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Information management & technology
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ISSN: 02666960

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Digital
Selbstschreibende Wundermaschinen : auch mehr andere Kunst- und Meisterstücke : als so viele nunmehr aufgelöste Problemen unter des drey glorwåurdigsten Regierungen Franzens I, Josephs II ... und Marien Theresiens ... der Künste und Wissenschaften allergrössesten Beförderinn und Beschützerinn.
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Year: 1780 Publisher: Wien Mit Schulzisch

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Digital
Analyse et description d'une nouvelle machine nommée le copiste secret inventée a Naples l'an 1762
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Year: 1764 Publisher: Vienne Chez Jean-Thomas de Trattnern

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Geräte und Verfahren der Kopiertechnik und ihre Anwendungsmöglichkeiten in Bibliotheken
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ISBN: 3774305374 Year: 1971 Volume: vol Heft 37

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Ancient sculpture copies in miniature
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ISBN: 9004095322 Year: 1992 Volume: vol 19 Publisher: Leiden New York Köln E.J. Brill

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Book
Colloids and surfaces in reprographic technology
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ISBN: 0841209626 Year: 1982 Publisher: Washington, District of Columbia : American Chemical Society,

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Book
The culture of the copy : striking likenesses, unreasonable facsimiles
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ISBN: 9781935408451 1935408453 Year: 2014 Publisher: New York Zone books

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The Culture of the Copy is a novel attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us. This updated edition takes notice of recent shifts in thought with regard to such issues as biological cloning, conjoined twins, copyright, digital reproduction, and multiple personality disorder. At once abbreviated and refined, it will be of interest to anyone concerned with problems of authenticity, identity, and originality. Through intriguing, and at times humorous, historical analysis and case studies in contemporary culture, Schwartz investigates a stunning array of simulacra: counterfeits, decoys, mannequins, and portraits; ditto marks, genetic cloning, war games, and camouflage; instant replays, digital imaging, parrots, and photocopies; wax museums, apes, and art forgeries―not to mention the very notion of the Real McCoy. Working through a range of theories on biological, mechanical, and electronic reproduction, Schwartz questions the modern esteem for authenticity and uniqueness. The Culture of the Copy shows how the ethical dilemmas central to so many fields of endeavor have become inseparable from our pursuit of copies―of the natural world, of our own creations, indeed of our very selves. The book is an innovative blend of microsociology, cultural history, and philosophical reflection, of interest to anyone concerned with problems of authenticity, identity, and originality.


Book
The copy turns original : Vincent van Gogh and a new approach to traditional art practice
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Year: 1996 Publisher: Amsterdam Philadelphia John Benjamins

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The aesthetics of emulation in the visual arts of ancient Rome
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ISBN: 0521831652 Year: 2005 Publisher: Cambridge ; New York ; Madrid Cambridge University Press

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Arguing that the scholarship on this topic has not appreciated Roman values in the visual arts, this book examines Roman strategies for the appropriation of the Greek visual culture. A knowledge of Roman values explains the entire range of visual appropriation in Roman art, which includes not only the phenomenon of copying, but also such manifestations as allusion, parody, and, most importantly, aemulatio, successful rivalry with one's models.

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