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Cet ouvrage collectif se propose d'interroger le processus de nationalisation des sociétés européennes dans le contexte de la guerre : est-ce le succès de cette nationalisation qui explique le succès de la mobilisation en 1914 ? Est-ce que la maximisation tant de fois décrites de l'État au cours de la guerre accélère cette nationalisation ? De fait, cette réflexion s'inscrit dans une socio-histoire de l'État qui, à la suite de Gérard Noiriel, s'intéresse davantage aux processus et aux acteurs qu'aux structures et aux règlements. C'est pourquoi, l'ouvrage se déploie en deux temps qui correspondent à deux cercles concentriques au sein desquels gravitent des acteurs différenciés. Le regard est d'abord porté au plus près du noyau dur de l'action étatique en interrogeant, d'une part, les modes de participation au conflit et d'autre part, le travail d'administration des populations civiles et militaires.

First World War

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De Britse verpleegster Edith Cavell (1978-1915) was een van de leiders van een Belgische verzetsorganisatie tijdens de Eerste Wereldoorlog. Haar executie door Duitsland in 1915 was wekenlang internationaal voorpaginanieuws. Edith Cavell werd postuum een verzetshelding. Het boek gaat niet zozeer in op de historische gebeurtenissen zelf, maar op de interpretatie en de representatie van het leven van Cavell in de media en vooral in films.

Cavell, Edith --- anno 1930-1939 --- anno 1920-1929 --- Great Britain --- Clavell, Edith, --- Interbellum --- Health care practitioner --- Protest movement --- Book --- First World War --- Imaging

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Art styles --- Sociology of the family. Sociology of sexuality --- anno 1910-1919 --- France --- Miller, Lee --- anno 1930-1939 --- anno 1920-1929 --- Aesthetics --- Movies --- Photography --- Gender --- Interbellum --- Art --- Images of men --- Masculinity --- Misogyny --- Sexuality --- Book --- Cultural movements --- First World War

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World War, 1914-1918 --- War photography --- Photography --- Press coverage --- First World War - Illustrated Press - Photography Analysis. --- Photography. --- Miroir (Paris, France) --- Miroir (Paris, France). --- World War, 1914-1918 - Photography --- War photography - France --- World War, 1914-1918 - Press coverage - France

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This is the first full-length critical study of Paradd's End , the epic novel of the First World War, originally published in 4 volumes between 1924 and 1928, by the author and critic Ford Madox Ford. These 10 newly commissioned essays by critics focus on the psychological effects of the war, both upon Ford himself and upon his novel: its characters, its themes, and its form. The chapters explore: Ford's pioneering analysis of war trauma, trauma theory, shell shock, memory and repression, insomnia, empathy, therapy, literary Impressionism, and literary style. Other writers discussed alongside Ford include Conrad, Siegfried Sassoon, May Sinclair, Rebecca West, and Virginia Woolf as well as theorists William James, Freud, W. H. R. Rivers, Deleuze and Guattari, and Michel Foucault.

World War, 1914-1918 --- Combat Disorders --- Stress Disorders, Post-Traumatic --- Psychiatry in Literature --- World War I --- 1st World War --- First World War --- Great War --- 1914-1918 World War --- 1st World Wars --- First World Wars --- Great Wars --- War, 1st World --- War, First World --- War, Great --- Wars, 1914-1918 World --- Wars, 1st World --- Wars, First World --- Wars, Great --- World War, 1914 1918 --- World War, 1st --- World War, First --- World Wars, 1914-1918 --- World Wars, 1st --- World Wars, First --- Literature, Psychiatry in --- Psychological aspects --- Literature and the war --- psychology --- Ford, Ford Madox, --- Ford, Ford Madox --- Hueffer, Ford Madox, --- Hueffer, H. Ford, --- Huffer, Ford, --- Chaucer, Daniel, --- Hueffer, Ford Hermann, --- Hueffer, Ford M. --- Hueffer, Ford H. --- Haig, Fenil, --- Psychological aspects. --- Literature and the war.