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Art --- Alkmaar --- Art and industry --- Art, Dutch --- Dutch art --- Ploeg (Group of artists) --- Advertising, Art in --- Industry and art --- Industries --- Commercial art --- Arts --- Alkmaar (Pays-Bas) --- Nieuwe Ploeg (Group of artists)

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History of civilization --- anno 1900-1999 --- Utrecht --- 19de eeuw --- 20ste eeuw --- Art, Dutch --- kunst --- twintigste eeuw --- Nederland --- Wichman Erich --- De Stijl --- Rietveld Gerrit --- Van der Leck Bart --- van der Zweep Douwe --- van Leusden Willem --- surrealisme --- Koch Pyke --- Kuik William --- 7.036 --- Dutch art --- Nieuwe Ploeg (Group of artists) --- Ploeg (Group of artists) --- Cultuurgeschiedenis. --- anno 1900-1999. --- Utrecht. --- 19de eeuw. --- 20ste eeuw. --- Rimbaud, Arthur.

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Art --- Netherlands --- 7 <492> <03> --- Art, Dutch --- Dutch art --- Ploeg (Group of artists) --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Nederland--Naslagwerken. Referentiewerken --- Encyclopedias. --- 7 <492> <03> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Nederland--Naslagwerken. Referentiewerken --- Encyclopedias --- Art [Dutch ] --- Nieuwe Ploeg (Group of artists) --- Nederland --- Noordelijke Nederlanden --- Nederland. --- Noordelijke Nederlanden.

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Analysis of paintings and prints of 'garden parties', merry companies, courting couples, and even landscape etchings that have amorous overtones. Placing these works in the context of the contemporary culture of love which manifested itself in the social practices of courtship and in a variety of amatory texts, Nevitt shows how they both reflect and shaped the experience of love. His study also reconstitutes the viewpoints from which these works were understood, taking seriously their moral and celebratory aspects.

History --- Painting --- love [emotion] --- liefdestuin --- anno 1600-1699 --- Amour dans l'art --- Liefde in de kunst --- Love in art --- Dutch art --- Ploeg (Group of artists) --- Love in art. --- Art --- Netherlands --- Art, Dutch --- Dutch Italianates (Group of artists) --- Art [Dutch ] --- 17th century --- gardens of love --- Nederlandse school

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The essays collected in this volume are devoted to the Utrecht painter Abraham Bloemaert. The artist has received considerable scholarly attention following the publication of the catalogue raisonné of his paintings and, more recently, of his drawings, particularly in connection with the major exhibition The Bloemaert Effect (2012, Utrecht & Schwerin). This publication examines Abraham Bloemaert as a universal artist while it also aims to better understand his contribution towards the development of new iconographic themes. The choice and execution of specific subjects are considered in light of the local religious context, among others. In order to offer new perspectives and stimulate further research, the volume carefully examines the role of his workshop and the various artistic practices – painting, engraving, and drawing – in which its members engaged under Bloemaert’s supervision. A key question ties together the multifaceted approaches presented here: should Bloemaert be considered as the ‘father of the Utrecht school’ and the founder of a dynasty of artists?

Painting --- workshops [organizations] --- influence --- Bloemaert, Abraham --- Art, Dutch --- Painting, Dutch --- History and criticism --- Bloemaert, Abraham, --- Criticism and interpretation. --- Dutch painting --- Dutch art --- Nieuwe Ploeg (Group of artists) --- Ploeg (Group of artists) --- Blomart, A. --- Blomart, Abraham, --- Painters --- Graphic arts & prints* --- Low Countries (c. 1501-1800) --- Baroque & Rococo painting --- Engraving, Dutch --- Drawing, Dutch --- Artists' studios --- Utrechtse school