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Wanda Landowska et la renaissance de la musique ancienne
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ISBN: 9782742793228 Year: 2011 Publisher: Arles : Actes Sud,

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Early Printed Music and Material Culture in Central and Western Europe
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ISBN: 9780429342844 0429342845 9781000387032 1000387038 9781000387087 1000387089 Year: 2021 Publisher: Taylor & Francis

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This book presents a varied and nuanced analysis of the dynamics of the printing, publication, and trade of music in the sixteenth and early seventeenth centuries across Western and Northern Europe. Chapters consider dimensions of music printing in Britain, the Holy Roman Empire, the Netherlands, France, Spain and Italy, showing how this area of inquiry can engage a wide range of cultural, historical and theoretical issues. From the economic consequences of the international book trade to the history of women music printers, the contributors explore the nuances of the interrelation between the materiality of print music and cultural, aesthetic, religious, legal, gender and economic history. Engaging with the theoretical turns in the humanities towards material culture, mobility studies and digital research, this book offers a wealth of new insights that will be relevant to researchers of early modern music and early print culture alike.

Charles Ives and His World

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This volume shows Charles Ives in the context of his world in a number of revealing ways. Five new essays examine Ives's relationships to European music and to American music, politics, business, and landscape. J. Peter Burkholder shows Ives as a composer well versed in four distinctive musical traditions who blended them in his mature music. Leon Botstein explores the paradox of how, in the works of Ives and Mahler, musical modernism emerges from profoundly antimodern sensibilities. David Michael Hertz reveals unsuspected parallels between one of Ives's most famous pieces, the Concord Piano Sonata, and the piano sonatas of Liszt and Scriabin. Michael Broyles sheds new light on Ives's political orientation and on his career in the insurance business, and Mark Tucker shows the importance for Ives of his vacations in the Adirondacks and the representation of that landscape in his music. The remainder of the book presents documents that illuminate Ives's personal life. A selection of some sixty letters to and from Ives and his family, edited and annotated by Tom C. Owens, is the first substantial collection of Ives correspondence to be published. Two sections of reviews and longer profiles published during his lifetime highlight the important stages in the reception of Ives's music, from his early works through the premieres of his most important compositions to his elevation as an almost mythic figure with a reputation among some critics as America's greatest composer.

Keywords

Ives, Charles, --- Criticism and interpretation. --- Correspondence. --- Critique et interprétation --- Correspondance --- Critique et interprétation --- Ives, Charles Edward --- Criticism and interpretation --- Correspondence --- Ives, Charles, - 1874-1954 - Criticism and interpretation. --- Ives, Charles, - 1874-1954 - Correspondence. --- Composers --- Muziekwerken. --- Aufsatzsammlung --- Ives, Charles. --- Ives, Charles --- Critique et interpretation. --- Aaron Copland. --- Alexander Scriabin. --- American Tune. --- American popular music. --- Antonín Dvorák. --- Arnold Schoenberg. --- Art music. --- Atonality. --- Bernard Herrmann. --- Career. --- Carl Ruggles. --- Charles Ives. --- Choir. --- Church music. --- Claude Debussy. --- Composer. --- Contemporary classical music. --- Creative work. --- Dissonant. --- Dudley Buck. --- E. Robert Schmitz. --- Early music. --- Entrance (musician). --- Ernest Walker (composer). --- Example (musician). --- Experimental music. --- Felix Mendelssohn. --- For Example. --- Franz Liszt. --- Gilbert and Sullivan. --- Gospel Song (19th century). --- Gustav Mahler. --- Half note. --- Harry Lauder. --- Hear the Music. --- Henry Bellamann. --- Henry Cowell. --- Horatio Parker. --- Hymn tune. --- Igor Stravinsky. --- Illustration. --- Improvisation. --- Insurance. --- Johann Sebastian Bach. --- Johannes Brahms. --- John Cage. --- La mer (Debussy). --- Leon Botstein. --- Leonard Bernstein. --- Lou Harrison. --- Ludwig van Beethoven. --- Maynard Solomon. --- Metre (music). --- Modernism (music). --- Modulation (music). --- Music Is. --- Music history. --- Music theory. --- Musical "ation. --- Musical composition. --- Musical expression. --- Musician. --- New York Philharmonic. --- Newspaper. --- Nicolas Slonimsky. --- Olin Downes. --- Orchestra. --- Organist. --- Paul Hindemith. --- Philosopher. --- Phrase (music). --- Piano Music (Louie). --- Piano. --- Polyrhythm. --- Polytonality. --- Popular music. --- Prose. --- Rhythm. --- Richard Strauss. --- Schumann. --- Singing. --- Sonata in B minor (Liszt). --- Songwriter. --- Stuart. --- Symphony No. 3 (Beethoven). --- Symphony No. 5 (Beethoven). --- The Musical Quarterly. --- The New York Times. --- The Orchestra. --- Three Places in New England. --- Time signature. --- Tonality. --- Tone cluster. --- Transcendentalism. --- Universe Symphony (Ives). --- Vachel Lindsay. --- Virgil Thomson. --- Writing. --- Yaddo. --- Yale University. --- Songwriters --- Musicians --- Muziekgeschiedenis --- Biografieën --- Brieven --- Essays --- Iconografie --- Muziekkritiek --- Recensies --- Stijlstudies --- Amerika --- Noord-Amerika --- Verenigde Staten van Amerika --- 20e eeuw --- Beiträge --- Einzelbeiträge --- Sammelwerk --- Aĭvz, Ch., --- Aĭvz, Charlʹz, --- Ives, Charles E. --- Ives, Charles Edward, --- Ives, Ch. E. --- Ajvz, Čarlz --- Komponist --- Danbury, Conn. --- New York, NY --- Ives, Harmony T. --- Ives, George E. --- 1874-1954 --- 20.10.1874-19.05.1954

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