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The Decameron first day in perspective
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ISBN: 080208589X 0802044549 0802068421 1282037137 9786612037139 1442681098 9781442681095 9780802044549 9780802085894 9781282037137 661203713X 1487586744 9781487586744 Year: 2004 Volume: 1 Publisher: Toronto [Ont.] University of Toronto Press

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Giovanni Boccaccio's Decameron is the best known and most read work in Italian literature next to Dante's Divine Comedy. In the tradition of Lectura Dantis, the practice of story-by-story critical readings of Dante's work, Elissa Weaver has collected essays from some of the most prominent American Boccaccio scholars to provide critical readings of the Decameron Proem, Introduction, and the ten stories that constitute the first of the ten 'days' of storytelling. The first of the twelve essays opens the volume with a consideration of the Proem, demonstrating the importance of Boccaccio's literary subtexts (Ovidian and Dantean) for understanding his poetics. The second essay, on the Introduction, discusses the title of the work and the framing tale. The remaining ten contributions treat in detail each story, examining the literary, ethical, and social concerns embodied in the short narratives and in the context provided by the comments and discussions of the story-tellers, and exploring the intertextual relations within the Decameron and with sources and analogues. This inaugural book in a new series of critical essays on the Decameron will provide an important guide to reading the complex series of narratives that constitute the opening of the Decameron and will serve as a guide to reading the entire work.

A rhetoric of the Decameron
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ISBN: 0802088198 0802085946 1281994731 9786611994730 1442670452 9781442670457 9781281994738 9780802088192 9780802085948 0802042147 Year: 2003 Volume: *13 Publisher: Toronto, Ont. University of Toronto Press

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Both a passionate denunciation of masculinist readings of the Decameron and a meticulous critique of previous feminist analyses, Marilyn Migiel's A Rhetoric of the Decameron offers a sophisticated re-examination of the representations of women, men, gender identity, sexuality, love, hate, morality, and truth in Boccaccio's masterpiece. The Decameron stages an ongoing, dynamic, and spirited debate about issues as urgent now as in the fourteenth century ? a debate that can only be understood if the Decameron's rhetorical objectives and strategies are completely reconceived.Addressing herself equally to those who argue for a proto-feminist Boccaccio ? a quasi-liberal champion of women's autonomy ? and to those who argue for a positivistically secure historical Boccaccio who could not possibly anticipate the concerns of the twenty-first century, Migiel challenges readers to pay attention to Boccaccio's language, to his pronouns, his passives, his echolalia, his patterns of repetition, and his figurative language. She argues that human experience, particularly in the sexual realm, is articulated differently by the Decameron's male and female narrators, and refutes the notion that the Decameron offers an undifferentiated celebration of Eros. Ultimately, Migiel contends, the stories of the Decameron suggest that as women become more empowered, the limitations on them, including the threat of violence, become more insistent.

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