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uitvoeringspraktijk --- receptietheorie --- Music --- compositieleer --- luisteren --- luistervaardigheid --- compositie --- Musique --- Muziek --- Academic collection --- 840 --- Muziekgeschiedenis: essays (histor. onderwerpen, literaire analyses) --- 541 --- Compositie --- Essays --- Muziekfilosofie --- Esthetica --- 20e eeuw --- België
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muziektheorie --- componeren --- compositie --- Music --- compositieleer --- Compositie (Muziek) --- Composition (Music) --- Composition (Musique) --- Composition musicale --- Musique --- Instruction and study --- Etude et enseignement --- Composing (Music) --- Music composing --- Music composition --- Musical composition --- Concertante style --- Composition --- Study and teaching --- Composition (Music) - Congresses --- Muziekpedagogie --- Compositietechnieken
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compositieleer --- basso continuo --- muziekgeschiedenis --- improvisatie --- anno 1700-1799 --- Naples --- 547 --- Praktische harmonie - basso continuo --- Partimenti --- Continuo --- History --- Partimenti. --- History. --- Italy --- Naples (Italy) --- Improvisation (musique) --- Instruments à clavier --- Muziektheorie --- Muziekpedagogie --- Italië
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"Composer Paul Craenen explores ways in which the musician's body is revealed in musical performances. He leads us from Cage, Lachenmann, Kagel and their contemporaries to a discussion of how today's generation of young composers is writing a body paradigm into composition itself. Micro-temporal physical gestures and instrumental timbre provide the key to unveiling the physical presence of both a musician and a 'composing body.' The author's concept of 'intercorporeality, ' along with the idea of an alternating linear and non-linear relationship of the composing body to time, casts new light on the relationship between musicians, composers and music consumers"--Back cover.
muziektheorie --- componeren --- Music --- compositieleer --- Compositie (Muziek) --- Composition (Music) --- Composition (Musique) --- Composition musicale --- 20th century --- History and criticism --- Philosophy and aesthetics --- Performance practice (Music) --- History --- Composition (Music). --- Performance practice (Music). --- music [performing arts] --- contemporary [generic time frame] --- philosophy of art --- 575 --- Muziekfilosofie --- Muziekpsychologie --- Lichaamsbewustzijn --- Compositie --- music [performing arts genre] --- muziekgeschiedenis
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"The practices and perception of music creation have evolved with the cultural, social and technological contexts of music and musicians. But musical authorship, in its many technical and aesthetic modes, remains an important component of music culture. Musicians are increasingly called on to share their experience in writing. However, cultural imperatives to account for composition as knowledge production and to make claims for its uniqueness inhibit the development of discourse in both expert and public spheres. Internet pioneer Philip Agre observed a discourse deficit in artificial intelligence research and proposed a critical technical practice, a single disciplinary field with 'one foot planted in the craft work of design and the other foot planted in the reflexive work of critique. A critical technical practice rethinks its own premises, re-evaluates its own methods, and reconsiders its own concepts as a routine part of its daily work.' This volume considers the potential for critical technical practice in the evolving situation of composition across a wide range of current practices. In seeking to tell more honest, useful stories of composition, it hopes to contribute to a new discourse around the creation of music."--Page 4 of cover.
Composition (Music). --- 592 --- Publicaties onderzoeksinstellingen --- Composition (Music) --- 78 <09> --- 78 <09> Muziekgeschiedenis --- Muziekgeschiedenis --- Composing (Music) --- Music --- Music composing --- Music composition --- Musical composition --- Concertante style --- Composition --- Electronic books --- Books in machine-readable form --- Digital books --- E-books --- Ebooks --- Online books --- Books --- Electronic publications --- Traktaten --- Methodes --- Compositie --- Compositieleer --- Compositietechnieken --- Composition (Musique) --- Philosophy. --- History and criticism. --- Philosophie. --- Histoire et critique.
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Dit boek biedt een heldere methode aan om de uiterlijke verschijningsvormen van kunstwerken systematisch te onderzoeken. In tien hoofdstukken leidt de auteur ons langs beeldaspecten als : materiaal en techniek, afmetingen en kader, ruimte, licht, kleur, beweging, standpunt en plaatsing, waarnemening en abstractie.
7.04 --- 7.01:003 --- Visual perception --- 7.01 --- abstractie --- bewegen --- compositieleer --- kleurenleer --- kunst --- kunstbeschouwing --- kunsttheorie --- kunstzinnige vorming --- licht --- materialen --- ruimtelijkheid --- vormleer --- 700.6 --- De Visser, Ad --- kunstfilosofie --- kunstgeschiedenis --- semiotiek --- Optics, Psychological --- Vision --- 7.01:003 Semiotiek van kunst en esthetiek --- Semiotiek van kunst en esthetiek --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- kunst algemeen, filosofie van de kunst en vormgeving --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- Psychological aspects --- Kunsten --- Filosofie --- Kunstbeschouwing --- Art appreciation --- Abstractie --- Beweging --- Brons --- Compositie --- Computerkunst --- Contouren --- Driedimensionaal --- Factuur --- Fotografie --- Glas --- Grafiek --- Kader --- Kleurenspectrum --- Kleur --- Kunst --- Land art --- Licht --- Lichtkunst --- Materiaal --- Mozaïek --- Ordonnantie --- Perspectief --- Plasticiteit --- Plastiek --- Portret --- Realisme --- Ruimte --- Ruimtelijkheid --- Schaduw --- Schilderen --- Schriftuur --- Sculptuur --- Techniek --- Tekenen --- Textiel --- Textuur --- Tweedimensionaal --- Video --- Waarneming --- Perception --- Visual discrimination --- Appreciation of art --- Art --- Art criticism --- Analysis, interpretation, appreciation --- #KVHA:Kunst --- #KVHA:Kunstbeschouwing --- Kunsttheorie ; kunstbeschouwing --- Kunst ; theorie, filosofie, esthetica --- #gsdbA --- History --- art history --- art theory --- color [perceived attribute] --- space [composition concept] --- light [energy] --- motion --- Iconography --- techniques [processes] --- perception --- materials [matter] --- art criticism --- Aesthetics of art --- Aesthetics --- kunsteducatie --- Art appreciation. --- Visual perception. --- Lerarenopleiding --- (vak)didactiek menswetenschappen. --- Kunstesthetica --- kunstkritiek --- materials [substances] --- 696 --- Kunstgeschiedenis --- Oudheid --- China --- Romeinse Rijk --- Hellenisme --- Griekenland --- Hellas --- Film --- Literatuur --- Muziek --- Schilderkunst --- Tekenkunst --- Vlaanderen --- Vlaams --- Emigratie --- Vrouw --- Reception of art --- Reception --- CDL --- kunstbeschouwing.
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