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A Companion to Greek Tragedy provides readers with a fundamental grounding in Greek tragedy and also introduces them to the various methodologies and the lively critical dialogue that characterize the study of Greek tragedy today." "The volume comprises 31 essays written by an international cohort of scholars. The essays are organized into four sections. The opening section on Contexts surveys Greek tragedy's historical, religious, political, and artistic background. A section on Elements follows, examining the genre's structural components. A section on Approaches presents a series of essays exemplifying particular lines of enquiry; and the final section on Reception traces the interpretative tradition from ancient to modern times." "Throughout the volume, all ancient Greek is transliterated and translated, and technical terms are explained as they appear, making the Companion accessible to those without detailed knowledge of the language or the genre.
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This is an invaluable introduction to ancient Greek tragedy which discusses every surviving play in detail and provides all the background information necessary for understanding the context and content of the plays. Edith Hall argues that the essential feature of the genre is that it always depicts terrible human suffering and death, but in a way that invites philosophical enquiry into their causes and effects, This enquiry was played out in the bright sunlight of open-air theatre,which became a key marker of the boundary between living and dead. The first half of the book is divided into fou
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Ancient Greek tragedy has been an inspiration to Western culture, but the way it was first performed has long remained in question. In 'The Theatricality of Greek Tragedy', Graham Ley provides an illuminating discussion of key issues relating to the use of the playing space and the nature of the chorus, offering a distinctive impression of the performance of Greek tragedy in the fifth century BCE. Drawing on evidence from the surviving texts of tragedies by Aeschylus, Sophocles, and Euripides, Ley explains how scenes with actors were played in the open ground of the orchestra, often considered as exclusively the dancing place of the chorus. In reviewing what is known of the music and dance of Greek antiquity, Ley goes on to show that in the original productions the experience of the chorus& expressed in song and dance and in interaction with the characters& remained a vital characteristic in the performance of tragedy. Combining detailed analysis with broader reflections about the nature of ancient Greek tragedy as an art form, this volume& supplemented with a series of illustrative drawings and diagrams& will be a necessary addition to the bookshelf of anyone interested in literature, theater, or classical studies.
Drama --- Greek drama (Tragedy) --- Theater --- Technique. --- History and criticism. --- History --- Drama - Technique. --- Drama -- Technique. --- Greek drama (Tragedy) - History and criticism. --- Greek drama (Tragedy) -- History and criticism. --- heater -- Greece -- History -- To 500. --- Theater - Greece - History - To 500. --- Languages & Literatures --- Greek & Latin Languages & Literatures --- History and criticism --- Technique
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Thematology --- Classical Greek literature --- Drama --- Greek drama (Tragedy) --- Justice in literature --- History and criticism --- Athena --- In literature --- Athens (Greece) --- Greek drama (Tragedy) - History and criticism --- Athena - (Greek deity) - In literature --- Athens (Greece) - In literature --- Athena - (Greek deity)
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Poetry --- Classical Greek literature --- Drama --- Greek drama (Tragedy) --- Chorus (Greek drama) --- History and criticism --- History and criticism. --- Chorus (Greek drama). --- Drama - Chorus (Greek drama) --- Greek drama (Tragedy) - History and criticism
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Il faut sauver la tragédie grecque de toute la gnose philosophique et tragique qui l'accable depuis près de trois siècles. Il faut la sauver de notre conception moderne de la littérature et du théâtre. Il faut la sauver de nous-mêmes pour la retrouver ailleurs, très loin, dans les lieux les plus improbables : le nô japonais, la messe catholique, la psychanalyse freudienne... A moins qu'elle ne soit déjà plus nulle part. Car la tragédie est aussi introuvable que le tombeau d'Œdipe, ce tombeau que Sophocle prit pour thème de sa pièce ultime, laquelle est également la dernière tragédie grecque connue. Avec Oedipe à Colone pour fil conducteur, ce livre raconte l'histoire édifiante d'une incompréhension à laquelle nous sommes voués. Il révèle les incroyables trahisons et mutilations dont ces chefs-d'œuvre furent les victimes et propose en retour quelques thèses - ou hérésies - susceptibles de bouleverser non seulement notre vision de la tragédie, mais notre conception même de la littérature et de ses pouvoirs - sur les lieux, les corps et les dieux. Nul détour n'est aujourd'hui si troublant ni si salutaire.
Philosophy --- Medieval Greek literature --- Greek drama (Tragedy) --- Tragédie grecque --- History and criticism. --- Histoire et critique --- Sophocles. --- History and criticism --- Classical Greek tragedy --- Criticism --- Criticism. --- Tragédie grecque --- Greek drama (Tragedy) - History and criticism
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Greek drama (Tragedy) --- Grief in literature --- History and criticism --- Greece --- Civilization --- Grief in literature. --- History and criticism. --- To 146 B.C. --- Greek drama (Tragedy) - History and criticism. --- Théâtre (genre littéraire) grec. --- Tragédie grecque.
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