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"NOW LEAVES describes leaving and having left. Glossolalia like, against noise, about the bones of a writing, written in tongue graphics legible by reason of the trees with as many words as there are leaves. The percussion of these leaves is f***ing news. The percussion of these leaves is not his news. The percussion of these leaves is not her news. The percussion of these leaves is definitely not their news. NOW LEAVES presents itself as a block. Physically it adopts the scale of a human hand, its weight present, its structure flexible, almost human. The pages fall loosely apart to reveal dense black graphics - letters shaped as tongues, twisted to form barely legible words. Each page inscribed, playing on repetition, the word 'leaves' repeatedly tongued. The successive pages form statements, occasionally benign - it starts LEAVES FOR LEAVES - but as the pages turn a more visceral violence exudes from the pages - SLAVE LEAVES HAPPY LEAVES, FUCKING LEAVES LOST LEAVES KILL LEAVES, BLOODY LEAVES POSITION LEAVES. Whilst visually arresting, the experience of reading Dean's book reduces reading to the physical intimacy of your own mouth; as you to attempt to read the barely decipherable words to take pleasure in the babble, you feel your eyes contort as your own tongue does trying to shape the words, tempted to twist, stretch or replicate the graphic tonguing on the page." --Michael Dean.

kunst --- 7.071 DEAN --- artists' books --- kunstenaarsboeken --- woord en beeld --- concept art --- conceptuele kunst --- Groot-Brittannië --- Dean Michael --- eenentwintigste eeuw

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La pratique de l'artiste belge Jacques André consiste entre autres à acheter en nombre et accumuler des exemplaires des mêmes objets (le plus souvent des livres, disques et DVD, considérés comme ± marqueurs culturels? de l'époque) pour ensuite les exposer - en piles soigneusement architecturées, sous vitrines, sur étagères ou entassés sous les cimaises ... A l'occasion de son l'exposition Buku Buku au Musée des Arts Contemporains au Grand-Hornu (MAC's), Jacques André s'est penché sur le catalogue des achats de livres effectués depuis 2004 au sein d'une série qu'il a intitulé 'ARTERS : Achats à Répétitions, Tentatives d'Épuisement, Reconstitutions de Stocks'.

kunst --- België --- eenentwintigste eeuw --- concept art --- conceptuele kunst --- boeken --- collecties --- verzamelingen --- 7.071 ANDR --- André Jacques --- Exhibitions --- André, Jacques

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kunstenaarsboeken --- artists' books [books] --- Zonder onderwerpscode --- Walravens, Daniel --- Art --- Kunst --- Daniel Walravens --- kunst --- twintigste eeuw --- Walravens Daniel --- conceptuele kunst --- concept art --- kleur --- kleurenleer --- zwart --- monochromie --- 7.071 WALRAVENS

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Hommage de l'auteur

kunst --- twintigste eeuw --- eenentwintigste eeuw --- humor --- installaties --- schilderkunst --- 7.071 LENNEP --- relationele esthetica --- Van Lennep Jacques --- Lennep Jacques --- België --- concept art --- conceptuele kunst --- Exhibitions --- Photographs --- Catalogs

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Surveys the life and work of the man widely known as 'the godfather of conceptual art.' Accompanying the eponymous exhibition at the Stedelijk Museum Amsterdam, it is the first comprehensive attempt to chart Siegelaub's activities as a curator, publisher, bibliographer, and collector across different realms, from conceptual art and mass media to politics and textiles.

kunst --- 7.038 --- kunstmarkt --- galeries --- artists' books --- kunstenaarsboeken --- Verenigde Staten --- Siegelaub Seth --- twintigste eeuw --- conceptuele kunst --- concept art --- Exhibitions --- Siegelaub, Seth --- Art publishing. --- Art publishing --- Conceptual art. --- Siegelaub, Seth, --- Concept-art. --- Conceptual art --- Conceptual --- Art --- Art dealers --- Marchands d'oeuvres d'art --- Art conceptuel --- Exhibitions. --- Expositions --- Edition --- Siegelaub, Seth - 1941-2013