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Cette anthologie regroupe 23 textes tirés des 25 premières années de la revue, qui en aura publié près de 1000 entre 1975 et 2000. Livrés dans leur succession chronologique, ces essais retracent un quart de siècle d'histoire de l'art contemporain et de constant renouvellement de la critique d'art. Parachute compte parmi ses auteurs des théoriciens et des critiques de renommée internationale qui ont contribué à définir les paramètres et à comprendre les enjeux de la critique. Parmi les artistes commentés, on retrouve Lothar Baumgarten, Geneviève Cadieux, James Coleman, Willie Doherty, Stan Douglas, Jenny Holzer, Nan Hoover, Guillermo Kuitca, Édouard Manet, Gordon Matta-Clark, Reinhard Mucha, Rober Racine, Gerhard Richter, Robert Ryman, Michael Snow et Bill Viola.Textes de Thomas Crow, Douglas Crimp, Georges Didi-Huberman, Thierry de Duve, Anne-Marie Duguet, Peggy Gale, Raymond Gervais, Dan Graham, Serge Guilbaut, Jacinto Lageira, Johanne Lamoureux, Vincent Lavoie, Kate Linker, Jean-François Lyotard/Jean Papineau, Laura U. Marks, Philip Monk, René Payant, Chantal Pontbriand, Christine Ross, Michèle Thériault, Dot Tuer, Victor Tupitsyn, Jeff Wall. (Extrait du site http://www.parachute.ca/editions.htm)

Analyse de l'art --- Art contemporain --- Ecrit d'artiste --- Ecrit théorique --- Histoire de l'art --- Baumgarten, Lothar --- Cadieux, Geneviève --- Coleman, James --- Doherty, Willie --- Douglas, Stan --- Kuitca, Guillermo --- Matta-clark, Gordon --- Mucha, Reinhard --- Racine, Robert --- Richter, Gerhard --- Snow, Michael --- Viola, Bill

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Alexander, Vikky ; Arden, Roy ; Belmore, Rebecca ; Douglas, Stan ; Farmer, Geoffrey ; Graham, Rodney ; Jungen, Brian ; Lee, Tim ; Magor, Liz ; McFarland, Scott ; Moppett, Damian ; Radul, Judy ; Shearer, Steven ; Terada, Ron ; Wallace, Ian ; Wood, Kelly

Antwerpen (stad) --- Anvers (ville) --- Art contemporain --- Catalogues d'expositions --- Hedendaagse kunst --- Tentoonstellingscatalogi --- editors Dieter Roelstraete, Scott Watson --- Alexander Vikki --- Arden Roy --- Belmore Rebecca --- Douglas Stan --- Farmer Geoffrey --- Jungen Brian --- Lee Tim --- Magor Liz --- McFarland Scott --- Moppett Damien --- RadulJudy --- Shearer Steven --- Terada Ron --- Wallace Ian --- Wood Kelly --- kunst --- Canada --- Vancouver --- Graham Rodney --- 7.039

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De tentoonstelling toont werk van vijf kunstenaars die reflecteren over de status van het stilstaande beeld in relatie tot de illusie van beweging of omgekeerd, de status van het bewegende beeld in relatie tot de illusie van stilstand.

Claerbout, David --- Straatman --- Beeck, op de, Hans --- Douglas, Stan --- Deprez, Dany --- 7.039 --- 778.5 --- Beeldende kunst ; videokunst ; 1995-2003 --- Thema's in de kunst ; beweging ; snelheid ; traagheid --- Tentoonstellingscatalogi ; Gent ; Caermersklooster --- Op de Beeck, Hans --- Vergara Santiago, Angel --- (069) --- redactie Hans Martens ; teksten Rachel Kushner, Frank Maet, Christine Vuegen [et al.] --- kunst --- fotografie --- video --- videokunst --- installaties --- schilderkunst --- België --- twintigste eeuw --- eenentwintigste eeuw --- Claerbout David --- Deprez Dany --- Douglas Stan --- Op de Beeck Hans --- Vergara Santiago Angel --- 7.038/039 --- David Claerbout --- Dany Deprez --- Stan Douglas --- Hans Op de Beeck --- Angel Vergara Santiago --- kunst 21e eeuw --- Kunstgeschiedenis ; 2000 - 2050 --- Kunst nieuwe technieken ; video, laser, computer, klank, ... --- (Musea. Collecties) --- kunstgeschiedenis - kunst vanaf 2001 --- Beeck, Op de, Hans --- Kunst nieuwe technieken ; video, laser, computer, klank, .. --- Exhibitions --- Kunst nieuwe technieken ; video, laser, computer, klank, . --- Kunst nieuwe technieken ; video, laser, computer, klank, --- 701 --- kunst verzameling NBB --- art collection BNB

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video recordings --- photography [process] --- archaeology --- painting [image-making] --- sculpting --- Art --- motion pictures [visual works] --- Sala, Anri --- Koester, Joachim --- Nys, Sophie --- Starling, Simon --- Castillo Deball, Mariana --- Rakowitz, Michael --- Steyerl, Hito --- Dean, Tacita --- Gaillard, Cyprien --- Tasset, Tony --- Hocking, Scott --- Douglas, Stan --- Kriemann, Susanne --- Thurber, Shellburne --- Bannos, Pamela --- Grisey, Raphaël --- Davey, Moyra --- Brunen, Derek --- Moulène, Jean-Luc --- Frazier, LaToya Ruby --- Collins, Phil --- Keller, Rebecca --- Knorr, Daniel --- Orozco, Gabriel --- Narkevičius, Deimantas --- Taylor, Zin --- Dion, Mark --- Torfs, Ana --- Berg, Lene --- kunst --- eenentwintigste eeuw --- archeologie --- kunst en archeologie --- archieven --- archivering --- Bannos Pamela --- Berg Lene --- Brunen Derek --- Castillo Deball Mariana --- Collins Phil --- Davey Moyra --- Dean Tacita --- Dion Mark --- Douglas Stan --- Frazier LaToya Ruby --- Gaillard Cyprien --- Grisey Raphaël --- Hocking Scott --- Keller Rebecca --- Knorr Daniel --- Koester Joachim --- Komarov Aleksander --- Kriemann Susanne --- Lazarus Jason --- Moulène Jean-Luc --- Narkevicius Deimantas --- Nys Sophie --- Orozco Gabriel --- Rakowitz Michael --- Rowell Steve --- Sala Anri --- Schutter David --- Starling Simon --- Steyerl Hito --- Tasset Tony --- Taylor Zin --- Thurber Shellburne --- Torfs Ana --- Versteeg Siebren --- 7.039 --- 76:655.5 <064> --- Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Tentoonstellingscatalogi. Museumcatalogi --- Exhibitions --- 76:655.5 <064> Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Tentoonstellingscatalogi. Museumcatalogi --- Art, Modern --- Deball, Mariana Castillo --- Art et histoire --- Art and history --- Expositions. --- Exhibitions. --- video recordings [physical artifacts]

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Following the three-part exhibition series THE BIG SHOW (NICC, Antwerp, April - November 2001), this publication continues the exhibition's outlines to approach issues of exoticism, collective memory, globalization, utopia and alterity in a demanding way. THE BIG SHOW is inevitably part of a climate of post-colonial and global cultural interests, without identifying itself totally with them. Rather the series of exhibitions and this publication form a searching interrogation of the ways in which decolonization and globalization can be seen in the context of a wider debate surrounding cultural production and representation, without thereby having to lead to an iconoclasm of the center of image production.&#13;&#13;THE BIG SHOW chooses to approach globalization indirectly from three different views. The first path is historical, retracing globalization to a highly problematic post-colonial mentality; with two specific bodies of work by Tshibumba Kanda Matulu and W. Eugene Smith, 'A Congo Chronicle - A Man of Mercy' highlights the complexities surrounding colonial memory. The second chapter, 'Healing', traces that trauma - as part of a larger cluster that defines our conceptions of globalization - to a broader cultural present. 'Healing' simulates the gathering of all elements that would allow for shifts in collective memory to be reconstructed. Part three, 'Demonstration Room: Ideal House' is utopian; the revolutionary potential of the house and the city are reconsidered from the specific situation of Latin America, but still within a broader international context, rethinking the evolutionary potential present there in actuality or rhetorically.

andere mens --- utopias --- postcolonialism --- globalization --- art [fine art] --- exoticism --- Art --- Schweitzer, Albert --- Smith, W. Eugene --- Congo --- Latin America --- Afrika --- Zaïre --- Kunst en politiek ; globalisering ; 2de h. 20ste eeuw --- Beeldende kunst ; koloniaal verleden België-Kongo --- Tentoonstellingscatalogi ; Antwerpen ; NICC ; New International Cultural Centre --- 7.038 --- (069) --- Kunstgeschiedenis ; 1950 - 2000 --- (Musea. Collecties) --- edited by Wim Peeters ; text contributions by Marius Babias, Jesus Fuenmayor, Julieta Elena Gonzalez [et al.] --- kunst --- mulitculturalisme --- globalisering --- kolonisatie --- dekolonisatie --- kolonialisme --- postkolonialisme --- Zuid-Amerika --- politiek --- kunst en politiek --- Matulu Tshibumba Kanda --- fotografie --- Smith W. Eugene --- exotisme --- Arocha Carla --- Beuys Joseph --- Bijl Guillaume --- Carlos Isaac --- Darmawan Ade --- Doll Tatjana --- Douglas Stan --- Duchamp Marcel --- Fischli Peter --- Weiss David --- Graham Rodney --- Grundmann Gesine --- Gutai --- HAnssen Karin --- Jozefowicz Katarzyna --- Keiser Daniela --- Marshall Kerry James --- Mikhailov Boris --- Piper Adrian --- Robijns Gert --- Slominski Andreas --- Sugimoto Hiroshi --- Tshibumba Kanda Matulu --- Weiner Lawrence --- Yoshihara Jiro --- Alÿs Francis --- Best Anna --- Bruggeman Stefan --- Bunimov Mariana --- Cuevas Minerva --- Deleu Luc --- Fernandez José Gabriel --- Framis Alicia --- Garaicoa Carlos --- Gerdel Alexander --- Gillick Liam --- Graham Dan --- van heeswijk Jeanne --- Hernandez-Diez José Antonio --- Proyecto Incidental --- Kuri Gabriel --- Atelier van Lieshout --- Lopez Diana --- Lupini Mauricio --- McBride Rita --- Molina Carlos Julio --- Neto Ernesto --- Perna Claudio --- Ramirez-Jonas Paul --- Sachs Tom --- Schneider Karin --- Téllez Javier --- Vega Sergio --- art [discipline]