463X Year: 2013 Publisher: New York : Cambridge University Press,

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A complete textbook, handbook, workbook and quick reference book on orchestration, for composers, arrangers, conductors, music theorists and music engineers.


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Akustische Grundlagen des Orchestrierens : Handbuch für Komponisten, Dirigenten und Tonmeister
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ISBN: 3764920114 Year: 1971 Publisher: Regensburg Bosse

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Book
The complexities of early instrumentation : winds and brass
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ISBN: 9782503564791 2503564798 Year: 2015 Volume: 3 Publisher: Turnhout Brepols

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When a professional orchestra today plays an eighteenth-century work with parts for wind and brass instruments, nothing seems amiss. Yet writers in the eighteenth century and beyond indicate that many notes in these scores could not be played in tune by these instruments; certain notes could be produced only with difficulty or not at all. The present work concentrates on the time period least explored in modern writings - the years before Hector Berlioz's "Grand traité d'instrumentation et d'orchestration modernes" (1843) - and traces the development of instrumentation instruction for composers from its beginnings in the late eighteenth century, after the era of J. S. Bach and G. F. Handel. An introductory chapter includes background information on subjects related to the discussion: intonation, tuning, key action, the lack of a standard pitch level, and the difficulty of reed making. While earlier manuals supply little but the range of instruments, Valentin Roeser's "Essai d'instruction à l'usage de ceux qui composent pour la clarinette et le cor" (1764) offers composers concrete assistance in writing for the clarinet and horn. Louis-Joseph Francoeur's "Diapason général de tous les instrumens à vent" (1772) provides the same for all the winds and brass, as does Othon Vandenbroeck's "Traité général de tous les instrumens à vent à l'usage des compositeurs" (c.1793). This book is not a history of instrumentation per se, but an account of technological progress and ever-increasing knowledge.

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